It’s the early 2020s and the world has been gripped by a global pandemic. Sound familiar? But without wishing to in any way trivialise the very serious ongoing Coronavirus outbreak, the fictional virus Lauren Beukes has envisaged in her new novel (which was, of course, written before the recent crisis), is in many even ways worse, killing almost the entire male population of the world as an initial dose of flu turns into prostate cancer for virtually all male recipients.
Teenaged Miles and his mother Cole are away from their native South Africa visiting family in the US when the new plague hits. Miles turns out to be immune. His father is less lucky. And unfortunately, Cole’s morally flexible sister Billie is keen to take financial advantage of the new possibilities created by her nephew now being one of the last fertile male humans left on Earth. Beukes’ novel is a compelling and gripping thriller given added resonance by the current global outbreak.
I am writing this in a time of acute political crisis. It is easy to lose all sense of perspective when assessing a situation while it’s still happening. Even so, the year 2019 is unlikely to be viewed as a happy one for nation when we remember it in forty years time.
Despite this, the fifth volume in Dominic Sandbrook’s history of Britain since Suez, reminds us, the period, 1979-82 was very eventful indeed.
To briefly recap:
In 1979, Margaret Thatcher became the first woman prime minister in British history.
By 1980, she was already hugely unpopular as unemployment and inflation rocketed. There would probably have been a recession around this time anyway, but Thatcher’s dogged commitment to monetarism made things worse. Not for the last time, Labour blow the opportunity to replace the Tories in power by electing the decent but unelectable Michael Foot as leader.
1981: The SDP breakaway from Labour and are soon way ahead of both the Tories (blamed for unemployment, rioting and recession) and Labour (harmed by Foot’s unpopularity and the antics of Tony Benn).
1982: The Falklands War transforms the political landslide. Thatcher becomes hugely popular again. There were signs of a Tory recovery before the Argentine invasion and it is doubtful ,Labour would ever have won the 1983 election anyway. But the Falklands Factor removed all doubt.
Sandbrook’s brilliant at these sort of books giving both a thorough insight into the politics of the period but almost all aspects of British life.
There are plenty of useful nuggets of info here. The book opens with an account of the live broadcast of the SAS break-up of the April 1980 Iranian embassy siege. The Alan Ahlberg book Peepo! is discussed as is Raymond Briggs’ incredibly harrowing graphic novel, When The Wind Blows. The rise of Ian Botham and Steve Davis are examined as is the fall of Joy Division and the rise of the New Romantics.
I was born in 1976 and so for the first time, like Sandbrook himself (who is about two years older than me) find myself encountering things here which I just about remember. I enjoyed the references to Peepo! (a book my baby brother liked) and was particularly interested in the portrait of my home town of Peterborough. I would dispute the claim made by an employee of the bishop of the time (and apparently endorsed by Sandbrook) that “Race relations are not a problem in Peterborough.” There were no riots in Peterborough as there were in Brixton in 1981 and although I went to school with a large number of children of Pakistani, Indian and Italian, I am white myself and cannot speak for them. But I know this for a fact: there were definitely racial tensions. There still are.
Reading the book, I was surprised to learn just how racist many people were back then. The extent of racism in the police force seems to have been appalling.
Sandbrook has started writing for the Daily Mail in recent years and though he strives for balance, his conservative tendencies occasionally show. Polly Toynbee of The Guardian, then an early SDP champion, is at one point described as a “future saint.” Who regards her as a saint, you might ask? No one in the real world, that’s who. Certainly not Guardian readers. The term is only ever used in reference to Toynbee sarcastically by envious columnists on the Right. I was also surprised to see Sandbrook resurrecting the discredited claim that Michael Foot was in the pay of the KGB. Foot retained strong pro-democratic tendencies throughout his life and won a libel case against the Murdoch press when tbey made the same claim. Were he not dead, I’m sure Foot would be suing again. And I’m sure he would win.
So Thatcher generally comes out of this well, Sandbrook agreeing with Charles Moore, in the face of virtually all evidence that the Iron Lady had a sense of humour. Little credence is given to the notion that anyone might have found the somewhat jingoistic aftermath of the Falklands conflict distasteful. Tony Benn comes out of this badly. After an effective chapter about the fear of nuclear war experienced by many at this time, Sandbrook then seems to go out of his way to argue unconvincingly that nobody was ever seriously worried about it after all.
But ultimately, this is another literally superb addition to Sandbrook’s account of Britain since 1956. What next? Greed is Good? No Turning Back? Nice Little Earner? I eagerly await Sandbrook’s next volume.
As a chronicler of post-war Britain, Sandbrook is only seriously rivalled by David Kynaston and Alwyn W. Turner.
Seasons in the Sun: The Battle for Britain, 1974-1979.
There is probably a great play to be written about the filming of the first Star Wars film.
Admittedly, there would probably be legal issues, perhaps insurmountable ones. But imagine! The tensions between the rising young American stars: ex-carpenter Harrison Ford and the highly intelligent but vulnerable Carrie Fisher. And the older, distinguished English co-star Sir Alec Guinness, a man with an Oscar and years of experience but little understanding of the script.
This might sound like an odd place to begin a review of a book about Britain in the late Seventies. But this is exactly where the book itself begins. The film was after all, mostly filmed in Britain with much of the cast drawn from the likes of those previously best known for appearances on Poldark or later to appear in Brookside. A key point is that Guinness had managed to secure a generous two percent of the entire profits for a film that was to become one of the most commercially successful of all time. Another is that under the tax regime of the time, Inland Revenue trucks were soon pulling up to claim 83 pence out of every pound Guinness had made.
This was, of course, not a happy spell in British modern history. Sandbrook suggests the 1974-76 Wilson Government was the worst in British history. “Wilson was one of the cleverest and kindest men ever to occupy Number 10 but also one of the weakest,” he writes. In fairness, he inherited a mess (the Three-Day-Week and an economic crisis from Heath) and left the situation little better. This is odd because the government which included Denis Healey, Roy Jenkins and Anthony Crosland amongst its members was far from extreme (for the most part) and certainly not lacking in talent. Probably the main problem was Wilson himself, who had not expected to return to power in 1974 and thanks to alcoholism and probable early Alzheimer’s, was a shadow of his sharp-witted, wily mid-1960s self. Jim Callaghan, at any rate, though close to being a watered down Thatcherite himself, did better. At least until the Winter of Discontent.
It was a strange time in many ways. There was intense paranoia on all sides as if the neuroses of Wilson and US President Richard Nixon had infected the general population. The right-wing host of TV’s Opportunity Knocks, Hughie Green appealed live on air: “For God’s sake Britain, wake up!” in 1975. Many worried about a coup from the Left perhaps led by Tony Benn while others began preparing for a coup from the Right, perhaps led by Lord Mountbatten. Right-wing journalist Peregrine Worsthorne hoped the United States would come to the aid of a socialist Britain just as they had “helped” Allende’s Chile by replacing him with the murderous General Pinochet in 1973. This scenario later inspired Chris Mullin’s 1982 thriller A Very British Coup in which a democratically elected Labour Prime Minister is overthrown by a combination of the CIA, British security services and the Establishment.
This is the fourth of Dominic Sandbrook’s superb series of four books which thus far have chronicled Britain’s progress (or decline) from the era of Suez to the coming of Thatcher (the others are Never Had It So Good, White Heat and State of Emergency). As before, Sandbrook does a superb job of describing not just the political and economic scene but the minutiae of seemingly almost every aspect of British life, for example, the details of the Sex Pistols’ notorious TV appearance with Bill Grundy. “Who knows what Grundy thought he was s doing?” Sandbrook rightly asks after Grundy goaded his guests into swearing on live TV and thus ensuring his own downfall.
Mike Yarwood. Malcolm Bradbury. Butterflies. The Good Life. Quadrophenia. John Stonehouse. Lord Lucan. The Bee Gees. All are here. It is a fascinating read. Along with Alwyn W. Turner and David Kynaston, Dominic Sandbrook remains at the forefront among chroniclers of our nation’s recent history.