Netflix film review: Moxie

Moxie is the story of how a group of teenaged girls band together to defeat the sexism endemic in their high school.

The sexism is everywhere. The school American football team are treated as all-conquering heroes, even as they slap girl’s behinds in public and send out lists of which of the female students has the “best rack” or is “most bangable.” One suspects both this behaviour and the language used – though undeniably unacceptable – is actually fairly mild compared to what actually goes on in many schools in both the US and UK.


Worse still, a serious complaint of harassment made by new girl, Lucy (Alycia Pascual-Peña) against bullying sports star, Mitchell (who, in an interesting piece of casting is played by Patrick Schwarzenegger) is not taken seriously at all by the school’s head, Principal Shelley (Marcia Gay Harden). Another girl is angry over being unfairly penalised for wearing a tank-top, others are irritated by the lack of support given to girls’ sports by the school. A trans student is also annoyed to be excluded from the school production of Little Shop of Horrors. Long-suffering liberal teacher, Mr. Davies (Ike Barinholtz) amusingly ties himself in knots by trying to retain a neutral stance amidst the rising tide of rebellion.


One student, Vivian (Hadley Robinson) has had enough. Inspired both by the defiant attitude of her new friend, Lucy and by tales of the 1990s riot grrrl activism of her mother (Parks and Recreation star, Amy Poehler, who also directs this), Vivian single-handedly conceives, devises, writes, produces and distributes MOXIE! an underground magazine designed to tackle directly the plague of male chauvinism which infects the school. She manages to keep her own role in producing the new journal entirely secret from friends and family, an element of the story, I personally didn’t find entirely convincing. At times, Vivian exhibits signs of the intolerance which occasionally emerges in such movements. She also comes close to alienating her best and oldest friend, Claudia (Lauren Tsai).


Based on Jennifer Mathieu’s novel, I did not find every aspect of the film entirely convincing. The name Moxie or MOXIE! really works as a film title.


But as a well-acted and potentially inspiring call to arms against the evils of everyday sexism, Moxie is definitely worth watching.
Moxie is available to watch on Netflix now.

Netflix review: Behind Her Eyes

Louise Barnsley (Simona Brown) leads an ordinary enough life. She is divorced and lives with her young son, Adam (Tyler Howitt) in London. She enjoys her job working at a psychiatrist’s office. She gets on well with her main colleague Sue (Georgie Glen) and has another good friend outside work, Sophie (Nichola Burley).

She does, however, suffer from night terrors and is haunted by dreams in which she wonders down creepy Clive Barker-esque corridors and which see her son see endangered in various ways. These nightmares often cause Louise to sleepwalk: potentially a serious problem as she lives in a high-rise flat with a balcony.

One day, she literally bumps into Adele (Eve Hewson, the daughter of U2 musician, Bono) who she recognises as the wife of her new boss, Dr. David Ferguson (Tom Bateman). This is awkward as Louise and David have already kissed on a night out, shortly before David started the job. At that point, Louise had had no idea either that David was already married or that he was about to become her new employer. The kiss would doubtless never have happened if she had. Things get more awkward still when Adele who is very beautiful but clearly very lonely starts pushing hard to befriend Louise. Louise is initially wary: Adele does not, of course, know about the kiss and Adele doesn’t want David – who seems to be very controlling and possessive – to know about her friendship with Louise. Without really meaning to, Louise has thus got into a position where she is deceiving both sides of the Ferguson marriage at the same time. On the plus side, Adele does seem to have a possible intriguing solution to Louise’s night terrors.

On top of all this, the Ferguson marriage seems to be a loveless nightmare. David is clearly miserable, drinks heavily and seems to be attempting to control Adele through a regimen of prescription pills. He clearly expects her to stay at home all day in their large but sterile home while he goes to work. A series of flashbacks to the late 2000s, meanwhile, reveal a younger happier Adele befriending a young Scots drug addict, Rob (Robert Aramayo) while both are apparently staying at a rural psychiatric institution.

What is the truth behind Adele’s troubled past? Who exactly was Rob and what happened to him? What does the well, which keeps appearing in the flashback sequences, have to do with anything? Why are David and Adele so unhappy together? Is David manipulating Adele? Is Adele manipulating him? Are they both manipulating Louise and if so, why? What exactly happened to Adele’s family? Is there something suspicious about Louise’s friend, Sophie? Why are there pigeons everywhere? Can Louise disentangle herself from this mess?

This compelling new six-part Netflix thriller from Steve Lightfoot and based on Sarah Pinborough’s 2017 novel raises many such questions and will keep you guessing right until the very final scenes.

Netflix TV review: The Queen’s Gambit

Beth Harmon loves chess.

She loves it from first sight, loving everything about it even before she knows what it is. Barely has she persuaded Mr. Shaibel (Bill Camp), the surly caretaker to teach her how to play it, than she is visualising alternative game scenarios on the ceiling of the bedroom at night. She doesn’t so much take to chess like a duck to water as like a fish to water. She is soon living and breathing chess. It has become part of her DNA and she lives for the opportunity to sneak down to the cellar for an illicit chess game with Mr. Shaibel, who effectively becomes her mentor. Soon Mr. Shaibel is actively teaching her basic chess openings such as the Queen’s Gambit and the Sicilian Defence: basically the techniques which mark professional chess players out from the multitude who never really think beyond their next move.

This is good news for Beth, as life isn’t going so well for her otherwise. The story begins in Kentucky in the 1950s and nine-year-old Beth (who is played as a young child by Isla Johnston) has been placed in an orphanage following the death of her mother in a car accident. The orphanage is not an overtly cruel environment but life there does seem very boring and all the children are starved of love and affection. Beth’s only real friend is Jolene (Moses Ingram) a free-spirited older girl.

Alarmingly, all the girls in the orphanage are routinely issued with tranquilisers, as was apparently standard practice at the time. These enhance Beth’s ability to visualise chess scenarios when she is not actually playing chess. On the downside, she soon becomes hopelessly addicted to the pills. As she grows into an adult (played brilliantly by Anya Taylor-Joy), we see her develop further addiction problems, notably to alcohol. Her adult sexual appetites do not seem unusual, however, and her personality as an adult does not stray too far from the conventional norms either, aside from her all-consuming obsession with chess.

In time, Beth is able to escape the orphanage, being adopted by the Wheatleys, a middle-aged and middle-class, mid-20th century, middle-American suburban couple. Although ostensibly a more stable environment, it soon emerges the Wheatleys’ marriage is in its death throes. Alma Wheatley (another excellent performance from Marjelle Heller) seems fragile, overeducated and frustrated. Her husband, Alston (Patrick Kennedy) is a selfish, unlikeable character who always acts as if he’s being distracted from something more important.

Happily, Beth’s burgeoning chess career ultimately provides an escape for both her and for her adopted mother. The stage is set for us to witness the birth of Beth Harmon’s career as a 1960s female chess legend.

Based on the 1983 novel by Walter Tevis (who also wrote the books which became the films, The Hustler, The Color of Money and The Man Who Fell To Earth), this is an endlessly watchable and compelling story of a fictional chess superstar, boosted enormously by a career-defining performance from Anya Taylor-Joy. Fidelity to the source material is not essential to a adaptation’s success. However, anyone turning to the original book after watching the series, will find the show follows the novel very closely with the exception of one major development early in the book, which was cut out of the series.

Following its October 2020 release, The Queen’s Gambit quickly became Netflix’s most watched scripted series to date. It is easy to see why.

DVD review: Friday Night Dinner Series 2

FND

Friday Night Dinner: Season 2

2entertain

If you’ve never seen Friday Night Dinner before, lucky you: you are in for a treat.

Robert Popper’s sitcom has a laughably simple premise. A middle-aged  Jewish couple Martin and Jackie Goodman (Paul Ritter and sitcom veteran Tamsin Greig) are joined every Friday evening for dinner by their two twenty-something sons Adam and Jonny (Simon Bird and Tom Rosenthal).

That’s really all there is to it. And it’s hilarious.

Much of the humour comes from the relentless silliness of Adam and Jonny, who in the first episode find themselves engaged in a virtual house civil war over Adam’s childhood toy bunny “Buggy”. The duo later engage in a further feud when it emerges Jonny is having an affair with an older woman at work.

Yet juvenile though they are, the Goodman sons are at least still on Planet Earth. The funniest characters are the eccentrics, notably Paul Ritter’s Dad. Occasionally deaf, incapable of keeping his shirt on for an entire episode, prone to hiding in his shed or telling poor jokes (“a lovely bit of squirrel, love!”) and often seemingly oblivious to hygiene or indeed any external events, he is a brilliant comic creation.

The same could also be said of the Goodmans’ truly bonkers next door neighbour, Jim, played splendidly in ludicrously large glasses by another comedy veteran, Mark Heap. Perpetually turning up at the door during dinner, partly to angle for some food himself, partly because he is clearly besotted with family matriarch Jackie (Greig), Jim is always accompanied by his dog Wilson, who he actually appears to be terrified of. Heap is every bit as great in this role as he was as the reclusive artist Brian in 1990s sitcom, Spaced or indeed the sexually frustrated Doctor Adam Statham in Noughties comedy, Green Wing.

And that’s just the main cast. Support comes from “Horrible Grandma” (who insists on bringing her own turkey in a bag for Christmas Dinner), “Auntie” Val, Nan and her truly terrifying octogenarian boyfriend Mr. Morris: a man obsessed with “slanderers” (“I will not be slandered!”) and prone to pulling light fittings out of the wall during his frequent fits of rage.

A truly classic comedy, this has taken its time getting to DVD (it was first shown nearly two years’ ago). The third series was broadcast on Channel 4 just this summer. It cannot come to DVD soon enough.

Special Features:

Six episodes plus the 2012 Christmas Special

Series 1 Recap (This is not actually really necessary and won’t really fill you in if you’ve forgotten or not seen the first series anyway)

Behind the Scenes with Cast and Crew Featurette

14 Alternative Taglines For Dawn of the Planet of the Apes

dawn-74319

It is often said that if you gather an infinite number of apes together with an infinite number of typewriters, they will eventually produce the Complete Works of Shakespeare. Here’s an even better idea: as Shakespeare’s plays have already been written, why not use the apes to make a film called Dawn of the Planet of the Apes instead? With the film already on general release, however, all that’s missing is the perfect tagline:


Repeat after me: Dawn of the Planet of the Apes…:
1. What Became of the Monkeys?
2. The Apes of Wrath.
3. Caesar Goes Bananas.
4. Hang on! Where’s James Franco gone? Wasn’t he in this? He didn’t die in the first one did he? I can’t remember.
5. Ooh ooh ooh. They want to be like you ooh ooh.
6. Close. But No Banana.
7. Monkey See. Monkey Do.
8. This Time They Didn’t Drink PG Tips.
9. Softly softly. Catchy Monkeys.
10. Go Ape.
11. Definitely Not the Shit Mark Wahlberg One.
12. Guaranteed: Contains one of the finest simian mass cremation scenes of any movie this summer!
13. Bloody hell! Andy Serkis really has got this motion capture stuff sewn up hasn’t he?
14. Serious. Monkey. Business.

The Gandalf Factor

Image

It isn’t just The Hobbit and The Lord of the Rings. No science fiction or fantasy saga is complete without a wise old bearded God-like figure often played by a theatrical knight who occasionally fights, usually dies but like E.T himself (or the MP John Stonehouse) comes back later.

Spoiler alert:  John Stonehouse came back ages ago (look it up)…

Gandalf

First appeared: 1937 (in print in The Hobbit), 2001 (on screen).

Does he die? Yes. Gandalf the Grey falls down the crack thanks to the big fiery Balrog thing in The Fellowship of the Ring.

Does he come back? Yes. As Gandalf the White in The Two Towers.

Who played him? SIR Ian McKellen

Fun to play? McKellen seems to have enjoyed it and apart from the “insane laughter” scene in Frodo’s bedroom in the third film has done a great job of it.

Is he Jesus/God?: No. JRR Tolkien was keen to emphasise the books were not supposed to be allegorical.

Obi Wan Kenobi/Old Ben Kenobi

First appeared: 1977 Star Wars, later rechristened Episode IV:  A New Hope.

Does he die? Yes. Darth Vader turns him into a dressing gown towards the end of the first (or fourth) film.

Does he come back? Only as a badly animated and well paid ghost. Bet Marlon Brando wished he’d thought of that for the Superman sequels? Although he’d have been too fat anyway.

Who played him? SIR Alec Guinness and Ewan McGregor as the younger sometimes un-bearded Obi Wan in the inferior prequels.

Fun to play? Not at all. “…new rubbish dialogue reaches me every day on wadges of pink paper – and none of it makes my character clear or even bearable,” Guinness complained. He also resented being nicknamed “Mother Superior” by a young Harrison Ford. Understandably. Sir Alec made a small fortune, however, having claimed a 2 ½ % share of the profits on the three films although thanks to the exorbitant tax rates in the 1970s, not as much as is commonly thought. MacGregor’s complaints about filming against blue screen, meanwhile, were amongst the first bits of negative publicity to break around The Phantom Menace in 1999.

Is he Jesus/God?: Perhaps. But then, a similar case could be made for Han Solo. And Harrison Ford was a carpenter, just like Jesus was. See? It all makes sense.

Albus Dumbledore

First appeared: (in print) 1997 Harry Potter and the Philosopher’s Stone and on screen in the 2001 film.

In the US this was called: Harry Potter Can’t Believe Americans Don’t Know What A Philosopher Is and Apparently Think A Sorcerer is Basically the Same Thing.

Does he die? Yes. Snape (Alan Rickman) chucks him off Hogwarts at the end of the penultimate volume The Half Blood Prince. In the film, his death is reminiscent of Alan Rickman’s own character’s death in Die Hard. Except Bruce Willis wasn’t involved.

Does he come back? Only in a dream sequence.

Who played him? Richard Harris until his death after the second film. Succeeded by SIR Michael Gambon thereafter.

Fun to play? Ignoring the fact the Irish Harris didn’t actually have an Irish accent when playing Dumbledore (who isn’t, as far as we know, supposed to be Irish), the usually excellent Gambon for some reason initially put on a somewhat half-arsed Irish accent when he took on the role. Happily, this soon went and he was great from then on.

Is he God/Jesus?: Probably not, although like Jesus he is gay. JOKE. No, in reality, Dumbledore was not really gay.

Nearly there but not quite:

Aslan in the Narnia books

He does die, come back, is wise, bigoted, bearded and is very clearly supposed to be God. He is not a man though. HE IS A LION.

Jaga (from Thundercats)

Wise counsel to feline Skywalker-type Lion-o, Jaga dispenses important nuggets of wisdom such as encouraging him to enter his litter tray regularly but dies en route from the Thundercats’ home planet of Thundera to Third Earth. He does come back as a ghost though and fits the bill very well. However, he is rather transparently (literally) “heavily influenced” by the character of Obi Wan Kenobi. Also, unlike everyone else Jaga isn’t feline at all. This isn’t explained.

No one in His Dark Materials

A big fantasy saga, yes but with NO bearded wise God-like grandfather figure. Perhaps reflecting the atheistic nature of the plot.

Optimus Prime in The Transformers

A robot, yes. But he was wise and dies (in 1986’s Transformers The Movie) and later comes back. He may die in the new films too. Who knows? I was asleep.