TV review: The Crown. Season 5. Episode 5: The Way Ahead

Remember, remember: Charles and Camilla (Dominic West and Olivia Williams) enjoy the fireworks

John Major is the first living British prime minister to have been portrayed in The Crown and in real life, the man Major is not happy about it. A spokesman for the 79-year-old former premier has attacked the show as “a barrel-load of nonsense peddled for no other reason than to provide maximum – and entirely false – dramatic impact.”

The thought of a fully enraged elderly Major should be enough in itself to make even the toughest of the tough quake in terror. But, in all seriousness, Major’s anger seems unwarranted. His portrayal by Jonny Lee Miller is sympathetic. He is depicted as the loyalist of the loyal. Imelda Staunton’s Queen even praises him for his years of service. What is more, the many problems of his troubled administration are largely glossed over. Unlike Macmillan (Anton Lesser) whose wife’s long affair with another politician, Lord Boothby was shown in Season 2, Major’s 1980s affair with colleague, Edwina Currie is never even hinted at. In truth, Major’s fury seems to have been inspired by newspaper claims that he is shown actively plotting with Prince Charles (Dominic West) against the Queen, something which never happens in the series at all.

His premiership did, however, coincide with many of the most troubled moments of the Queen’s reign. In this episode, for example, we get to relive the embarrassment of ‘Tampongate’ in which a sexually charged private phone conversation between Charles and Camilla (Olivia Williams) from 1989 in which the future King fantasised about being a tampon inside the future Queen Consort is released in the 1990s.

Surprisingly, this conversation is reproduced in a way which makes it less excruciating than you might expect. Looking back, we can see now that they were just two fortysomethings in love. They were very unlucky indeed that their phone chat is intercepted by an amateur radio ham who records it and takes it to the tabloids after recognising Charles’s distinctive voice.

Charles actually comes across well for much of this episode, his attitudes and outlook on many issues in the 1990s now looking way ahead of their time. He is even shown breakdancing at one point something Dominic West naturally looks much cooler doing than the real Charles ever did. He comes across less well in his interview with Jonathan Dimbleby claiming he was faithful “until it became obvious that the marriage couldn’t be saved.”

Diana (Elizabeth Debicki), now separated, knows this account is less than honest. Stealthily, she considers her counter move.

TV review: The Crown. Season 5. Episode 4: Annus Horribilis

Stand down Margaret: The Princess (Lesley Manville) faces up to the truth

Did you know the Queen’s sister once very nearly married James Bond?

Well, okay, that didn’t exactly happen. But in this episode, the Queen’s younger sister, Princess Margaret (the brilliant Lesley Manville) meets up with her first love, retired equerry, Group Captain Peter Townsend. And he’s now played by Timothy Dalton, who once famously played 007. You see what I mean? Dalton was, in fact, still officially cast as James Bond in 1992 the very year this episode was set. For all that matters.

It’s all quite poignant. As depicted in The Crown: Season 1, the official refusal to allow the young Princess and the divorced Group Captain (then played by Vanessa Kirby and Coupling star Ben Miles: both seen here in flashback) effectively wrecked poor old Margaret’s life. He went on to marry someone else, happily and successfully. She married too: disastrously, leaving her bitter, boozy and resentful. However, here they get to meet one final time. This apparently did happen but not in quite the way it happens here. Margaret is left shaken not stirred as he woos the living daylights out of her (apologies).

There’s some more dramatic licence here: we see Townsend listening to Margaret being interviewed by Roy Plomley on Desert Island Discs as if this occurred, like the rest of the episode in 1992. In fact, as all true BBC Radio 4 fans will know, that particular episode was broadcast in 1981. Plomley died in 1985, in fact, so it is rather surprising to see him still alive seven years’ later.

Anyway, it becomes clear there is still some lingering tension between the Queen (Imelda Staunton) and Margaret over the issue although this all seems to be resolved by the end of the episode. Lesley Manville is great as ever as Margaret. You have to wonder if she was ever considered as a possible option to play the Queen herself

Talking of which, the Queen has a lot on her plate this time. Royal divorces are like buses. You wait ages for one and then three come along at once. First, Anne (Claudia Harrison) wants to remarry after her divorce. This provokes anguished complaint from Margaret. If she can do it, why couldn’t I? In truth, the situations are not actually identical. Anne is the daughter of the Queen not her sister. Anne is also the divorced one in this instance, not her proposed husband. Margaret has also now been permitted to get divorced herself and could presumably remarry if she wished. Margaret also was given the option of marrying Townsend if she was prepared to relinquish all claims on the throne. That said, none of these points are brought up here and Margaret is certainly justified in feeling aggrieved. For the record, Anne’s second marriage to Vice Admiral Timothy Laurence has now lasted for thirty years. It is the most enduring of any of the six marriages entered into by the children of the late Queen Elizabeth II.

Next up, the now disgraced Prince Andrew (James Murray) announces his marriage to the toe-sucking Fergie is over (no, not the football manager or the one from the Black Eyed Peas). Worst of all, the once and future king, Charles (Dominic West) confirms his marriage is over too. Then Windsor Castle burns down. If the 1990s was the worst decade of the Queen’s reign, then 1992 was the worst year. Perhaps of her entire life.

This prompts the famous Annus Horribilis speech in which the Queen admits that 1992’s been as Francis of Assisi might have put it “a complete and utter shitshow”. The Queen Mother (Marion Bailey) objects to the speech: in a touching scene Philip (Jonathan Pryce) and the Queen defend each other. None of the conversation apparently really happened. It doesn’t really matter: the speech undeniably marked a shift away from the stiff upper lipped attitudes of the past towards the “I feel your pain” approach of the post-Diana era.

TV review: The Crown. Season 5. Episode 3: Mou Mou

It’s that man again: Di (Elizabeth Debicki) meets Mohamed Al-Fayed (Salim Dau)

One of the fun things about The Crown is that you never know when or where each episode is going to start from. You would sort of expect each show is going to start with a caption reading ‘Buckingham Palace, 1991’ or something predictable like that. But, in practice, it’s just as likely to read, ‘Berlin, 1940,’ ‘Amsterdam, 1664,’ or ‘The Planet Osios IV, Alpha Centauri, 8162.’ (I’m exaggerating a little here. Very few episodes of The Crown are actually set in Deep Space).

This time, we open in Alexandria, Egypt, in 1946. Where is this heading? Alex Jennings makes a welcome return cameo appearance as a visiting middle-aged Duke of Windsor before we realise this is The Crown’s introduction to the crazy world of the Al-Fayed family. We witness the birth of Dodi and as the years roll by, we witness his over-sexed father Mohamed’s attempts to establish himself in British society and the resistance he encounters due to a combination of genuine doubts about his character and the usual snobbery and racism. We see him (well played by Salim Dau) buying Harrods and his and Dodi’s (Khalid Abdalla) often overlooked successes within the British film industry. According to this, they actually watched the filming of the famous opening of Chariots of Fire, a sequence once memorably described by Roddy Doyle as “a bunch of tossers running across a beach.”

We also learn of Mohamed’s apparent obsession with the by then deceased ex-King Edward VIII. He employs Sydney Johnson (Jude Akuwudike) a former black valet to the onetime monarch and see him buy Edward and Wallis’s former home. All true enough apparently. In real life, Mohamed Al-Fayed is now 93. I wonder what he makes of all this?

Anyway, later he attempts to meet the Queen (Imelda Staunton) at a racecourse but is charmed by Princess Diana (Elizabeth Debicki) instead. He likes to be called “Mou Mou.” Dodi meets her briefly for the first time too although it’s not quite the thunderbolt moment we might have expected. Dodi says little to her and Di doesn’t really seem to notice him. This is the only time they meet during this series of The Crown.

TV review: The Crown. Season 5. Episode 1: Queen Victoria Syndrome

Live and let Di: The Prince and Princess (Dominic West and Elizabeth Debicki) go on fighting the Cold War.

It’s 1991 and the political situation is very, very different from how it is today, in November 2022.

Hard as it is to imagine now but back in 1991, Britain had been under the same Conservative government for twelve long years. I know, right? With the economy slipping into economic recession, the Tories had forced out their unpopular woman leader and replaced her with the man who until recently had been Chancellor of the Exchequer. The new Prime Minister was the youngest one so far of the entire century. So, as you can see: nothing like the current state of affairs at all.

But never mind all that, where’s the Queen?

Well, the series opens with a supposed bit of newsreel footage showing the Queen attending a ceremony marking the commissioning of the Royal Yacht Britannia back in 1957. Older readers will remember that for the first decade of her reign, the young Queen was played by the actress Claire Foy and this is the case here. The flashback ends with Foy’s Queen staring, horrified into the middle distance as if she has foreseen the images which appear in the next scene where she has transformed into Imelda Staunton. We first see Staunton’s monarch enduring the banal necessities of a routine medical examination. We are now in the 1990s and like Staunton herself, the sovereign is now supposed to be in her mid-sixties.

Of course, we already know the real problem isn’t with the Queen herself (spoiler alert: she lives for another 31 years) but with her children, three of whom are about to divorce, almost simultaneously. A frisky Princess Anne (Claudia Harrison) is already eyeing up the local talent while Charles (Dominic West) is doing his best to preserve the public face of his desperately unhappy marriage to the much-loved Princess Diana. Australian actress Elizabeth Debicki does a great job of replacing the also excellent Emma Corrin in this challenging role, often displaying a remarkable physical resemblance to the late Princess of Wales. But by this point, the marriage is clearly already doomed, wrecked by Charles’s affair with Camilla and by the fact they obviously have absolutely nothing in common.

The onetime Trainspotting actor, Jonny Lee Miller plays Britain’s Prime Minister, John Major. Major mostly sits quietly while lots of people talk at him in this episode. It is not really made clear whether this is because he is supposed to be naturally inscrutable or because he is keeping quiet because he senses he is out of his depth. Prince Charles, in this, seems to be plotting to encourage the Queen to abdicate and waffles vaguely and attempting to draw vague parallels with the decision to replace the ageing sixty-something Thatcher with the male forty-something Major. Princess Margaret (Lesley Manville) typically attempts to embarrass Major socially. Diana and the Queen are more polite to him. Sadly, there is no repeat of the scene in the Chris Morris comedy, The Day Today, in which the Queen and Major have a full-blown fight during their weekly audience together.