On October 21st 1966, after a period of heavy rain, 30,000 cubic yards of coal sludge collapsed on 19 houses and a primary school in Aberfan with predictably devastating results. Episode 3 of The Crown focuses on he disaster and its aftermath. The Queen herself reacts slowly to the tragedy, forcing her to confront her own apparent tendency to react with the traditional stoicism and reserve to such events, rather than the public show of emotion which might be expected or even needed by the watching public in the media age. The monarch would, of course, fall foul of similar issues following the death of Diana, 31 years’ later.
The Crown is back. We rejoin proceedings at the dawn of a new era.
For after two glorious seasons with the marvelous Claire Foy playing the Princess and young Queen in her twenties and thirties, we now give way to the new age of Olivia Colman. The transition is neatly symbolised by a tactful discussion of a new Royal portrait for a new range of postage stamps. It is 1964 and the monarch is in her late thirties, what might normally be seen as her “middle years.”
“A great many changes. But there we are,” Colman’s Queen remarks. “Age is rarely kind to anyone. Nothing one can do about it. One just has to get on with it.”
Other changes are afoot too. Then, as now, a general election is in progress, resulting in the election of the first Labour Prime Minister of the Queen’s reign, Harold Wilson. Jason Watkins captures Wilson’s manner perfectly, although not yet his wit. In time, we now know Wilson would become the favourite of the Queen’s Prime Ministers. At this stage, however, both figures are wary of each other: the working class Wilson seems socially insecure and chippy while the Queen has heard an unfounded rumour from Prince Philip (Tobias Menzies – a good likeness) that Wilson is a KGB agent.
Elsewhere, another age comes to an end as the elderly Churchill breathes his last. In a rare piece of casting continuity, John Lithgow briefly resumes his role.
Suspicion also surrounds Surveyor of the Queen’s Pictures, Anthony Blunt. Although not exactly a dead ringer for the art historian and Soviet spy, Samuel West is well cast as Blunt. West is a fine actor anyway but his lineage here is impeccable. His mother, Prunella Scales played the Queen in the Alan Bennett drama, A Question of Attribution, which was about Blunt and which parts of this episode strongly resemble. Blunt then was played by James Fox, whose brother Edward, incidentally played Churchill in The Audience, the Peter Morgan play which inspired this series. West also played the Queen’s father George VI in the (not very good) film, Hyde Park on the Hudson. His wife, the future Queen Mother was played by one Olivia Colman. West’s father, Timothy, of course, famously played George VI’s grandfather, Edward VII (and also played Churchill, several times), while Colman won an Oscar for playing the Queen’s ancestor, Queen Anne in The Favourite, earlier this year.
Fellow Oscar winner, Helena Bonham Carter is, of course, now cast as the Queen’s glamorous but troubled sister, Princess Margaret here, replacing the excellent Vanessa Kirby. The makers clearly feel obliged to feature Margaret frequently in this episode, presumably because of Bonham Carter’s star status, but aside from much drinking, rudeness, singing and fretting about her wayward photographer husband Armstrong-Jones (Ben Daniels), who is pictured motorbiking about a lot, she does little of interest.
The next episode promises to be much more Margaret-orientated…
Preview, gratefully reproduced from Bingebox magazine (2016).
It is sometimes described as one great soap opera: the longest running drama in British history. So why not make a big TV drama based around the Royal family? Indeed, why not make one based in the life of Queen Elizabeth II herself, a person whose image adorns either a stamp, coin or banknote on the person of nearly everyone reading this? Well, Left Bank Pictures have produced just such a series, a ten-part epic available on Netflix since November 4th 2016. Indeed, they have big plans. The first series covers the period from the young Princess’s marriage in 1947 to the first few years of her reign following her ascension to the throne in 1952. But five more series are planned. If all goes well, in a few years’ time we should have sixty hours of drama covering the Queen’s sixty or seventy years on the throne.
REIGN OF THRONES
Dramas about the royals are, of course, nothing new – Victoria, Henry V, The Madness of King George are just three examples of historical monarchs who have seen their lives dramatised. But until Stephen Frears’ 2006 film The Queen, scripted by Peter Morgan, which focused on the potential public relations disaster which almost engulfed the monarchy following Princess Diana’s death in 1997, dramas about the current monarch were almost unheard of. The King’s Speech, which features the future Queen as a young girl, was another successful Oscar-winning stab at comparatively recent royal history. But it is Morgan – the author of The Queen as well as the play The Audience which also starred Helen Mirren as the Queen who has brought his formidable writing powers to The Crown. Stephen Daldry, famed for Billy Elliott and The Hours directs.
The Crown’s credentials are impeccable. The casting was always going to be controversial, however. Few are likely to gripe about Claire Foy in the role of HRH but as with Victoria which saw former Doctor Who companion Jenna-Louise Coleman cast in the main role, the producers have turned to the Tardis for the role of Prince Philip. Recent Doctor Who Matt Smith is not an obvious choice for the role, but then who is? James Cromwell and David Threlfall have both played the Duke of Edinburgh before but as a much older man. Smith is a fine actor and delivers a first-class performance. However, time will inevitably become an issue. Both he and Foy are in their thirties and are likely to be replaced at least once if the show is to cover the Queen’s entire reign.
The choice of American ‘Third Rock From The Sun’ actor, John Lithgow to play Churchill, the Queen’s first Prime Minister might also raise a few eyebrows in some quarters. Yet Lithgow is an accomplished actor experienced way beyond the realm of comedy and thanks in part to some due some modifications to alter his appearance (Lithgow is nearly a foot taller and slimmer than Winnie was) he is great in this. And Churchill was half-American anyway. What’s the problem?
MONARCHY IN THE UK
“I have seen three great monarchies brought down through their failure to separate personal indulgences from duty,” says Eileen Atkins’ Queen Mary at one point, warning her granddaughter Elizabeth, “you must not allow yourself to make similar mistakes. The Crown must win.”
Rather like Maggie Smith’s character in Downton Abbey, The Crown’s Queen Mary seems to specialise in saying controversial and sometimes prophetic things in this. Presumably, the three monarchies she means are Victoria (who arguably indulged herself by grieving over Prince Albert’s death excessively), Edward VII (who basically drank, ate and womanised his way to death) and her own son Edward VIII, who abdicated. Although as a heavy drinker and smoker, Elizabeth’s father George VI (also Mary’s son) was hardly free of personal indulgence either.
The excellent Alex Jennings incidentally crops up as the Duke of Windsor, whose abdication in 1936 (as Edward VIII) ensured Elizabeth would be Queen. Jennings also played Prince Charles in the film The Queen.
As with any good drama, there is the potential for controversy. Though the Queen no longer has the power to put people who annoy her in the Tower, there will still be a desire not to cause offence.
If The Crown proves a success, five more series could be in the offing. The opening episode which begins in 1947, clearly lays out the framework for what is to come. The King (Jared Harris, son of the late Richard Harris and perhaps best known for his role as the token Brit in Mad Men) has a bad cough and is clearly not long for this world. His daughter Princess Elizabeth is about to marry Prince Philip and though the couple are happy, there are hints of awkwardness to come. Philip is giving up a lot for “the greatest prize on Earth” including his love of smoking and Greek nationality. “Not a single person supported the match,” warns Queen Mary.
The action then jumps forward four years to 1951 during which time, the King’s health has deteriorated further and Elizabeth and Philip’s marriage has yielded two children, Charles and Anne. There are also allusions to trouble brewing with Elizabeth’s younger sister Margaret (Vanessa Kirby), notably the strong suggestion of an affair with dashing equerry Group Captain Peter Townsend (Ben Miles), a married man. With a title sequence, reminiscent of Game of Thrones, there are also political manoeuvrings afoot. Returning Prime Minister Winston Churchill soon knows more about the true state of the King’s health than the monarch does himself. And Foreign Secretary Sir Anthony Eden (Jeremy Northam) is already assessing the great war leader’s vulnerabilities: as Tory heir apparent in effect, he is clearly eyeing up the elderly Churchill’s job.
Ultimately The Crown is essential viewing. It is as much about how Britain has changed in the last seventy years as the monarchy has. There is certainly plenty of material.
AND WHAT DO YOU DO…?
Three stars of The Crown…
Claire Foy as Princess Elizabeth, later Queen Elizabeth II
Foy has played royalty before and was the ill-fated mother of the Queen’s Tudor namesake (Elizabeth I) Anne Boleyn in Wolf Hall. She sprung to fame in the title role in the BBC’s Little Dorrit in 2008.
Matt Smith as Prince Philip
Best known for playing the last Doctor Who but one, the thirty-four -year-old Smith plays the young Duke of Edinburgh, a man struggling in the traditionally feminine role of partner to the monarch.
John Lithgow as Winston Churchill
Although often associated with comedy roles such as Bigfoot and the Hendersons and Dick in the sitcom Third Rock From The Sun, veteran US star Lithgow is an acclaimed and prolific dramatic actor.
Political thriller Secret State has now come to an end. But what other series deserve a place amongst the best British TV political dramas of all time?
The plot: It’s 1983 and when a newly elected young Labour MP Tony Blair (Michael Sheen) finds himself sharing an office with a hardworking Scot, Gordon Brown (David Morrissey), he soon recognises his dour companion could one day be a future Prime Minister. But as the next decade rolls on it is Blair, not Brown whose populist instincts gradually put him ahead and by 1994, the two friends are forced to make a tough decision concerning their own, their party and their nation’s future.
The series: The first of Peter Morgan’s “Blair Trilogy” starring Sheen, before the film The Queen and the later (somewhat inferior) Special Relationship. At the time, critical attention focused more on David Morrissey’s uncanny portrayal of Brown than on Sheen’s Blair. Other interesting casting included Dexter Fletcher as Charlie Whelan and Frank Kelly (Father Ted’s drunken Father Jack) as Labour leader John Smith.
Remade?: No. Peter Morgan’s next project The Audience will focus on the different relationships the Queen has had with her various PMs during her long reign.
Basis in reality?: Clearly based on reality. Although Blair and Brown have both denied any deal (namely that Blair agree in advance to stand down in favour of Brown after an agreed time lapse) was ever made.
A Very British Coup
The plot: Former Sheffield steelworker Harry Perkins (Ray McAnally) has been elected Labour Prime Minister in a landslide. The Establishment (the Civil Service, media, MI5 as well as the CIA) do not like this one bit and soon conspire together in the hope of triggering Perkins’ downfall.
The series: Based on the novel by onetime Labour MP Chris Mullin and discussed more thoroughly in my recent blog entry. The excellent McNally tragically died soon after playing Perkins.
Remade?: In the UK as The Secret State starring Gabriel Byrne. Author Chris Mullin enjoyed a brief cameo as a vicar but the plot – which centred on the aftermath of the disappearance of a Prime Minister as his plane flew over the Atlantic – was very different.
The plot: Charismatic Trotskyite Labour politician Michael Murray (Robert Lindsay) has taken over the council of a northern city and soon calls for a “Day of Action”. This soon turns into a very personal battle with local schoolteacher Jim Nelson (Michael Palin) who resists. But Murray has more than a few skeletons in his closet, notably a traumatic childhood incident and various figures on the Right are soon seeking to frame him for a series of racial attacks.
The series: Alan Bleasdale’s series initially portrayed Murray as a clear villain, then a figure of fun (a sequence in which a twitchy, over-stressed Murray attempts to acquire condoms is hilarious) before ultimately becoming a very sympathetic and somewhat tragic figure. Julie Walters, who played Lindsay’s wife in their next Alan Bleasdale drama Jake’s Progress, here plays his elderly Irish mother. In reality, Walters is slightly younger than Lindsay.
Basis in reality?: Derek Hatton, the former Militant deputy leader of Liverpool City Council criticised the series claiming it was based on him, a charge Bleasdale fiercely denied. Although ultimately an attack on the Right and the extreme Left, many critics at the time seemed to think (wrongly) that Bleasdale had turned his fire on the Kinnock Labour Party.
House of Cards
The plot: When scheming Chief Whip Francis Urquhart (the late Ian Richardson) is passed over for promotion by the lightweight new post-Thatcher Tory PM Henry Collingridge, he soon decides to use his own insider knowledge and an attractive young journalist Mattie Storin (Susannah Harker) to plot for the leadership himself. A gripping story which benefits hugely from Richardson’s brilliant performance and his character’s tendency to speak directly to the camera as well as elements of Shakespearian drama incorporated into the action.
The series: Adapted from Tory insider Michael Dobbs’ novel (which ends differently to the TV version) by Andrew Davies, this spawned two slightly inferior sequels, To Play The King, in which Urquhart clashes with a Prince Charles-like monarch (Michael Kitchen) and The Final Cut.
Remade?: A US TV remake starring Kevin Spacey will appear early in 2013.
Basis in reality?: The timing of the first series was uncanny, with Margaret Thatcher being challenged and overthrown by her old rival Michael Heseltine and being replaced by John Major almost exactly in parallel to the progress of events in the four-part series on TV. Later series got so popular that Urquhart’s evasive catchphrase, “You might very well think that. I couldn’t possibly comment,” was soon being quoted in parliament. The last outing was criticised by some for featuring Lady Thatcher’s funeral, many years before she had actually died in reality.
Our Friends In The North
The plot: Four friends travel from youthful optimism to middle age over thirty years from the era of Harold Wilson’s first victory and the Beatles in 1964 to the advent of New Labour and Oasis in 1995.
Nicky (future Doctor Who Christopher Eccleston), a keen Labour supporter drops out of University to assist local politician Austin Donohue (Alun Armstrong), but becomes implicated in civic corruption, then later counterculture terrorism before enduring a horrendous stint as a Labour candidate in 1979.
Geordie (future James Bond Daniel Craig, then largely unknown), flees a broken home only to find an ill chosen surrogate father figure in East End gangland boss Benny (Malcolm McDowell).
Tosker (Mark Strong), seeks pop stardom, has an unhappy marriage before becoming, despite being in many ways the stupidest and least likeable of the four, the most successful, establishing himself as a keen Freemason and Thatcherite.
Mary (Gina McKee, who is also in The Secret State), is caught up in an awkward love triangle between the unsuitable Tosker and true love Nicky. She later becomes a New Labour MP.
The series: A wonderful sprawling series this had a long gestation period, originally as a play with the action only going up to 1979.
Remade? No, although there has been talk of a US remake.
Basis in reality?: Although fictional, this drew heavily on real events. Austin Donohue’s character was based on real-life city developer T. Dan Smith, while a character played by future Downton Abbey author Julian Fellowes owed a lot to Tory Home Secretary, Reginald Maudling. Revelations concerning police corruption, 1970s anarchist movements and events during the Miner’s Strike of 1984 also played a major part in the story.