Book review: Cult Filmmakers: 50 Movie Mavericks You Need To Know. By Ian Haydn Smith. Illustrated by Kristelle Rodeia. Published by: White Lion. Out now.
What makes a cult filmmaker? The key qualities seem to be distinctiveness and a degree of obscurity. Hitchcock and Spielberg were and are great filmmakers, but both are much too famous now to be included in a volume like this. Hitchcock might have appeared once. Spielberg too, perhaps in the brief interim after the release of Dual but before Jaws. But not now.
Indeed, it could argued that just by highlighting the fifty directors included in this volume in a book specifically titled, ‘Cult Filmmakers’, author Ian Haydn Smith is simultaneously undermining their cult status as much as he is re-enforcing it.
That is not to attack the book, which is a good one. The author’s choices are intriguing and it is almost as interesting to see who has been left out as it is to see who has been included. Sam Raimi doesn’t feature. Nor does Wes Anderson or the Coens. Presumably, the men behind The Evil Dead, Blood Simple and Rushmore would have been considered cult filmmakers once. However, they are now ineligible as they’ve all moved onto more mainstream successes as the men behind Spiderman, Intolerable Cruelty and Isle of Dogs.
But if this is the reason, it’s odd that the likes of Quentin Tarantino, Tim Burton and Kathryn Bigelow are. Other selections are less contentious: David Lynch, David Cronenberg and ‘Pope of Trash’ John Waters, have all achieved fame, while retaining their cult status. Some such as John Carpenter seem to have lost their initial cultiness, only to later recapture it.
The book is stylishly illustrated by Kristelle Rodeia. Occasionally, the pictures look nothing like their subjects e.g. Terry Gilliam. It doesn’t matter.
Personally, I am most grateful for the chapters shedding light on Amat Escalante, Benjamin Christensen and Barbara Loden, amongst others. Until this book, they were undeniably in my eyes, cult filmmakers: I had never heard of any of them. But now I do. And this can only be a good thing.
The answer lies within Chris Mullin’s excellent 1982 novel, A Very British Coup. Written in the dark days of early Thatcherism, Mullin envisaged a future (the late 1980s), in which Perkins, a working-class hero and onetime Sheffield steelworker leads the Labour Party to an unexpected General Election victory on a manifesto not dissimilar to the one Labour lost on in 1983. Perkins’ Labour Party is thoroughly socialist and the new government quickly embarks on fulfilling the radical agenda it has been elected on: dismantling Britain’s nuclear deterrent and leaving NATO, breaking up the newspaper monopolies, redistributing wealth and more.
Needless to say, the establishment: the civil service, the media and the security services are horrified. They immediately begin conspiring with the US (who, viewing things through a Cold War prism, see Britain as having “gone over to the other side”) in a bid to thwart the programme of the democratically elected government. It is a great read.
Mullin was writing at a very volatile political time. In 1980, the new Thatcher government was already proving to be such a complete disaster that it seemed hopelessly doomed. For much of 1981, the SDP, not Labour, seemed set to replace them. By the post-Falklands summer of 1982, the resurgent Tories again seemed unbeatable, as indeed, proved the case, the Iron Lady having staged her own very British coup in the South Atlantic. We are in very volatile times again now. The future in the Brexit era is very hard to foresee.
In this long-awaited sequel, Chris Mullin (now a former Labour MP himself) creates a convincing near future which cleverly not only seems sadly only too plausible but which also makes sense in the context of what has happened in the earlier book.
It is the 2020s. With Brexit having proven a miserable failure, serious consideration is being given to a humiliated Britain going crawling cap in hand and applying to rejoin the EU. Trump has left office, but has left the international situation thoroughly de-stablised. Today’s leaders have left the political stage. A King is on the throne, as he was in the earlier novel. Labour seemingly locked in perpetual opposition under an ineffectual woman leader seems poised for a takeover by the former aide of the recently deceased former Prime Minister, Harry Perkins, Fred Thompson (Mullin isn’t much of a one for glamorous character names). As so often happens, Perkins, the scourge of the status quo in life is now hailed by left and right alike as a great leader of the past, now he is safely dead. Thompson was played by Keith Allen in the acclaimed 1980s TV version of the book is still middle aged (Mullin admits to some authorial sleight of hand here: only ten years have passed since the events of the first book, not thirty or forty).
But can Fred Thompson succeed in leading Labour back to power and restoring Britain to it’s former glory? Will his family difficulties or a rising tide of violence threatening to engulf British politics get in the way?
The Daily Telegraph describes this book “preposterous.” Presumably, they mean “preposterous” in the sense that it doesn’t mindlessly back Brexit or shamelessly back Boris Johnson’s leadership bid as that newspaper did.
This is perhaps – like Thompson himself -not quite the equal of its illustrious predecessor. But it is a fine sequel and an excellent, short-ish read.
Director Stanley Kubrick considered withdrawing the film soon after release in response to tabloid reports that groups of young men had been launching ‘copycat’ manned space expeditions to the planet Jupiter.
Conspiracy theorists have speculated that Kubrick made the film as part of a plot to fake the 1969 Apollo 11 moon landings. This is, of course, nonsense. He was already too busy faking the Vietnam War.
The final line of the film is “My God! It’s full of stars!” This claim is untrue: in fact, there are no Hollywood stars in it. Leonard Rossiter is literally the most famous person in the film and even he hadn’t been in ‘Rising Damp’ then.
The apes at the start of the film are speaking in genuine prehistoric dialect. Roughly translated, they are saying things like: “God, this is taking a while to get going isn’t it?” “Hey! Watch what happens when I throw this bone in the air!” and “Shit! Where did that big black thing come from? That wasn’t there just now…”
Ever the perfectionist, Kubrick made one extra throw the bone in the air 7,674 times, even before he switched his camera on.
The song ‘Daisy Bell’ was not Kubrick’s first choice for the famous HAL shutdown scene. He had originally planned to use the song, ‘Cinderella Rockerfella’ sung in duet with another computer voiced by Barbara Streisand. This didn’t happen only because Kubrick never thought of it.
Although authentic-looking, very few of the scenes were actually shot in space.
Stanley Kubrick originally planned to film the movie in real time, starting in the prehistoric era.
Some viewers reported finding the film overlong. Some even claimed it was longer than the actual year, 2001 itself, including those who had watched it during the year, 2001.
A pilot for a spin-off TV sitcom , ‘You Can Call Me HAL,’ in which the computer sang ‘Daisy Bell’ during the credits and occasionally killed people was made, but never aired as it was shit.
Some have noticed that if you move the letters of the name ‘HAL’ one letter back in the alphabet it spells out the initials: ‘GZK’.
Things which the film predicted correctly about the year 2001: there would be some were people around doing stuff with computers and space. Things it got wrong: manned space expeditions to Jupiter, computers don’t usually take that long to shut down, classical music wasn’t that popular.
Kubrick was reportedly disappointed that very few people really thought the flying bone had actually turned into a spaceship.
He also was surprised so many people guessed the ‘twist’ that the planet of the apes at the start was supposed to be Earth.
Alternative names for the film which were considered were: Million Dollar Space Baby, The Keir Dullea Movie, Monolithicent, Kubrick’s Pube and The Apes of Wrath.
Ten ways in which the world would really have been different without the Fab Four…
The hit Danny Boyle film, Yesterday envisages a world in which the biggest band of all time had never existed. But what if they really hadn’t? Consider…
First things first: the early series of Thomas The Tank Engine would not have been narrated by Ringo Starr. Someone else would have to have been found to do it instead, wasting considerable time and expense.
The career of the talented multimedia artist, Yoko Ono would have been allowed to continue without interruption, rather than being crudely sidetracked.
“Yellow matter custard dripping from a dead dog’s eye, crabalocker fishwife, pornographic priestess, man, you been a naughty girl, you let your knickers down, I am the eggman, we are the eggmen, I am the walrus, Goo goo g’joob”. Out of context, such lyrics would just sound like drug-induced nonsense. Imagine!
The career of fashion designer Stella McCartney would never have happened. This would obviously…er…have huge effects for everyone.
It is quite likely (although not certain) Linda McCartney’s vegetarian and vegan food range, would not have been launched. Julian Lennon would have not had a 1984 number 6 hit with ‘Too Late For Goodbyes’ either.
Pete Best would probably feel better about how his career has gone.
None of the Beatles’ post-Beatles careers would have occurred. Imagine no Mull of Kintyre. No Frog Chorus. So This Is Christmas. Imagine no…Imagine.
The film explicitly stated that the Beatles-influenced Oasis had never existed either, in which case, isn’t it a bit surprising Jack didn’t have a go at an Oasis track too? Although perhaps not Cigarettes and Alcohol, as cigarettes are another one of the things that don’t exist in this world. One wonders if Oasis would still have existed in some form anyway or how strongly they or other bands would have been affected by the Beatles’ absence. Would Madonna sound the same? Would Lady GaGa? Would Martin Amis have written in the same way? Ultimately, we will never know.
The Monty Python film, The Life of Brian would not exist as it owes its existence to George Harrison financially bailing the film out, as he wanted to see it himself. Eric Idle’s post-Python parody, The Rutles would also not exist.
Needless to say, the Beatles’ films, A Hard Day’s Night, Help! and Yellow Submarine would never have been made without The Beatles. Nor would any films inspired by them such as Backbeat, the little-seen Across The Universe. Or Yesterday.
Lolly Adefope, Mathew Baynton, Simon Farnaby, Martha Howe-Douglas, Jim Howick, Laurence Rickard, Charlotte Ritchie, Kiell Smith-Bynoe, Ben Willbond, Katy Wix
The spirit of Rentaghost is resurrected in this recent BBC sitcom, the highest rated British TV comedy series of 2019 thus far.
Charlotte Ritchie and Kiell Smith-Bynoe play Alison and Mike, a young married couple whose lives are transformed when Alison unexpectedly inherits a large, but dilapidated rural manor house, following the death of an unknown elderly aunt.
The house contains many secrets, however, not least a large party of ghosts who dwell within. All are from different historical time periods and all are invisible to most normal humans, ensuring their initial attempts to haunt the house’s new owners all in vain, rather like the Tim Burton film, Beetlejuice. This changes when Alison (Ritchie star of Fresh Meat and Call The Midwife) bangs her head in an accident. Soon, she alone, can see the home’s phantom residents, whether she wants to or not.
The ghosts – all played by the former cast of the acclaimed Horrible Histories and Yonderland and who, mostly, also wrote this – are, of course, the chief source of fun here. Mathew Baynton (The Wrong Mans, Quacks), for example, plays a romantic poet hopelessly besotted with the still very much alive and married Alison, while Katy Wix (Not Going Out) plays the ghost of a slightly charred 17th century peasant woman apparently burnt to death for witchcraft.
Most hilarious are the great Simon Farnaby (The Detectorists and, appropriately, the man who sang ‘Stupid Deaths’ on Horrible Histories) as a disgraced 1990s Tory politician, still massively pompous, despite now being permanently trouser-less having died in some unspecified sex accident. Laurence Rickard also works wonders as Robin, (“bum and chips!”) a caveman, who lived on the grounds of the estate, long before it was built.
How did such a random assortment of characters ever come to live in the same house, even at different times? Why does every one of the Ghosts seem to have died prematurely? Doesn’t it all feel a bit like a children’s programme? Ultimately, none of these things really matter. Were it not for the presence of a few deliberate adult references (including a brief appearance by a genuinely scary child ghost), this would fit in perfectly well on CBBC.
Again, though, this hardly matters. Occasionally, Ghosts’ large regular cast works against it and the show is overwhelmed by chaos and silliness. But overall, this is good fun from a talented bunch of actors and writers. If your mansion house needs haunting, look no further.
People all over the land have been thrilling to the antics of the huge lumbering giant BFJ, otherwise known as Boris Fucking Johnson.
“I love how he uses funny long words which nobody understands, ” says Colin, 66, from Kent. “Like ‘rambunctious’ and ‘flibbertigibbet’. I also like how he travels to lots of different countries all around the world, really fast.”
Miranda, 44, from Chelsea, also enjoys Boris Fucking Johnson’s adventures. “He’s always saying the wrong thing!” she laughs. “He blows dreams into people’s ears. Mainly dreams about the UK benefiting economically by leaving the European Union.”
Boris Fucking Johnson has definitely NOT been seen enticing young women out of their windows as some have claimed.
Other, less popular recent characters from the same stable include Danny Alexander: Champion of the World, James Brokenshire and the Giant Speech, George Osborne’s Marvellous Economic Medicine and The Fantastic Dr. Liam Fox.
Gratefully reproduced from Bingebox magazine (2016):
THE WEST WING
Welcome to the presidency of Josiah Bartlet. During the
seven season run of Aaron Sorkin’s award-winning series, we see the fictional two-
term administration take a rollercoaster ride through crises (a major
assassination attempt and an attempt to kidnap the president’s daughter),
scandal (is the president concealing something important from everyone?),
disaster (a major nuclear accident in California), numerous triumphs and many
other matters, some of global import, some, such as the president falling off a
bike in public, more trivial.
In truth though, this is not just the story of a president but of the talented team behind him. In what may prove to be career-best role, onetime Brat Packer Rob Lowe excels in the first four seasons as razor-sharp speechwriter Sam Seaborn with Bradley Whitford, Alison Janney, Richard Schiff, John Spencer (the last of whom sadly died just as the final season was coming to an end) leading a stellar cast who make up the president’s White House west wing team.
Occasionally, things may get a little too bit earnest. Is
everyone in US politics really so well-intentioned and decent as they are here?
It’s actually something of a relief when Bartlet’s vice president John Hoynes
(Tim Matheson) turns out to a scheming, malevolent toad.
Ultimately, however, for all of its high powered “walk and
talk” conversations and highly-charged content, The West Wing was just as popular
amongst those with little or no interest in current affairs at all as it was
amongst battle-hardened political junkies.
Ten years after it finished, The West Wing, often funny,
sometimes moving, has scarcely dated at all. If you’ve never seen it before,
now is the perfect time to catch up with an all-time classic.
Box out: All The
President’s Men (and Women)…
Three of Bartlet’s
best and brightest…
Josh Lyman (Bradley
Idealistic, witty and argumentative, communications deputy
Josh is devoted to Bartlet, having previously backed his opponent John Hoynes
who is now the Veep. Badly wounded in
the attempt on the President’s life.
CJ Cregg (Alison
In a career-defining role, Janney is perfect as the sharp,
sassy and on the ball press secretary CJ. And just as Josh secretly yearns for
his assistant Donna, CJ loves beardy journo, Danny.
Josiah “Jed” Bartlett
POTUS himself, the president is sort of an older wiser less
promiscuous version of JFK (a role Sheen once played memorably on TV). Jed is
ably supported by his First Lady Abby (Stockard Channing).
HOUSE OF CARDS
If The West Wing offers an optimistic view of the American
political scene, House Of Cards represents its dark underbelly. In that
respect, perhaps it is ideal viewing for the era of Hillary Clinton and Donald
For make no mistake, from a fairly early stage, it is clear
that the main character Frank Underwood (Kevin Spacey) is a very bad man
indeed. We know because of how he speaks. We know because of the thigs he does.
And finally, we know because he tells us so himself, confiding in us his every
passing evil thought and deed.
It is this Shakespearian device which sees Underwood sharing
his thoughts with the audience – sometimes just in the form of a wry smile to
the audience (of course, always unseen by whoever Frank is talking to and
presumably screwing over at the time) – which makes us feel complicit in his
crimes. It was an appealing device when Ian Richardson (like Spacey, a
Shakespearian actor) played the equivalent role of an upper class English Tory
politician in the original version of House of Cards, 26 years ago. It works
just as well now.
We watch Underwood climbing the greasy pole rising from
party whip (being snubbed by being passed over for his promised position of Secretary
of State) rising to Vice President and beyond. We watch him lie, cheat, have
affairs and commit murder but we’re basically rooting for him. We want him to
For yes, Frank Underwood is a very bad man. But some of us
do like bad guys. The problems begin when too many of us start electing them
into positions of power.
Box out: Axis of
Three of the main
players in this game of thrones…
Frank Underwood (Kevin
US Democratic Party politician. Likes include: cooked
breakfasts, the South, exercise, sex with young female reporters, murder,
blackmail, gradually accumulating political power over a period of time,
breaking the Fourth Wall.
A million miles away from her breakthrough role as the
Princess Bride, Wright is brilliant as Frank’s wife and partner in crime, a
character every bit as ruthlessly ambitious as her husband.
Doug Stamper (Michael
Not to be confused with Thumper (the rabbit in Bambi), as
the Underwood’s chief accomplice, Stamper’s sense of loyalty is the one thing
that never seems in doubt. Or is it?
Prime Minister, David Cameron today gave his strongest hint yet that he intends to step down as Prime Minister within two years of winning the forthcoming General Election. Speculation has been mounting that Mr. Cameron is close to announcing the date of the next election as May 22nd. This would coincide neatly with the forthcoming elections to the European Parliament.
The last General Election in May 2015, resulted in a surprise overall majority of 12 for the Conservatives. This has since fallen as a result of recent by-elections although Mr. Cameron has resisted calls to strike any sort of deal with either Tim Farron’s Liberal Democrats or the similarly-sized Democratic Unionist Party.
Having entered Downing Street in June 2010, Mr Cameron is now the third longest serving Prime Minister since 1945, after Margaret Thatcher and Tony Blair. At 52, he remains younger than Mrs Thatcher when she became Britain’s first (and to date, only) woman prime minister in 1979.
According to a report in the London Evening Standard, Mr Cameron’s cabinet colleagues, George Osborne, Boris Johnson, Theresa May and Michael Gove are expected to join the race to succeed him.
Labour’s Jo Cox has been amongst those urging unity in her own party, ahead of the expected election announcement. UKIP has, meanwhile, renewed calls for a referendum on continued UK membership of the European Union. Opinion polls currently indicate support for a UK exit from the EU, but also that it is low on the list of voter priorities at this time, ranking way below concerns over the NHS and education.
Opponents of a vote suggest it would be a colossal waste of time, money and energy, inviting economic uncertainty, political uncertainty and disunity at a time of growing prosperity.
Meanwhile, in New York, maverick billionaire and 2016 Republican Party nominee, Donald J. Trump has announced plans to challenge President Hillary Clinton for the White House in 2020. Trump, who will be 74 by the time of next year’s election has made repeated claims of foul play surrounding his 2016 defeat although no evidence has thus far emerged.
In 2017, Trump resumed his role on the US version of TV’s ‘The Apprentice’.
Napoleon. His Life, His Battles, His Empire. By David Chanteranne and Emmanuelle Papot. Published by: Carlton Books, March 7th 2019
I know almost nothing about Napoleon Bonaparte.
I studied International History up to postgraduate level. Despite
this, I don’t remember being taught anything about him during my entire twenty
years in education.
I know roughly what he looked like, that he was born in
Corsica and that he married Josephine. I know he rose very fast through the
ranks after reviving France’s fortunes following the bloody chaos of the French
Revolution. He became very powerful and very important, very quickly but, like
Hitler later, came badly unstuck trying to invade Russia. He died in exile, at
a relatively young age (51).
I don’t get the impression he was anything like as bad as
Hitler, Stalin or Mao in the 20th century. He didn’t unleash
genocide and probably did some good along the way, reforming France’s legal system
and the like. His wars nevertheless wrecked and destroyed thousands of lives. On
balance, I suspect, he was more of a “baddy” than a “goody.”
What else? I know, “My,
my. At Waterloo Napoleon did surrender” because Abba told me so. But are 1970s
pop lyrics really a reliable source of historical information? There is plenty
of doubt, after all, that Rasputin was in fact, as Boney M argued, “lover of
the Russian Queen.” As to whether he was really “Russia’s greatest love machine?”:
well, it’s now almost impossible to verify.
This book was thus very helpful to me in filling in the considerable gaps in my knowledge of one of history’s key figures. With 180 illustrations, it would probably appeal to children, but I doubt I’m the only adult who found it useful.
After all, as a wise person once pointed out: “the history book on the shelf. It’s always repeating itself.”
The first ever US Academy Awards are held. First World War-based thriller Wings wins the first ever Best Picture Oscar.
In a scene reminiscent of the early scenes of the 2001 comedy film Zoolander, comedian Will Rogers opens the Best Director envelope and says, “Come and get It Frank!” Unfortunately, there were two directors called Frank nominated in that year. Frank Capra was half way to the podium before Rogers clarified that it was Frank Lloyd, director of Cavalcade who had won, not Capra. Happily, Frank Capra later won for Mr Deeds Goes To Town in 1936. In future years, the awards are always announced in a heavily scripted way, in the hope of preventing such an embarrassing error ever happening again.
Hattie McDaniel becomes the first black woman to win an acting Oscar (Best Supporting Actress: Gone With The Wind). Having been barred from the film’s Atlanta premiere due to the state’s racial laws, she is made to sit at a segregated table during the Oscar ceremony. She is only allowed to attend at all due to the Ambassador Hotel making an exception to its usual strict ‘no blacks’ policy. Her white agent sat with her at the ceremony.
How Green Is My Valley beats Citizen Kane for Best Picture. Citizen Kane subsequently became the most critically acclaimed film of all time.
Sidney Poitier (Lillies Of The Field) becomes the first black actor to win an Oscar.
A very rare occurrence: A tie in the Best Actress category.
Barbara Streisand wins for Funny Girl. Katharine Hepburn also wins for The Lion
In Winter (her third). As most Oscars are determined by votes from several
thousand Academy members, a tie is a frequent possibility.
George C. Scott wins Best Actor for Patton. He chooses not
to attend and instead stays home and watches a ball game on the other channel.
Native American Sacheen Littlefeather surprises viewers by
attending to reject Marlon Brando’s second Oscar won for The Godfather on his
behalf. t “He very regretfully cannot accept this very generous award. And
the reasons for this being are the treatment of American Indians today by the
film industry,” she says. She is actually not a political activist herself but
a small-time actress who later appears in Playboy magazine.
In a famously impromptu remark, host David Niven comments on
a streaker who disrupts the ceremony: “Isn’t
it fascinating to think that probably the only laugh that man will ever get in
his life is by stripping off and showing his shortcomings?
Robert De Niro wins his first Oscar playing Vito Corleone in
The Godfather Part II. Marlon Brando played the same character in 1972’s The
Godfather. It is the only time two actors have won Oscars for playing the same
Tatum O’Neal becomes the youngest ever person to win a competitive
Academy Award (Best Supporting Actress – Paper Moon). She is ten (she turned
nine during filming).
Annie Hall beats Star Wars for Best Picture. Director and star Woody Allen begins a long tradition of not attending the Oscars (choosing to perform jazz music elsewhere on Oscar Night instead). He finally attends in 2002.
British actress Vanessa Redgrave (Best Supporting Actress: Julia) is audibly booed after she attacks opponents of her documentary film, The Palestinian as “Zionist hoodlums”. She also attacks former President Nixon.
Jane Fonda (Best Actress: Coming Home) uses sign language during her acceptance speech to highlight awareness of deafness. It is her second Oscar: she also won for Klute in 1972.
Robert De Niro wins his second Oscar for Martin Scorsese’s
Raging Bull. The timing is awkward as the new President, former actor, Ronald Reagan
has just been shot and wounded in an assassination attempt. His attempted
assassin John Hinckley was reportedly inspired by Scorsese and De Niro’s 1976
film Taxi Driver and a desire to “impress” his teenaged co-star Jodie Foster
(she is not impressed).
Katharine Hepburn wins her fourth and final Oscar for On
Golden Pond. No other actor, male or female, has ever won four Oscars. Cate
Blanchett later wins one for playing Hepburn herself in The Aviator in 2004.
Hepburn’s co-star Henry Fonda becomes easily the oldest ever
Best Actor winner at 76. Too ill to attend the ceremony, his daughter and
co-star, Jane Fonda collects the award on his behalf (he dies a few months
Screenwriter Colin Welland shouts “The British are coming!”
following the success of Chariots of Fire this year. In fact, the next decade will
prove a very lean one for British cinema, although Gandhi does win Best Picture
Sally Field wins her second Oscar for Places In My Heart. “I haven’t had an orthodox career, and I’ve wanted more than anything to have your respect,” she says. “The first time I didn’t feel it, but this time I feel it, and I can’t deny the fact that you like me, right now, you like me!” Seen my many as overly sentimental, Field’s speech is often misquoted as: “You like me, you really like me!”
Whoopi Goldberg (Ghost) becomes only the second black actress to win Best Supporting Actress.
Silence of the Lambs wins in all of the “Big Five”
categories: Best Film, Actor (Anthony Hopkins),
Actress (Jodie Foster), Director (Jonathan Demme) and Adapted
Screenplay. This is the only the third time this has ever happened (the previous
films were 1932’S It Happened One Night and 1975’s One Flew Over The Cuckoo’s
Rumours abound that Jack Palance read out the wrong name
during his announcement of the Best Supporting Actress winner Marisa Tomei (My
Cousin Vinnie) In fact, though a surprise result, Tomei undoubtedly won. That
said, Palance did seem to be in a somewhat “tired and emotional” state as he
announced the award.
Couple Tim Robbins and Susan Sarandon use the Best Film Editing category as a political opportunity urging the government to let HIV-positive Haitians being held at Guantanamo into the US.
“Oh, wow. This is the best drink of water after the longest
drought of my life.” Steven Spielberg (Best Director: Schindler’s List) finally
wins. Schindler’s List is the first black and white film to win Best Picture
since The Apartment (1960).
Tom Hanks wins two Best Actor Oscars in consecutive years for
Philadelphia and Forrest Gump, a feat not achieved since Spencer Tracey in the
1930s, He delivers highly emotional acceptance speeches both times, inadvertently
“outing” a high school teacher as gay in the first (a moment which later
inspired the Kevin Kline film In and Out) and in the second stating “I feel
like I’m standing on magic legs.”
Samuel L. Jackson (Pulp Fiction) loses the Best Supporting
Actor Oscar to Martin Landau (Ed Wood). Lipreaders can see Jackson clearly says
“shit” on hearing the announcement from 12 year old, Anna Paquin. Jackson is
unrepentant afterwards, arguing he deserved to win.
George Clooney, Nick Nolte, Ed Harris and many other actors refuse to stand or applaud Elia Kazan’s Lifetime Achievement Oscar. The On The Waterfront director testified to the notorious House Committee on Un-American Activities in 1952
Halle Berry (Monster’s Ball) becomes the first black winner of the Best Actress Oscar.
Filmmaker Michael Moore (Best Documentary: Bowling For
Columbine) provokes a mixed reaction with an attack on President George W.
Bush: “We live in the time where we have fictitious election results that
elects a fictitious President. We live in a time where we have a man sending us
to war for fictitious reasons…Shame on you, Mr. Bush, shame on you. And any
time you’ve got the Pope and the Dixie Chicks against you, your time is up.”
Adrien Brody (Best Actor: The Pianist) kisses actress Halle
Berry on receiving his award.
The Lord of the Rings: The Return of the King becomes the
third film to win eleven Oscars. The others are Ben-Hur (1959) and Titanic
(1997). All About Eve (1950) and Titanic remain the most nominated films (14
each). The Return of the King is the only fantasy film to win Best Picture (no
sci-fi film has ever won it) and only the second sequel (the first was The
Godfather Pt II in 1974).
Martin Scorsese finally wins (Director: The Departed) after years of being overlooked. “Could you double check the envelope?” he quips.
A showdown between Kathryn Bigelow’s The Hurt Locker and
James Cameron’s Avatar. The Hurt Locker wins Best Picture. Bigelow becomes the
first woman to win Best Director (she and Cameron were married between 1989 and
The Artist is the first black and white film to win Best
Picture since 1993’s Schindler’s List. Contrary to popular belief, it is not technically
a silent film. Wings, the very first Best Picture winner, remains the only
silent winner in this category.
Christopher Plummer (Best Supporting Actor: Beginners)
becomes the oldest ever performer to win a competitive actor Oscar. He is 82.
Meryl Streep wins her 17th nomination (and her third win)
for The Iron Lady joking: “When they called my name, I had this feeling I could
hear half of America going, ‘Oh no. Come on… Her, again?’ You know. But,
whatever.” No actor has ever been nominated as many times as Streep has:
Katharine Hepburn won four times but was only nominated a still impressive 12
times. In 2018, Streep received her 21st nomination for The Post. Her other two
wins were for Kramer Vs Kramer and Sophie’s Choice.
Daniel Day Lewis wins his third acting Oscar for Lincoln.
Only five other actors have achieved three Oscar wins: Katharine Hepburn (who,
as previously mentioned, won four), Meryl Streep, Jack Nicholson, Walter
Brennan and Ingrid Bergman.
John Travolta messes up his introduction to a performance
from Frozen by Idina Menzel: “Please welcome the wickedly talented, one
and only Adele Dazeem,” he says.
The Oscars are widely criticised for a lack of racial diversity in the nominations.
Leonardo DiCaprio finally wins Best Actor for The Revenant.
In an embarrassing cock up, La La Land is briefly announced
as Best Picture, instead of the actual winner, Moonlight. The mistake – which
seems to have resulted from veteran actor Warren Beatty being given the card
revealing La La Land actress Emma Stone’s Best Actress Oscar in error, and
Beatty and Faye Dunaway’s understandably confused reaction – is only corrected
after two minutes (“There’s a mistake. Moonlight, you guys won best
picture…This is not a joke. Moonlight has won best picture”) by which time the
La La Land team are midway through their acceptance speech.
Casey Affleck wins for Manchester by the Sea despite
widespread controversy over sexual harassment allegations. Actress Brie Larson,
an advocate of sexual assault victims, presents the award to Affleck, but seems
unhappy with the result.
Comedian Kevin Hart steps down as host of the Oscars after controversy emerges over a slew of allegedly homophobic tweets he sent in the past. It is decided the Oscars will not have an official host for the first time since 1989.