Thirty years of The Ballad of Halo Jones

If you were reading the Galaxy’s Greatest Comic, 20000AD, thirty years ago this month, you would doubtless have noticed a new character.

The Ballad of Halo Jones written by Alan Moore and illustrated by Ian Gibson first appeared in July 1984. 2000AD, which had been in 1977, already featured many of its best known science fiction and fantasy strips notably Judge Dredd, Rogue Trooper, Strontium Dog, Nemesis the Warlock and Slaine. Ian Gibson had, in fact, drawn many Dredd episodes as well as the more humorous Sam Slade: Robohunter.

Alan Moore is a legend in the world of comics today. This was less true in 1984, but he was hardly unknown then either, having already penned both the futuristic drama V For Vendetta and Marvelman (later known as Miracleman) for Warrior, a title Moore had largely dominated but which was on its way out by 1984. He was also doing Swamp Thing for DC and had produced the extraterrestrial fantasy Skizz and D.R. and Quinch for 2000AD.  He had also written many Tharg’s Futureshocks; the Twilight Zone-style one off stories which many 2000AD staff first get established on. Moore had worked once with Gibson on one of these, “Grawks Bearing Gifts”.

But the first Halo Jones story wasn’t a hit. Lance Parkin in his biography Magic Words: The Extraordinary Life of Alan Moore writes: “Now, Halo Jones is regularly cited as a high point of the magazine’s long history. Then, it was a different story. Every week, the magazine polled its readers on their favourite strips, and Halo Jones was notably unpopular during its first run (#376-385, July-September 1984)”. What was the problem?


Was it because most of the characters were girls? Halo is introduced as a teenager, one of a group of female friends (plus Toby, a robot dog) who live on the Hoop, a large crime-infested artificial population centre constructed off Manhattan Island. It was fairly unusual for 2000AD to have a female lead character at this time but it is probable a few factors conspired against the strip. Readers complained of a lack of “action”. Moore assumed they meant a lack of “violence”. Cynical but perhaps accurate, there is little of both in Volume One (at least, not until the end). The story also features a fair amount of futuristic slang which may have alienated some readers. Although to be fair, the slang “Squeeze! Squeeze with a bare arm!” isn’t that unusual bearing in mind the strip is set in 4949, nearly 3,000 years in the future. Another possible point against it is that there is also little interesting to mark out Halo at this point. She is just another one of the girls.

Volume Two which appeared in 1985, however, was much better.

For one thing, the intriguing prologue features a lecture, set even further in the future which not only updates us but hints for the first time that Halo might be destined to become a figure of genuine historical import. Halo also develops more as a character, working as a stewardess on a space cruise liner the Clara Pandy during a year long voyage and leaving her less ambitious or unlucky friends back on the Hoop.

The ship turns out to be a perfect vehicle for all sorts of great stories, many working as stand alone strips. Toby, Halo’s companion reveals a ferocious dark side while a particularly strong story concerns The Glyph, a soulless sad character rendered invisible after countless sex changes have robbed him of his true identity.

Volume Three, is by Alan Moore’s own admission, the best of all.

Although it appeared only a year later, in 1986, ten long years have passed for Halo and she has become a more cynical, harder and more interesting figure. Washed up, she bumps into her old friend Toy Molto (a giantess) and the two decide to join the Army.

Predictably, this ends badly with the two becoming involved in the encroaching war in the Tarantula Nebula, a Vietnam-style conflict, periodically alluded to in the strip since Book One. Funny, ingenious and at times, moving, (one episode sees Halo talking for some time to a wounded colleague before realising with total horror that they have been dead for some time), Halo experiences the full indignity of combat. The war on the planet Moab, particularly leads to a memorable battle in which the strong gravity of the large planet leads time to be distorted leading the conflict to literally be appearing to pass either in slow motion or sometimes even accelerated speed. Halo also becomes embroiled in an unwise love affair with the monstrous General Luiz Cannibal and loses her innocence in more ways than one.

Adverts for the Titan anthologies of the story at the time hinted at ten volumes of Halo even suggesting she became a pirate queen. But, in fact, Volume Three would be the end. Moore fell out with 2000AD and went onto The Watchmen and phenomenal comic success. Only Neil Gaiman has come close to his status amongst contemporary British comic writers.

The Ballad of Halo Jones remains his overlooked masterpiece. I urge you to seek it out.



2 thoughts on “Thirty years of The Ballad of Halo Jones

  1. I think the fact Halo Jones was planned to be ten volumes (as I remember) is important. It didn’t work, because comics (at least at the time) demanded a faster pace, although I think volume 3 is much improved by reading one and two first.
    Interesting to think that comics have probably the longest continuos stories of modern culture, but Moore has never spent more than a few years on something.

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