Over seventy years after the death of George Orwell, Richard Bradford’s new biography, convincingly argues the case for the continued importance of the author of Animal Farm and 1984 in the 21st century.
In addition to the biographical details of Orwell’s eventful life – his unhappy schooldays, his years in the Burmese police force, his genuine heroism fighting fascism during the Spanish Civil War- the book connects Orwell’s writing to the present by linking it to recent trends such as the endless distortions of the truth by the now disgraced former US President Donald Trump and by the current UK Prime Minister, Boris Johnson. The book also discusses the bitter antisemitism row which undermined Jeremy Corbyn’s spell as leader of the Labour Party in an intelligent book which demonstrates how Orwell today remains as relevant as ever.
Book review: Orwell: A Man of our Time, by Richard Bradford. Published by: Bloomsbury Caravel, May 13th 2021.
Sixty years on, Theodore H. White’s ground-breaking account of the 1960 US presidential elections is still regarded as a landmark in political reporting. White’s first book and to a lesser extent, his three subsequent volumes on the 1964, 1968 and 1972 contests have provided a template for all such works produced since, for example, the late Richard Cramner’s massive account of the 1988 Bush Vs Dukakis contest, What It Takes or Mark Halperin and John Heilemann books on the 2008 and 2012 elections won by Barack Obama.
White died in 1986, but his writing still provides a unique and fascinating insight into these four contests whose outcomes would prove to have dramatic consequences for both America and the world.
The 1960 elections had everything. Two youthful strong rival candidates both destined in their time to become important and controversial leaders, a fiercely fought primary campaign, a charismatic outsider battling against religious bigotry, an ‘October surprise’ (the upset caused by the TV debates) and a nail-biting photo finish.
White admittedly had a lot to work with but his spell-binding and thorough account is at least as fascinating in discussing the ‘nearly men’ such as Hubert Humphrey, Adlai Stevenson, Lyndon Johnson and Nelson Rockefeller as it is about the eventual final nominees, John F. Kennedy and Richard M. Nixon.
After a 2020 election which ended with only the second Roman Catholic being elected to the White House without the subject ever really being raised, its easy to forget how serious an electoral obstacle Kennedy’s Catholicism was considered in 1960 when he ultimately became the first.
The personality of Richard Nixon inevitably looms large throughout these four volumes. He was the Republican nominee in three of these four elections (1960, 1968 and 1972), the winner of two (1968 and 1972) and played a smaller role in the 1964 campaign. He comes across badly in this first volume. Initially, the clear favourite, he squanders his advantage, proving a difficult and awkward candidate losing the support of the popular incumbent President Eisenhower and lumbering his campaign with a foolhardy commitment to visit all fifty American states. He was lucky not to lose by more and luckier still to get a chance to stage a comeback.
Did White know about Kennedy’s relentless womanising? We do not know. He was certainly not alone in not reporting them if he did know, however, as non-reporting of candidates’ private lives was certainly the convention at the time. Gary Hart, Bill Clinton and Donald Trump were to be less fortunate in this regard. Nothing is also said about Mayor Daley’s electoral chicanery in Chicago. Kennedy would have won comfortably in the electoral college without Chicago anyway. Although it is discussed, less is made of the TV debates’ impact by White than has been made since. This is nevertheless a masterful account and the best of the four books in the series.
Foregone conclusions rarely make for exciting elections and White is unfortunate that Democrat President Lyndon Johnson’s landslide victory over Republican Senator Barry Goldwater was never really in doubt. White delivers an excellent account of the aftermath of the 1963 Kennedy assassination, however, and reminds us just how brilliant a candidate and a president LBJ was in his first year in office, regardless of what happened later. He also reminds us just how terrible a choice Republicans made when they opted for Barry Goldwater (“extremism in defence of liberty is no vice”) over the far more palatable and moderate, Nelson Rockefeller, who would become Gerald Ford’s vice president, a decade later.
“In your heart, you know he’s right,” Goldwater fans insisted. “In your guts, you know he’s nuts!” critics countered. In the end, Goldwater allowed himself to be painted into a corner and portrayed (White argues unfairly) as a potential welfare abolitionist and nuclear hawk. He lost to LBJ by a record margin. Again, less is made of things which have come to be seen as important since. Little is made of the landmark ‘Daisy’ Johnson TV campaign broadcast (in which a little girl picking daisies in a field is unexpectedly nuked. It was later parodied on The Simpsons) and ex-actor Ronald Reagan’s career-defining speech in favour of Goldwater is not mentioned at all.
1968 was a US presidential election year like no other, more violent, traumatic and divisive than any before or since. The previous election in 1964 already seemed like a distant memory by the start of 1968, as the United States was reeling from a dramatic breakdown in law and order and mounting division over the increasingly bloody quagmire in Vietnam. LBJ seemed exhausted, his ambitious and admirable Great Society programme side-lined forever by the escalating war. Despite this, the president (who was eligible for one more term, having served the fourteen remaining months of the assassinated John F. Kennedy’s remaining term, plus one of his own) was still generally expected to win.
But shock followed shock in 1968. First, the US suffered a major setback in Vietnam as the Viet Cong launched the Tet Offensive. Then, the little known senator Eugene McCarthy scored an impressive 41% in the New Hampshire primary: not a win but a major shock to the White House. This prompted Johnson’s hated rival Bobby Kennedy to enter the race. Like McCarthy, he ran on an anti-war ticket.
At this point, Johnson astonished the world by announcing his withdraw from the race declaring: “I shall not seek, and I will not accept, the nomination of my party for another term as your President,” in a televised address in March. Concerns that he might suffer another heart attack were a factor, something he confided to his Vice President Hubert Humphrey who effectively ran in his stead. He did indeed die following a heart attack on January 22nd 1973. Had he won and served another full term, his presidency would have ended just two days before.
White explores all of the candidates. The short campaign of Bobby Kennedy which would ultimately be a cut short by an assassin’s bullet. Eugene McCarthy: an often irritating candidate who lost all heart in the 1968 contest following RFK’s death. George Wallace, the racist demagogue running as an independent. And Humphrey, the eventual Democratic nominee after a disastrous Chicago convention marred by the brutal police suppression of anti-war protests outside. Despite a terrible campaign, “Humph” came surprisingly close to winning.
But he was narrowly beaten by Richard Nixon, ultimately a disastrous choice for presidency. Nixon had already seen off challenges from political newcomer Ronald Reagan and George Romney, (the father of Mitt Romney who was beaten by Obama in 2012). Romney Senior’s campaign was scarcely less inept than his son’s. Witnesses have described it as “like watching a duck try to make love to a football.”
There is no happy ending here. Nixon won after sabotaging Johnson’s attempts to secure peace in Vietnam before the election, despite publicly expressing support for them. This isn’t discussed here (White would not have known about these behind the scenes shenanigans) though at times White does show a great deal of warmth towards Nixon here, something he would probably come to regret later.
By 1972, White’s books were having a political impact in themselves. At one point, we are told the Democratic nominee George McGovern first decided to run for the highest office after being inspired by White’s first Making of the President book back in 1962. The liberal McGovern would go onto be buried in a forty-nine state Nixon landslide. Today, in 2021, both Nixon and McGovern are long gone (McGovern died in 2012, aged 90) but for the first time in these volumes, a clear link can be forged to the present. A number of people mentioned (Gary Hart, Ralph Nader, Donald Rumsfeld, even William Calley of My Lai) are still alive, while we know, though it isn’t mentioned here, that the young Bill Clinton and Hillary Rodham first met on the McGovern campaign. Also:
“And J. Caleb Boggs of Delaware of whom it was said had shaken half the right hands in his thirty years in public office, being defeated for the Senate by a young man, Joseph Biden Jr., who would reach the Constitutional Senatorial age of thirty, only a few weeks before he was due to take office.”
No other president in US history was making an impact in public life almost a full half century before they were in the White House. Reagan, after all, was not yet even an actor, 48 years before he became president. Trump, at that stage, was still a spoilt millionaire’s son. Perhaps nothing ever really changed.
Anyway, the shadow of Watergate looms large over the book. The initial summer 1972 break-in seems to have had no real impact on the November election. By the time, White finished the book, it was clearly becoming a major scandal although it was not yet at all obvious that it would ultimately bring down Nixon himself.
This election also spawned Fear and Loathing on the Campaign Trail ’72, from Hunter S. Thompson, a writer far more anti-Nixon and pro-McGovern than White was and indeed, rather fonder of including illustrations in his books.
In truth, you would have to be very, very, very interested in the machinations of the 1970s US Democratic Party indeed to find every page of either this or Thompson’s book wholly riveting. Despite this, it is still tempting to wonder how White might have covered the Ford-Carter contest of 1976 or perhaps Ronald Reagan’s 1980 and 1984 campaigns. As it is, we should be grateful enough for these four volumes which already tell us so much about a nation which had transformed beyond all recognition in the comparatively short period between 1960 and 1972.
Book review: Four volumes: The Making of the President, 1960, 1964, 1968 and 1972, by Theodore H. White. Published by: Harper Collins.
Will Young is a pop star, who first became famous as the victor of the popular ITV talent show, Pop Idol in 2002. Now in his early forties, this short memoir traces the course of his life so far as a gay man. It is an interesting companion piece to Tom Allen’s 2020 memoir, No Shame as well as to the recent Channel 4 drama, It’s A Sin. Being born gay is not easy for anyone and despite a relatively supportive and comfortable background, Young has had his struggles growing up in the 1980s and 1990s and again as a famous person in the 21st century where he has occasionally encountered public attacks from the likes of the Daily Mail, DJ Chris Moyles and Jeremy Clarkson amongst others. But this is a very good book and very readable too. I was slightly less keen on the later stages of the book detailing his mental health struggles of the last decade. I don’t doubt that these were very significant and difficult experiences for hìm at that time. However, in writing about them, he generally adopts a therapy-like way of writing which is less accessible than the rest of the book. But overall, this is a very compelling and readable portrait of what it means to be a gay man in the Britain of the year late 20th and early 21st century.
Book review: To Be A Gay Man, by Will Young. Published by: Virgin Digital.
Meet Jane, a young teacher living in Boyne City, Michigan at the start of the 21st century. In addition to a consistently embarrassing mother, Jane has an on‐off relationship with Duncan, an older man who not only seems surprisingly close to his ex-wife, Aggie, but who seems to know every woman in town. Then there’s Jimmy, Duncan’s nice but childlike co-worker. Spanning a period of nearly twenty years, which naturally sees many changes for both Jane and those around her, Katherine Heiny’s novel is a hugely addictive visit to a charming and enjoyable small-town world.
Book review: Early Morning Riser, by Katherine Heiny. Published by: Fourth Estate.
DCI Cassie Stewart and DI Sunny Khan (Nicola Walker and Sanjeev Bhaskar) are back, doing what they do best: investigating unresolved murder cases from the past. Last time, it was the discovery of the remains of a teenage girl on a building site just off the M1 which brought a group of middle-aged onetime Millennium partygoers under suspicion. This time it’s the discovery of the headless corpse of a Millwall fan in a freezer which threatens to provide an unwelcome trip down memory lane for a new bunch of suspects. But who are they? All have secrets in their past and now appear to have moved on. An old Marathon bar wrapper (from just before the unpopular decision was made to rename the brand ‘Snickers’) is just one of a number of clues suggesting the crime was committed back in 1990. But who is ultimately responsible for the death?
Could it be the slightly chippy Ram Sidhu (Phaldut Sharma) currently preoccupied with his wife’s pregnancy:? Or Liz Baildon (Susan Lynch) who seems to have the elderly mother from hell (Sheila Hancock?) Or doting dad and family man, Dean Barton (Andy Nyman) committed to charity work but who seems to be involved in some dodgy business dealings on the side? Or seemingly settled Peak District dwelling family therapist, Fiona Grayson (Liz White, somehow perfect in the role despite technically being about ten years’ too young for it?)
As usual, the joy of Unforgotten stems from seeing these often seemingly perfect modern lives becoming steadily uprooted as more and more mysteries about past events and the characters involved are slowly revealed. There is also, as before, the wonderful central relationship between Walker and Bhaskar’s characters. With Sunny now relatively settled as he moves in with his girlfriend, it is Cassie, who this time, finds herself under strain on all sides from both a dad with dementia (Peter Egan) and a boyfriend (Alastair Mackenzie) potentially on the move. Keen to retire after the traumatic climax to the previous case, Cassie is forced to work on this one final stressful case in order to qualify for her full police pension.
As perfectly realised ad beautifully acted as before, Chris Lang’s Unforgotten remains the finest British crime drama on TV today.
As far as the world of comics goes, Stan Lee was probably the most important person to have ever lived. Born to a Romanian-Jewish family in New York in 1922, young Stanley Lieber became involved in the world of comics early. An office boy in the 1930s, by the end of a frustrating 1950s, Lee came close to quitting the world of comics forever until his Newcastle-born British wife suggested he create a new crop of comic superheroes to challenge the near monopoly then enjoyed by Superman and Batman creators, D.C. In a remarkably short space of time, Lee created Spider-Man, The Fantastic Four, Iron Man, The X-Men and The Avengers essentially establishing Marvel as the incredibly profitable global media powerhouse that it remains to this day. Happy ever after? Well, no. Partly because, as Adrian Mackinder explains, the extent to which Lee can really claim complete credit for creating all these amazing characters remains hotly disputed. This is not a hagiography and while Lee was careful to cultivate a loveable avuncular image amongst Marvel’s armies of ‘True Believers,’ Mackinder, though clearly a big fan himself, does not shy away from exploring the less desirable elements of Lee’s character.
In short, Mackinder not only does a commendable job of detailing the highs, lows, creative explosions, fallings out and film cameos which made up Lee’s almost 96 years on Earth but also does a commendable job of explaining the cultural context in which they occurred. In addition to Lee’s life, we also learn a lot not only about the history of Marvel comics, but also get much on how vaudeville declined in the teeth of competition from radio and cinema in the 1920s and 1930s and much of interest about ALL comic adaptations on TV and film over the decades, not just the Marvel ones. It is easy to forget, despite the renaissance in comic book based films in the 21st century,, just how many flops there also were (Daredevil, Elektra, Ghost Rider, to name but a few). I must admit: I have sometimes written about the history of comics myself. But ultimately, I must put aside any feelings of professional jealousy and concede: Adrian Mackinder really has done an exceptional job here. Nuff said.
Book review: Stan Lee – How Marvel Changed The World, by Adrian Mackinder. Published by: Pen & Sword, White Owl.
Let’s get one thing clear from the start: Katy Wix’s book is not actually very funny.
This is not because Katy Wix herself isn’t funny: she definitely is. On TV series like Not Going Out, The Windsors, Ghosts and as a contestant on Taskmaster, she has consistently demonstrated herself to be incredibly talented, likeable (even when playing unlikeable characters (such as the snooty Carole in Miranda or bossy estate agent Carole in Stath Lets Fllats) and amusing. In truth, she is probably one of the finest comedy actresses working in Britain today.
But this memoir – which links a number of key events in Wix’s life to various cakes – is not only not especially funny but is generally not only not very funny but not even for the most part, really aspiring to be so. The book deals with serious issues: Wix’s own struggles with her weight, her deeply unpleasant grandfather, the death of a friend, a serious car accident Wix was involved in and her mother’s struggle with cancer. The book’s cover comes emblazoned with a quote from Simon Amstell (another very talented figure) describing the book as “painful, raw and incredibly funny.” Painfully raw? Yes. But to describe this as “incredibly funny” honestly does Delicacy a disservice. It is possible to make a troubled memoir very funny indeed as demonstrated by Georgia Pritchett’s forthcoming, My Mess Is A Bit Of A Life. But this isn’t that book.
This is not to detract from the honesty of Wix’s writing or to diminish the genuine heartache she has clearly experienced. But if you want a funny book, look elsewhere.
Book review: Delicacy A Memoir About Cake and Death, by Katy Wix. Published by: Headline.
Although it has the light, readable feel of a storybook, this book by John Fisher featuring 22 short stories from the county of Devon, followed by a further 20 stories from neighbouring Cornwall, is nevertheless history pure and simple. Both counties have a fair degree of myths and legend in their storytelling traditions and these tales which occasionally mention mermaids or weather-based folklore occasionally reflect that. Despite that, the stories which included that of John ‘Babbacombe’ Lee (otherwise renowned as ‘the man they couldn’t hang.’) the legend of the pirate queen of Penryn, the amazing story of a lion attack on Regency-era Exeter stagecoach, the life of John Opie ‘the Cornish Wonder’ and the bizarre story of Napoleon’s post-Waterloo visit to Torbay, are no less incredible for being true. A light volume, ideal for holiday reading.
Book review: Devon and Cornwall’s Oddest Historical Tales, by John Fisher. Published by: The History Press.
Beneath its placid, seaside resort, areas of outstanding beauty exterior, the county of Devon has had a livelier history than many.
Don’t believe me? Then pick a century at random. Try, the 16th: The heyday of many Devon-born explorers such as Sir Walter Raleigh and Sir Francis Drake. Piracy and smuggling were rife. The county also played major roles in the Wyatt and Prayer Book Rebellions. The 20th? Remember the wartime devastation of the air raids on Plymouth and Exeter? The booming seaside of Regency Exmouth in the early 19th century. The ten sieges of Exeter. Perkin Warbeck’s march on Devon. The critical role played by the county in the Civil War. The trials of the Bideford ‘witches.’ The history of England is fascinating and Devon has certainly played an essential role in making it so.
This new book by Suze Gardner avoids jumping around all over the place as I just did. It tells the story of Devon in 21 easily absorbable little chapters, starting with details on the county’s geology (fun fact: only a small amount of the so-called ‘Jurassic coast’ is actually from the Jurassic era) and stretching right up to the lowdown on the early 21st century sitcom, Jam and Jerusalem.
With so much potential information to impart, there are potential dangers here, of course. Any history risks being overly dense as it seeks to burden the reader with too many facts. At the other extreme, a writer might go too far to avoid doing this and end up producing something so lightweight it ends up not really telling the reader anything substantial at all.
Happily, as in her previous book, The Little Book of Devon, Suze Gardner avoids both of these traps. Whether discussing the Honiton lace trade, sinister occultist, Aleister Crowley or the Battle of Jutland, she achieves the perfect balance between being highly readable and accessible while also remaining substantial and informative. There is also plenty of good history to be learned here generally too, not just about Devon. The next time anyone says to you they want to come to see Devon’s famous ‘Jurassic Park’ or tries to claim crime writer, Jessica Fletcher lived in Greenway, toss over a copy of this book.
I should declare an interest here. I do not know Suze Gardner myself and have not met her. I have, however written the book, Secret Exeter (2018) with Tim Isaac and also wrote A-Z of Exeter: Places – People – History (2019) myself. I regularly write features on local history for the magazines, Exeter Life and Devon Life and write a weekly history column which runs in the Sidmouth Herald, Midweek Herald and Exmouth Journal. I have definitely used Suze Gardner’s works to inform my own writing. I will doubtless do the same again in the future.
I do have one or two minor niggles with the book, however. For one thing, it occasionally, just sounds a bit wrong. Consider this, on James II: “The new king was a Catholic (the last Catholic in England). Worse still, he was intent on making the country Catholic again too.” I don’t think Suze Gardner means this to sound as if it’s bad to be Catholic. But it does rather come out sounding that way. She also doesn’t mention General Buller’s youthful bravery during the Zulu Wars: the heroic side of his reputation rests entirely on this, not on his later, rather more dubious record as a General during the Boer War.
Some of the sub-headings do sound a bit Horrible History-esqe too: ‘Awful Antarctic,’ ‘Hooray Henry!’ and ‘Awful Arsenic and Monstrous Manganese’. My worst criticism would be the excessive overuse of exclamation marks throughout the entire book. Often, they just seem inappropriate: “Remarkably, many Saxon government methods are still in use today!” “Often services had to be held outside to accommodate all the worshippers!” and ‘The people of Victorian Exeter had very bad luck with their theatres as three of them burnt down!” None of these sentences needs an exclamation mark, particularly as one of the fires referred to in the last one was actually a terrible tragedy. There are many more examples of this throughout the book.
But I didn’t spot any real factual errors. And ultimately as a concise and highly accessible guide to England’s third largest county, this is basically unmissable.
Book review: The Little History of Devon, by Suze Gardner. Published by: The History Press, 2021
1951: Dennis the Menace first appears in The Beano, drawn by Scots cartoonist, Davey Law. There is no Gnasher yet and Dennis’s distinctive stripy black and red jumper do not appear for some weeks. He is not yet on the cover but has a half-page black and white story inside the comic. The character and strip have a more real-world feel than many Beano strips which makes it instantly popular. Biffo the Bear remains on the cover where he has been since he knocked The Beano’s original cover star, Big Eggo off in 1948. Eggo (an ostrich) had ruled the roost since The Beano started in 1938.
By a staggering coincidence, a new American strip also called Dennis the Menace created by Hank Ketcham appears in US newspapers almost exactly simultaneously. The first Beano featuring Dennis was dated 17th March although in practice wold have been available five days earlier: the exact same day the US Dennis debuted! The American Dennis is blonde, has a dog and a neighbour called Mr Wilson. He too is still going strong. He is usually referred to as just ‘Dennis’ when he appears in the UK while the UK version is called, ‘Dennis and Gnasher’ in the US to avoid confusion. Just to be clear, this feature is only about the British Dennis the Menace, although both are now seventy.
1953: Dennis has now been promoted to a full page colour story on The Beano’s back cover. Dennis’s enemy Walter also makes his first appearance (Dennis’s friends, Curly and Pie-Face have already arrived).
In the same year, Minnie the Minx and Little Plum first appear in The Beano while Beryl the Peril appears in the new title, The Topper. Beryl and Minnie are clearly intended to be female versions of Dennis. Beryl and Dennis are both drawn simultaneously by Davey Law for much of the 1950s. Leo Baxendale, the creator of Minnie and ‘Redskin’ Dennis, Little Plum (amongst many other strips, including The Bash Street Kids) credited Dennis with inspiring him to join The Beano.
1955: The first Dennis the Menace Book or annual appears. Of all The Beano characters, only The Bash Street Kids have been granted the same honout.
1968: Abyssinian Wire-Haired Tripe Hound, Gnasher makes his first appearance as Dennis’s canine companion. The story becomes Dennis the Menace and Gnasher and later just Dennis and Gnasher.
1970: Davey Law retires (he dies in 1971). David Sutherland takes over.
1974: Dennis the Menace replaces Biffo the Bear as The Beano’s cover story. He remains there to this day after nearly 47 years, well over half the duration of The Beano’s 83-year run. Increasingly old-fashioned, Biffo ceases to appear regularly in The Beano at all after 1987.
1976: The Dennis the Menace Fan Club begins.
1977: Gnasher’s Tale, a spin-off story begins.
1979: Dennis’s pet pig, Rasher makes his debut appearance. He appears in his own story from 1984 until 1988 and intermittently afterwards.
1986: In a well-publicised storyline, Gnasher briefly goes missing and (though male) returns with a litter of puppies including Gnipper, a puppy with a single large razor-sharp tooth. Gnasher’s Tale is replaced by a new story, Gnasher and Gnipper.
1996: A Dennis the Menace cartoon appears on TV. Voices include Billy Connolly and Hugh Laurie.
1998: Birth of Dennis the Menace’s sister Bea.
2004: Dennis the Menaces surpasses the record previously set by Lord Snooty to become the longest running Beano character ever. Only Minnie the Minx and Roger the Dodger come close to rivalling his longevity.
2009: Another new TV series, Dennis and Gnasher begins. It continues until 2013.
2021: Dennis the Menace celebrates its 70th birthday.
Pat Mills' Sláine, the 'Celtic Conan' has been wowing readers of UK sci-fi comic, 2000AD since 1983. The saga was never more vividly realised than when in the late 80s and early 90s when Mills and young artist, Simon Bisley produced the masterful epic, Sláine: The Horned God.
Sadly, as this is an audiobook, inevitably, Bisley's wonderful visuals - the gore of the battles, the beauty of the land of Tir Nan Nog, Sláine's ageing sidekick Ukko and the sight of Sláine going into warp spasm (don't ask) are lost.
This is nevertheless an excellent adaptation which does full justice to the classic comic story.
Few stories from the Galaxy’s Greatest Comic, 2000AD, are remembered with such affection as Alan Moore and Ian Gibson’s mid-80s classic, The Ballad of Halo Jones.
This new audiobook does an excellent job of retelling the adventures of Halo, an ordinary 50th century girl who escapes the restrictions of a depressing teenage existence in vast urban settlement, The Hoop to find work on a space cruiser, the Clara Pandy. As in the original classic comic story, she ultimately becomes embroiled in the affairs of the sinister General Luiz Cannibal and the horrors of the Tarantula Nebula War.
As with the first of the three books adapted here is less accessible than the others, largely because of the futuristic slang spoken by Halo and the other Hoop dwellers is slightly off-putting. There is also a bizarre error here in which one character, Lux Roth Chop, who is clearly supposed to be a child in the story is voiced by a grownup actor.
But, generally this is a first-class production which generally follows the original version very closely. Sheila Atim, in particular, does an excellent job of voicing Halo herself as she grows from being a naive teen into a cynical thirtysomething.
For well over forty years now, 2000AD comic’s futuristic law enforcer, Judge Joe Dredd has fought a never-ending battle to impose a semblance and order onto the chaotic 22nd century American metropolis of Mega City One. Yet there has always been a dark undercurrent to the story. The Judges – effectively futuristic policeman who also have the power to determine an arrestee’s guilt and to impose instant sentencing – clearly rule over what is effectively an undemocratic police state with an iron fist.
Rarely was this more obvious than in John Wagner and Colin MacNeil’s beautiful and heart-rending story, America, which first appeared in 2000AD spin-off, Judge Dredd The Megazine, in 1990. Judge Dredd takes only a villainous supporting role in the tale of the tragic life a young woman, America Jara, told from the point of view of her best friend Benny, who clearly loves her. America devotes her life to fighting a hopeless struggle for the values once embodied by her first name. Sadly, we soon learn that in Mega City One, these noble principles no longer apply, the American Dream is already dead.
This is a first-class audiobook dramatization of the comic story with high production values. Shakespeare in Love star, Joseph Fiennes is not an obvious choice for voicing Dredd but Paterson Joseph proves a strong narrator. Where I do have strong reservations, however, is in the inclusion of several other democracy-related Dredd stories without any explanation or context. Although they are all good stories and are also adapted well here too, they are clearly not directly part of the America story and it was a mistake to lump them all in together here without any introduction or even any chapter headings.
This failing aside, this is a winning audio version of a classic Dredd tale, which has been given added poignancy by subsequent political events in the years since the stories included were first produced.
Moxie is the story of how a group of teenaged girls band together to defeat the sexism endemic in their high school.
The sexism is everywhere. The school American football team are treated as all-conquering heroes, even as they slap girl’s behinds in public and send out lists of which of the female students has the “best rack” or is “most bangable.” One suspects both this behaviour and the language used – though undeniably unacceptable – is actually fairly mild compared to what actually goes on in many schools in both the US and UK.
Worse still, a serious complaint of harassment made by new girl, Lucy (Alycia Pascual-Peña) against bullying sports star, Mitchell (who, in an interesting piece of casting is played by Patrick Schwarzenegger) is not taken seriously at all by the school’s head, Principal Shelley (Marcia Gay Harden). Another girl is angry over being unfairly penalised for wearing a tank-top, others are irritated by the lack of support given to girls’ sports by the school. A trans student is also annoyed to be excluded from the school production of Little Shop of Horrors. Long-suffering liberal teacher, Mr. Davies (Ike Barinholtz) amusingly ties himself in knots by trying to retain a neutral stance amidst the rising tide of rebellion.
One student, Vivian (Hadley Robinson) has had enough. Inspired both by the defiant attitude of her new friend, Lucy and by tales of the 1990s riot grrrl activism of her mother (Parks and Recreation star, Amy Poehler, who also directs this), Vivian single-handedly conceives, devises, writes, produces and distributes MOXIE! an underground magazine designed to tackle directly the plague of male chauvinism which infects the school. She manages to keep her own role in producing the new journal entirely secret from friends and family, an element of the story, I personally didn’t find entirely convincing. At times, Vivian exhibits signs of the intolerance which occasionally emerges in such movements. She also comes close to alienating her best and oldest friend, Claudia (Lauren Tsai).
Based on Jennifer Mathieu’s novel, I did not find every aspect of the film entirely convincing. The name Moxie or MOXIE! really works as a film title.
But as a well-acted and potentially inspiring call to arms against the evils of everyday sexism, Moxie is definitely worth watching. Moxie is available to watch on Netflix now.
Louise Barnsley (Simona Brown) leads an ordinary enough life. She is divorced and lives with her young son, Adam (Tyler Howitt) in London. She enjoys her job working at a psychiatrist’s office. She gets on well with her main colleague Sue (Georgie Glen) and has another good friend outside work, Sophie (Nichola Burley).
She does, however, suffer from night terrors and is haunted by dreams in which she wonders down creepy Clive Barker-esque corridors and which see her son see endangered in various ways. These nightmares often cause Louise to sleepwalk: potentially a serious problem as she lives in a high-rise flat with a balcony.
One day, she literally bumps into Adele (Eve Hewson, the daughter of U2 musician, Bono) who she recognises as the wife of her new boss, Dr. David Ferguson (Tom Bateman). This is awkward as Louise and David have already kissed on a night out, shortly before David started the job. At that point, Louise had had no idea either that David was already married or that he was about to become her new employer. The kiss would doubtless never have happened if she had. Things get more awkward still when Adele who is very beautiful but clearly very lonely starts pushing hard to befriend Louise. Louise is initially wary: Adele does not, of course, know about the kiss and Adele doesn’t want David – who seems to be very controlling and possessive – to know about her friendship with Louise. Without really meaning to, Louise has thus got into a position where she is deceiving both sides of the Ferguson marriage at the same time. On the plus side, Adele does seem to have a possible intriguing solution to Louise’s night terrors.
On top of all this, the Ferguson marriage seems to be a loveless nightmare. David is clearly miserable, drinks heavily and seems to be attempting to control Adele through a regimen of prescription pills. He clearly expects her to stay at home all day in their large but sterile home while he goes to work. A series of flashbacks to the late 2000s, meanwhile, reveal a younger happier Adele befriending a young Scots drug addict, Rob (Robert Aramayo) while both are apparently staying at a rural psychiatric institution.
What is the truth behind Adele’s troubled past? Who exactly was Rob and what happened to him? What does the well, which keeps appearing in the flashback sequences, have to do with anything? Why are David and Adele so unhappy together? Is David manipulating Adele? Is Adele manipulating him? Are they both manipulating Louise and if so, why? What exactly happened to Adele’s family? Is there something suspicious about Louise’s friend, Sophie? Why are there pigeons everywhere? Can Louise disentangle herself from this mess?
This compelling new six-part Netflix thriller from Steve Lightfoot and based on Sarah Pinborough’s 2017 novel raises many such questions and will keep you guessing right until the very final scenes.
At the time of writing, Joe Biden is around forty days into his tenure as 46th president of the USA. Anyone who becomes US president is interesting simply on account of the fact that they have managed to achieve that position. Biden is less charismatic than Obama and not as dynamic was Kennedy but is certainly much less stupid than Trump. This quick, readable biography offers the perfect opportunity for curious readers to brush up and gain some basic knowledge of the new guy.
He has been around for a while. He is seventy-eight years old, older than any of predecessors in that office and older today than four of the five living former US presidents, Clinton, Bush, Obama and the defeated Trump. It is widely suspected that he only plans to serve one term, leaving Vice President Kamala Harris as the strong favourite to win the Democratic nomination in 2024. If he does manage to serve two terms, Biden will be eighty-seven by the time he leaves office in January 2029.
He is undeniably a member of the political establishment. He was elected as the sixth youngest senator in US history as far back as 1972. He was thus a senator at the time of the Watergate scandal. His first bid for the presidency was launched as long ago as 1987. His rivals for the Democratic nomination then included such long ago vanished political figures as Michael Dukakis, Jesse Jackson and Gary Hart. Biden’s own ambitions were undermined by claims he allegedly plagarised a speech by British Labour leader, Neil Kinnock, never a well-known figure in the United States.
The upside of all this is that Biden is very experienced, an attribute his now disgraced immediate predecessor so clearly lacked. Biden has had a long and successful career as senator and two terms as Barack Obama’s Vice President.
Tragedy has been a recurrent feature of his life. His first wife and one-year-old daughter were both killed in a car accident only weeks before he was first sworn in as a senator. His son, Beau, died of cancer in 2015, aged 46. Biden himself was almost felled by aneurysm when he was in his forties.
He is the only the second Roman Catholic to become president and the first former vice president to rise to the top job since George HW Bush in 1989. Even a year ago, Biden’s chances of winning the presidency looked doubtful. However, in November, he won, achieving more votes than any other candidate in US history and crucially comfortably beating Trump in the electoral college.
This is not a hagiography. Biden’s occasional lapses – his gaffes and occasional failure to support progressive causes – are not glossed over. But with American politics potentially entering a more compassionate and progressive phase after the unhappy turmoil of the previous four years, this offers a concise and readable insight into the newest resident at the White House.
Book review: Joe Biden – American Dreamer, by Evan Osnos. Published by Bloomsbury.
A history of Britain in statistics? Boring surely? Well, no actually. Believe it or not, this is actually a very informative and a genuinely very readable and yes, sometimes very funny read, packed full of “did you know?” type facts which you will instantly want to share with anyone nearby, regardless of whether they want to hear them or not.
Providing numerous insights into how our way of life has changed in the last 200 years – what we are called, what jobs we do, how long we live, when and if we marry, how many children we choose to have, what we choose to call them, how likely we are to divorce, when and how we die and what of and so much more.
The book also makes a compelling topical case for the importance of statistical information. During the recent Coronavirus pandemic, the public need for regular up-to-date and accessible data has grown dramatically. How, after all, could we ever defeat the virus without knowing how many people have it, where they live, who its affecting the most, how fast its spreading, how many people are dying from it and how many people have been vaccinated?
Mark Twain is often quoted as referring to “lies, damned lies and statistics.” But this is a nonsense. Assuming the figures are correct and the listener is fully aware of the context, statistics should not be seen as the same thing as lies, damned or otherwise. They are close to being the opposite of lies. This quote is too often used as a lazy rebuke by people who are either too stupid to understand the statistical data they’re being provided with or by people who want to undermine its credibility because too misquote Jack Nicholson’s character in the film, A Few Good Men, “they can’t handle the truth.”
Or as the comedian Stewart Lee quoted a sceptical taxi driver as saying, “you can prove anything with facts, can’t you?”
This is an engaging, amusing and well-written book, but it’s interesting for another reason entirely: it’s the story of us.
Book review: The Official History of Britain: Our Story in Numbers as Told by the Office For National Statistics, by Boris Starling and David J. Bradbury. Published by: Harper Collins.
There has probably never been as successful European cartoonist as the Belgian, Georges Remi, aka Hergé (1907-1983). The man behind the twenty-four hugely popular Tintin adventures is justly celebrated as a formidable creative talent. Yet the real Hergé was a more complex and often much less lovable character than his most famous creation. Prone to overwork and occasionally extramarital affairs, Hergé’s life and career have been clouded in controversy with the cartoonist accused of racial stereotyping and of collaborating with the occupying Nazi regime in Belgium during the Second World War.
The truth, as detailed in Sian Lye’s well-researched and very readable book is fascinating.
Book review: The Real Hergé: The inspiration behind Tintin, by Sian Lye. Published by Pen & Sword, White Owl
A former local journalist who later moved into public relations, Terry Pratchett grew from being a cult comic fantasy author in the 1980s to becoming the bestselling author in the UK of all in the 1990s. Biographer Marc Burrows does an excellent job detailing the prolific Discworld and Good Omens author’s busy life and extensive back catalogue – no mean feat as the Discworld series alone comprises 41 novels – successfully emulating Pratchett’s own literary style as he does so, with numerous witty footnotes throughout. Burrows also details the progress of the Alzheimer’s disease which sadly blighted Pratchett’s final years leading to his death in 2015, aged 66.
I spotted only one mistake: Pratchett never reported on the assassination of Egyptian President Nasser as this event never happened. Perhaps the author meant Sadat? At any rate, this should not detract from Burrows’ achievement. Apparently, Pratchett’s official biography has not been written yet. Whoever writes it will have their work cut out surpassing this.
Book review: The Magic of Terry Pratchett, by Marc Burrows. Published by Pen and Sword. White Owl (2020)
Okay: admittedly ‘The Sultan of Swing’ may sound like a rather flash title for a biography of the 20th century’s foremost election statistician: ‘Sultans of Swing’ was the name of a Dire Straits album. But David Butler was a seemingly permanent feature of the BBC’s TV election coverage for nearly thirty years. He not only largely created the science of Psephology (the study of balloting and calculating election results) almost from scratch but perhaps did more than anyone else to make the complex world of electoral science accessible and easily understandable to the general public. Although he has always been too modest to admit it, he effectively invented the familiar General Election night device of the Swingometer. He is now ninety-six years old. The long story of his life is worth telling and the veteran writer, journalist and broadcaster, Michael Crick does so very well in this biography, published in 2018.
It is quite eye-opening (at least, it was for me) to learn just how primitive election coverage was when Butler started out in the 1940s. Although BBC TV was established in 1936, the organisation remained extremely wary of providing decent coverage of elections or indeed any aspect of British political life for the first twenty years of its existence. Fearful that the government might accuse them of political bias and use this to restrict their powers (admittedly, a very real risk today), the broadcaster imposed strict rules on itself. The monumental 1945 General Election night was thus covered on BBC radio only: admittedly, perhaps not such a huge issue as very few people owned TVs then anyway. In 1950 again, the BBC did not allow itself to cover any election canvassing during the campaign itself. It did, however, tentatively allow a programme covering the results for the first time in which the handsome young dark-haired and very self-assured Oxford graduate, Butler made a favourable impression. He would become a fixture of the BBC’s election night coverage during the next nine General Elections held up to 1979, often appearing as part of a sort of double-act with friendly rival, the Canadian, Bob McKenzie. Butler would adopt spectacles and see his hair grow grey in the ensuing thirty years but his contribution would prove no less vital.
The book opens with a scene in 1950, in which Winston Churchill, at that point Leader of His Majesty’s Opposition and plotting his own return to Downing Street summoned the young Butler to discuss the possibilities the new science of opinion polling offered for predicting election outcomes in advance. It is a good start: the political titan nearing the end of his long career meeting the young talent at the start of his own. In general, though he seems to have been slightly left of centre politically, Butler strived to remain impartial, something which generated occasional tensions with his lifelong friend, left-wing Labour MP, Tony Benn who he met at university. Butler, in fact, had a very distinguished family background and was the cousin of the leading Tory politician, R.A. ‘Rab’ Butler.
Michael Crick chronicles the details of Butler’s many books, innovations, his travels in America and his success in exporting many of his techniques to Australia and India alongside his personal life. This includes two very sad elements\: the death of his wife, the very successful academic, Lady Marilyn Butler in 2011 after many years of happy marriage in 2011 following a struggle with Alzheimer’s disease and the death of one of their three sons, Gareth following a sudden heart attack in 2008, aged just 42.
But, in general, this is a well-researched and highly readable biography of a life well-lived.