Promised You A Miracle 80-82 by Andy Beckett. Published by: Allen Lane. Out: now.
Andy Beckett ‘s earlier book Where Were You When The Lights Out? dealt with the entire 1970s in one volume. This admittedly shorter book focuses on just a three year period, the first three years of the 1980s, three of the most turbulent years in recent British history. At the start of the period covered here, the newly elected Thatcher government was already running into trouble with its monetarist experiment and Labour, under an increasingly weary Jim Callaghan was also threatening to slide into civil war. By the end of the period, Margaret Thatcher’s leadership had been resurrected by the victory in the Falklands and Labour had plunged further into turmoil under Michael Foot. In the meantime, the SDP had risen from nowhere to a state of political dominance by the end of 1981 but a…
The year 2015 was, amongst other things, the year it became okay to like Peter Kay again. This was partly down to his recent winning turn as Danny Baker’s cockney father in the Seventies-set Cradle To Grave. But it was also undoubtedly achieved through this, his first ever BBC 1 sitcom, performed with his own accent and the less well known but no less excellent actress Sian Gibson.
Gibson (actually a long term Kay collaborator, appearing as one of Paddy’s conquests in Phoenix Nights) plays Kayleigh, a supermarket sales rep thrown together with assistant manager John (Kay) by the company’s car share scheme. The premise of each episode is simplicity itself. John drives them both to work in the first half, and then drives them home in the second. And everything occurs against the nostalgic…
Movie Star Chronicles: A Virtual History of the World’s Greatest Movie Stars
General Editor: Ian Haydn Smith
Foreword by: David Gordon Green
Published by: Aurum Press, October 1st 2015
Who needs a book on films these days? This is 2015, after all. If I need to know about a particular film or film star I just have to fiddle around with my phone for a little bit and the answer will be revealed.
Why does the postman always ring twice? Surely most of the time he doesn’t need to ring at all, particularly if there’s no post that day.
What is a Fassbender? Orson Welles that end well? Will Smith or not? If Christoph Waltz, why does Charles Dance? Natalie Wood but is Robert Shaw?
Such questions are all answered somewhere by Auntie Internet. Contrary to legend, IMDB does not stand for Internet Movie Database. It stands for I…
It is an odd point in human history when we find ourselves devoting our resources towards producing a Star Wars Anti-Stress Colouring Book. It is even odder that I am reviewing it.
For I don’t enjoy colouring in. I never have. I certainly don’t find it relaxing as many people apparently do these days. Quite the opposite. At junior school, we always seemed to being made to colour things in with horrid felt tips or pencils, sometimes at speed. I remember once having to colour in a big picture of a medieval banquet with some urgency to finish some project or other on time. I consider it one of the many blessings of adult life that since my teenage years I have never had to colour anything in again. I hope this continues.
The question remains, what was all that colouring in practice in aid of? I am still rubbish…
Cate Blanchett plays Carol, a middle-aged, middle-class American housewife who in the middle of the twentieth century finds herself in the middle of a messy marital breakdown slap bang in the middle of the festive season. Indeed, Carol is in the throes of her Christmas shopping, when she runs into Therese (Mara), a young assistant in a department store. From the outset, it is clear the two have a strong mutual interest in each other, one which extends way beyond the specifications of the model railway set Carol is purchasing for her young daughter. Even today, with different social mores and the existence of mobile phones, such a relationship would encounter a number of obstacles along the way. It is, of course, even more difficult in 1952.
Director Todd Haynes has already demonstrated his faculty for recapturing the feel of the Douglas Sirk films of the 1950s, in 2002’s Far From Heaven. Here the brilliant performances by the two leads brilliantly bring Patricia Highsmith’s little known novel, The Price Of Salt. This is much slower paced than the more thriller-orientated Highsmith adaptations Strangers On A Train, The Talented Mr Ripley (which also featured Blanchett) and The Two Faces Of January but is all the better for it.
Behind the Scenes featurette
Starring: Cate Blanchett, Rooney Mara, Kyle Chandler, Sarah Paulson, Jake Lacy Directed By: Todd Haynes Running Time: 118 mins
There are many ways to lose the presidency whether you’re fighting a primary or battling for the ultimate prize itself in the November general election. These are just some of them…
Cry (Ed Muskie, 1972)
Public crying has played well for both Hillary Clinton and Barack Obama more recently but when Muskie appeared to weep over allegations about his wife’s drinking, he soon lost his status as the Democratic front-runner. Ultimately, the victim of a dirty tricks campaign by the Nixon camp, Muskie denied crying, saying reporters had mistaken snow melting on his face for tears.
Lose your temper (Bob Dole, 1988)
Dole snarled that his opponent George HW Bush should “quit lying about my record” after losing a Republican primary. Dole looked like a sore loser and his campaign never recovered. He later won the nomination in 1996, losing comfortably to President Bill Clinton.
Scream (Howard Dean, 2004)
Although he was probably on his way out anyway, Dean’s hysterical “I had a scream” speech which ended with a Kermit the frog-style note of hysteria ended his prospects of getting the Democratic nomination. John Kerry got it instead and subsequently lost to George W. Bush in November.
Fail to answer a simple question (Gary Hart, 1984)
Democrat Hart (of later sex scandal fame) proved unable to explain why he had changed his surname from Gary Hartpence. In 1980, Democratic Senator Edward Kennedy floundered desperately when he was asked the most basic question, during a TV interview: why do you want to be president?
Be inadvertently racist (H. Ross Perot, 1992)
The Texan billionaire independent offended a largely black audience by referring to them repeatedly as “you people” throughout a campaign speech.
Terrify everyone (Barry Goldwater, 1964)
The Republican nominee’s open extremism and apparent enthusiasm for nuclear weapons led him to lose by a record margin. “In your heart, you know he’s right” his campaign claimed. “In your guts, you know he’s nuts” countered his opponents.
Have an affair (Gary Hart, 1988)
Recovering from his 1984 failure, Hart enjoyed a 30% lead over his nearest rival and was the clear favourite to succeed Reagan until allegations of infidelity with model Donna Hart emerged. Hart initially denied meeting her until photos emerged of her sitting on his lap. Hart then withdrew from the campaign, then re-entered it later, totally sabotaging his own career in the process.
Skeletons in the closet (George HW Bush 1992, George W. Bush 2000)
A last minute recovery for President Bush against Bill Clinton stalled after allegations over his role in the Iran-Contra affair re-emerged. Later, his son was harmed by a last minute revelation over a 1979 drink driving incident during the closing stages of the very close 2000 campaign.
Picture: 43rd US president, George W. Bush and his father, the 41st president, George H.W Bush)
“Steal” a speech (Joe Biden, 1988)
Obama’s future vice president (and 2020’s current Democratic front-runner) withdrew after striking similarities were spotted between a campaign speech he delivered and one which had been made by British Labour leader Neil Kinnock (an unknown figure in the US).
Ignore all attacks (Michael Dukakis, 1988)
When the Bush campaign cast doubt on the Democratic nominee’s mental health, Dukakis refused to sink to their level. Unfortunately, by the time he did release his records (which revealed a clean bill of health), the damage to his campaign had already been done.
(Picture: Future 2004 nominee John Kerry, ex-1980 candidate Ted Kennedy and 1988 nominee, Michael Dukakis)
Insult your rivals (Bush, 1992)
“My dog Millie knows more about foreign policy than these two bozos,” President Bush said of Clinton and Gore late in 1992. The “bozos” bit went down very badly with voters. Clinton’s lead grew by around five percent just before election day.
(Picture: 1992 debaters: Democratic nominee and eventual winner, Bill Clinton, Independent Ross Perot and the incumbent President Bush).
Be too honest (Walter Mondale, 1984, Michael Dukakis, 1988)
Both these Democratic nominees admitted taxes would have to increase substantially to tackle Reagan’s huge escalating deficit. Bush in 1988 was much less frank “read my lips – no new taxes” but won. Taxes went up dramatically soon afterwards (Picture: Walter Mondale in 1984)
Insult women (Mitt Romney, 2012)
The Republican nominee referred to “binders full of women” he could choose from for his cabinet. This played badly.
Rely too heavily on your war record (John Kerry, 2004)
This backfired when several campaign groups began casting doubt over the Democratic nominee’s Vietnam War heroism which had been contrasted with Bush’s decision to join the state National Guard (a classic draft dodging tactic) and Vice President Cheney’s decision to duck out of the war altogether.
Run against your own party’s incumbent (Eugene McCarthy, 1968, Ronald Reagan, 1976, Ted Kennedy, 1980, Pat Buchanan, 1992)
This has never worked, although McCarthy undoubtedly made history by prompting President Johnson’s withdraw from the 1968 contest. Reagan also undoubtedly enhanced his credentials for a future run by challenging President Ford. Four years later, Reagan ran again and won.
(Picture: Eugene McCarthy in 1968)
Pick the wrong running-mate (George McGovern, 1972, John McCain, 2008)
The McGovern campaign was thrown into chaos when running-mate Thomas Eagleton had to be replaced. John McCain’s campaign was similarly undermined when Sarah Palin’s intellectual shortcomings became too obvious to ignore. Oddly, however, Bush’s disastrous choice of Dan Quayle in 1988 seemed to do him little real harm.
Screw up the TV debate
Notably Richard Nixon in 1960.
Insult 47% of the electorate (Mitt Romney, 2012)
“There are 47 percent of the people who will vote for the president no matter what … who are dependent upon government, who believe that they are victims. … These are people who pay no income tax. … and so my job is not to worry about those people. I’ll never convince them that they should take personal responsibility and care for their lives.”
Mitt Romney, remarks at private fundraiser. Ironically, he ended up losing having received 47% of the vote.
Get paranoid (H. Ross Perot, 1992)
The independent candidate accused the Bush camp of trying to sabotage his daughter’s wedding by labelling her a lesbian.
Make huge factual errors in public (Gerald Ford, 1976)
“There is no Soviet domination in Eastern Europe and there never will be under a Ford Administration.” President Ford made this absurd claim in the 1976 TV debate. Perhaps unsurprisingly, he went on to lose narrowly to Jimmy Carter. (Picture: 1976 Democratic nominee and eventual winner, Jimmy Carter debating President Ford).
“Win” (Al Gore, 2000)
Few election results look more dubious than the 2000 one. Despite plenty of evidence to the contrary, the Supreme Court declared George W. Bush not Al Gore the winner.
Imagine it’s March 1977, you have 8p and you want a comic. Let’s assume you want a boy’s comic: it was a sexist world back then. There are lots to choose from. Perhaps you want a funny one like The Beano, The Dandy, The Beezer, The Topper, Whoopee!, Buster or Whizzer and Chips? Or something harder edged? Tiger, Battle or a new science fiction comic with a free “space spinner” on the front?
2000AD emerged from the ashes of Action comic, which was withdrawn due to its violent content in the mid-1970s. Did anyone present at 2000AD’s creation, imagine it would still be going in the then far flung futuristic year of 2000AD? A year by which time most of the children who had bought Prog 1 would be in their thirties, many with children of their own? It seems unlikely. It is now 39 years on from that first issue. Those same readers of Prog 1 would now be in their fifties, at least. None of the comics mentioned above are now going with the exceptions of The Beano which began in 1938. And 2000AD itself.
This documentary tells the story of the galaxy’s greatest comic which despite Action’s fate (or perhaps because of it) has always been pretty violent. After an exciting animated opening sequence in which many of the comic’s monochrome heroes – Judge Dredd, Rogue Trooper, Strontium Dog, Nemesis the Warlock, Zenith – move very slightly against a thumping rock soundtrack, it’s perhaps disappointing that most of the film is spent in the company of a group of ageing, sometimes not very articulate men. Some are enthusiastic. Some are quite bitter.
Pat Mills is the star. Passionate and profane about the early days, angry about the 1990s days of decline, he is still with the comic. Others left during the 1980 s comics “brain drain”. Neil Gaiman seems genuinely emotional about Alan Moore’s failure to complete his brilliant Ballad of Halo Jones a full thirty years later. Some rage at the appalling way some artists’ work was treated. Others praise 2000AD for crediting its writers and artists properly (in a special “credit card” box) something few British comics did up until then. One fan, Ex Machina director and author of The Beach, Alex Garland wrote the screenplay to Dredd, a huge improvement on the disastrous 1990s attempt to film the 22nd century fascistic lawman starring Sylvester Stallone. Other films seem to have liberally stolen from the comic.
None of the writers seem to have liked Tharg the Mighty, the comic’s fictional alien editor very much, presumably because most have presumably endured a stint answering letters on his behalf (including, two from a teenage “C Hallam, Peterborough” in 1993). Tharg also introduced the occasional Twilight Zone-style Futureshock stories, often used as a testing ground for upcoming writers and artists.
A fine tribute anyway to a fine comic. Until next time: Splundig Vur Thrigg Earthlets!
Let me get the painful bit out of the way first: there was a mistake in this year’s acclaimed BBC adaptation of War & Peace. Hopefully, this won’t ruin your enjoyment of the series. “Abandon Moscow?” exclaims a general in the penultimate episode. “Abandon Russia’s sacred capital?” Well, no. For this is supposed to be 1812 (or thereabouts). Moscow had not been Russia’s capital for a century and would not be again for over a century more. So oops.
But ignore that, for as you’ll know if you were gripped by it throughout the winter months, this is great stuff. Andrew Davies juggles most of the characters deftly throughout these six episodes helped by a superb cast.
American actor Paul Dano excels as Pierre, a bespectacled misfit at the start, prone to getting drunk and embarrassing himself at parties by expressing his enthusiasm for the leadership of Napoleon Bonaparte, an unfashionable view as the French leader is waging war with Russia. Pierre nurses a secret love for Natasha (Lily James) but things get a bit complicated for him when he suddenly comes into sudden and extraordinary wealth. He is soon confronting numerous challenges including duels, conflict and Freemasons. Others, such as his friend Andrei (James Norton) are bored by the banalities of domestic existence and pledge to take on Napoleon’s forces head on.
With a stellar cast including Jim Broadbent, Brian Cox, Gillian Anderson, Greta Scacchi, Rebecca Front and Stephen Rea, it may be too soon to call this “the greatest costume drama of the decade” (as the Daily Telegraph did, apparently forgetting they’re supposed to hate the BBC). But this is undoubtedly a landmark in TV drama.
2001: A Space Odyssey is a long film. Having experienced both it and the actual year 2001, it must be said the film seemed the longer of the two.
In summary: Music. Prehistoric ape men throwing bones into the air. Spaceships moving very slowly to classical music. Leonard Rossiter. The excellent HAL shutdown sequence. The space baby bit which nobody really understands. Many hippies came away in 1968 thinking they had seen the best film ever made. Perhaps they were right. No one had after all, seen Timecop then.
Some muse that the film proves that director Stanley Kubrick helped fake the Apollo 11 moon landings the following year. This seems unlikely. Kubrick was after all a very meticulous director, famous for insisting upon multiple takes. If he had been hired to film the moon landings, they would probably still be being filmed.
This is not the film, however, it is Arthur C. Clarke’s much more palatable book, illustrated for the first time (by artist Joe Wilson). It is not a predictive text. Having cleverly predicted the moon landings would be in 1970 (he made the prediction in 1945 and was only one year out!) Clarke seems to have been about a century out at least in predicting how advanced we would be by 2001. Anyone hoping for the discovery of a giant space baby in that year would have been sorely disappointed.
But this is ultimately an enjoyable and nicely illustrated read. Scoring it out of 2,500, I would unhesitatingly give it…2001.
Wilson seemed working class to the core, Heath seemed posh. Wilson seemed jovial, dynamic and witty, Heath seemed stiff and awkward. Wilson was the family man who holidayed in the Isles of Scilly ever year, Heath was the European, conductor and champion yachtsman and lifelong bachelor.
Both men were actually more similar to each other than they seemed. Both ruled the nation for as long as Thatcher, eleven and a half years (October 1964 to April 1976) between them. And both were born a full century ago in the year 1916.
Wilson emerged first, beating two older men George Brown and James Callaghan to win the Labour leadership following Hugh Gaitskell’s death in early 1963. Always brilliant – he had become the youngest British cabinet minister of the century at 31 – Wilson was also wily and had reinvented himself from being rather a…
A paranoid crook who should never have got close to power in the first place, a triumphant success and one of only two men to carry 49 out of 50 states in a US presidential election, Richard Millhouse Nixon was a mass of contradictions. On the centenary of the disgraced US president’s birth in January 1913, what lessons can we draw from his life?
US presidents never resign…except in his case.
Resignation mid-term is the norm as a way out for UK Prime Ministers: Thatcher, Blair, Wilson: all went this way. Not so in the US. Only three presidents have ever faced the humiliation of impeachment: Andrew Johnson (in the 1860s), Bill Clinton and Nixon. And only Nixon was driven from office as a result… had not his successor President Ford pardoned him soon afterwards, he may well have become the first president to go to jail too.
If you were reading the Galaxy’s Greatest Comic, 20000AD, thirty years ago this month, you will doubtless have noticed a new character.
The Ballad of Halo Jones written by Alan Moore and illustrated by Ian Gibson first appeared in July 1984. 2000AD, which had been established for seven years already, featured many of its best known science fiction and fantasy strips notably Judge Dredd, Rogue Trooper, Strontium Dog, Nemesis the Warlock and Slaine. Gibson had in fact drawn many Dredd episodes as well as the more humorous Sam Slade: Robohunter. Alan Moore is a legend in the world of comics today. This was less true then, but he was hardly unknown either already penning V For Vendetta for Warrior, a title Moore had largely dominated but which was on its way out by 1984. He was also doing Swamp Thing for DC and had produced the light Skizz and D.R…
Teddy Todd is rather surprised to find he has survived the Second World War. The main character in Kate Atkinson’s tenth novel has, after all, had a harrowing war experience and like 90% of those who joined Bomber Command during the war might have expected to have perished.
Kate Atkinson fans (and there are many) will have met Teddy before. Her previous book Life After Life saw the main character Ursula Todd living numerous lives over and over again. Every time Ursula died, whether in infancy or as an adult perhaps during the same Second World War, Ursula returns to the original start date: her birth in February 1910. Teddy is her beloved brother (born around 1915) and, like her sister, shares multiple fates and outcomes throughout that book.
Don’t worry if you can’t remember Life After Life, in detail, however (or even if you haven’t read it although I…