Few stories from the Galaxy’s Greatest Comic, 2000AD, are remembered with such affection as Alan Moore and Ian Gibson’s mid-80s classic, The Ballad of Halo Jones.
This new audiobook does an excellent job of retelling the adventures of Halo, an ordinary 50th century girl who escapes the restrictions of a depressing teenage existence in vast urban settlement, The Hoop to find work on a space cruiser, the Clara Pandy. As in the original classic comic story, she ultimately becomes embroiled in the affairs of the sinister General Luiz Cannibal and the horrors of the Tarantula Nebula War.
As with the first of the three books adapted here is less accessible than the others, largely because of the futuristic slang spoken by Halo and the other Hoop dwellers is slightly off-putting. There is also a bizarre error here in which one character, Lux Roth Chop, who is clearly supposed to be a child in the story is voiced by a grownup actor.
But, generally this is a first-class production which generally follows the original version very closely. Sheila Atim, in particular, does an excellent job of voicing Halo herself as she grows from being a naive teen into a cynical thirtysomething.
January (Prog 451): The year begins with the third and what turns out to be the final book of The Ballad of Halo Jones (Moore/Gibson). It is probably the most acclaimed story ever to appear in the comic.
February (Prog 457): Chief Judge McGruder is replaced by Chief Judge Silver in Judge Dredd. Other stories include Ace Trucking Co., Slaine and Strontium Dog at this time. Slaine currently takes the form of an RPG adventure, a format soon to be attempted again in the short-lived Diceman spin-off comic (see below).
March (Prog 463): 2000AD rises from 24p to 26p.
April (Prog 465): Wulf Sternhammer dies in Strontium Dog (Grant/Ezquerra).
(Prog 466): Halo Jones ends. Seven more books were planned. In fact, the story never returns.
May (Prog 468): Anderson PSI (Grant/Ewins) returns in the 9th birthday issue along with new strips, Bad City Blue (Grant/Robin Smith) and the offbeat time travel strip, Sooner or Later (Peter Milligan/Brendan McCarthy).
July (Prog 477): Judge Dredd: The Art of Kenny Who? (Wagner/Grant/Kennedy).
August (Prog 483). Metalzoic (Mills/O’Neill) originally a DC strip begins. Nemesis (Mills/Bryan Talbot) is also appearing at this point.
November (Prog 498): Ten ten, never again! Ace Trucking Co. comes to an end.
December: A special glossy cover for Prog 500! Major new future war strip, Bad Company begins (Milligan/McCarthy) as does Slaine The King (Mills/Glenn Fabry). However, Alan Moore is offended by 2000AD’s decision to use characters he created without his permission for this issue. He never writes for the comic again.
Elsewhere:
British indie rock band, Mega City Four (whose name was inspired by Judge Dredd) are formed around this time.
January: Controversial science fiction author, L. Ron Hubbard dies.
February: Diceman, a new bi-monthly magazine aiming to capitalise on the RPG craze begins. Edited by a monster called Mervyn (it is in fact edited by Simon Geller), it is a spin-off of 2000AD, with most of the stories written by Pat Mills. Aside from a new character Diceman and a one-off satire, You Are Ronald Reagan: Twilight’s Last Gleaming, all the stories are RPG versions of 2000AD stories: Judge Dredd, Nemesis the Warlock, Sláine, Rogue Trooper, Torquemada and ABC Warriors. Sadly, it does not find an audience and fails after five issues.
August: James Cameron’s Aliens is released.
September: DC begins serialising Watchmen (Alan Moore/Dave Gibbons). Frank Miller’s Batman: The Dark Knight Rises also appears this year.
Kids’ sci-fi film, Flight of the Navigator is released in the UK. Short Circuit is released in December as is Transformers: The Movie.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
February: (Prog 403): The cover price rises to 24p, three times its original 1977 price.
(Prog 404): The Stainless Steel Rat (Gosnell/Ezquerra) ends for good.
(Prog 405) The Ballad of Halo Jones (Moore/Gibson) returns for an acclaimed award-winning Book 2. Halo leaves the Hoop for a job on the luxury space liner, the Clara Pandy.
May (Prog 416): Judge Dredd favourite Cassandra Anderson confronts the Dark Judges in her own new strip, Anderson PSI (Wagner and Grant/Brett Ewins).
Other stories this year include Slaine, Rogue Trooper, Sam Slade: Robo-Hunter, Helltrekkers, Ace Trucking Co. and Strontium Dog.
June (Prog 425): Dredd runs into Chopper again in Midnight Surfer (Wagner and Grant/Cam Kennedy).
September (Prog 435): Nemesis the Warlock Book 5: Vengeance of Thoth (Pat Mills/Bryan Talbot).
(Prog 437): The Mean Team arrive (Wagner and Grant/Belardinelli).
October: The Best of 2000AD Monthly begins. Initially reprinting a range of stories in one issue e.g. Judge Dredd, Strontium Dog and Rogue Trooper, later issues restrict themselves to just one story e.g. Nemesis and the Gothic Empire or a collection of Dredd stories. it continues for 119 issues, falling just short of the ten year mark ending in August 1995.
November: Bad news for Johnny and Wulf as they run into Max Bubba in Strontium Dog.
Elsewhere:
Fantasy films, Legend, Red Sonja and Ladyhawke are all released this year.
French-Japanese animated space epic, Ulyssees 31 arrives on Children’s BBC.
January: James Cameron’s Terminator arrives in the UK.
Warrior comic breathes its last. Adult comic Viz goes nationwide.
March: 2010: The Year We Make Contact is released, Peter Hyams’ sequel to 2001: A Space Odyssey.
April: Max Headroom (Matt Frewer) debuts on Channel 4.
December: Release of Back To The Future.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Metalzoic, Dan Dare, The Eagle and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
There are fewer progs of 2000AD than usual this year, due to industrial action halting publication of the Galaxy’s Greatest comic for several weeks in the summer.
March (Prog 359): Judge Dredd investigates The Haunting of Sector House 9 (Wagner and Grant/Brett Ewins).
(Prog 362): The cover price rises to 22p.
April (Prog 366): Dave the Orangutan makes his first appearance in Portrait of a Politician in Judge Dredd.
July (Prog 376): The Ballad of Halo Jones (Alan Moore/Ian Gibson) begins. Initially not popular, in time it becomes one of the most highly acclaimed 2000AD stories ever produced.
August (Prog 377): Mean Machine returns in Dredd Angel (Wagner and Grant/Ron Smith). This is the first issue in a month, following a printers’ strike.
September (Prog 385): Halo Jones Book One ends. Strontium Dog saga Outlaw! ends too.
October (Prog 387): Nemesis the Warlock encounters The Gothic Empire (Mills/O’Neill). The story will see him re-unite the ABC Warriors as well as ex-Ro-Busters, Ro-Jaws and Mek-Quake.
November (Prog 392): Rogue Trooper tracks down the Traitor General.
Other strips this year include: The Helltrekers, Ace Trucking Co., Rogue Trooper, Slaine and D.R. and Quinch.
(Prog 393): The final and perhaps best of the comic adaptations of Harry Harrison’s novels, The Stainless Steel Rat For President begins (Gosnell/Ezquerra). Judge Dredd meanwhile confronts the Hill Street Blues in City of the Damned.
Elsewhere:
February: Surprisingly disturbing John Wyndham adaptation, Chocky airs on Children’s ITV. Chocky’s Children (1985) and Chocky’s Children (1986) later follow.
March: Horror comic Scream! is launched. Sadly, it finishes in June, partly as a result of the strikes this year. Stories such as The Thirteenth Floor find their way into The Eagle.
Peter Davison regenerates into Colin Baker on Doctor Who.
July: William Gibson’s ground-breaking cyberpunk novel, Neuromancer is published.
Star Trek III: The Search For Spock arrives. It is one of the odd numbered ones, so is generally considered less than good.
The Last Starfighter is released in the US.
Extra-terrestrial thriller, V lands on ITV this summer.
August: The first series of Manimal hits the UK.
September: The Tripods stride boldly onto British TV screens. Horrifying nuclear war drama, Threads is also broadcast.
October: Conan the Destroyer is unleashed.
November: The fourth Hitchhiker’s Guide to the Galaxy book, So Long and Thanks For All The Fish by Douglas Adams is published.
December: The year ends on a high as Ghostbusters hits UK cinemas along with Joe Dante’s Gremlins. As does David Lynch’s Dune.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
In 1978, Alan Moore decided to quit the job at the Northampton gas board and dedicate himself full time to breaking into the comics industry as a writer. It was a high risk strategy. He was twenty-four years old and his young wife was pregnant. But Moore saw it as his last chance to exchange the job he hated for the career he loved.
Success came slowly with occasional one-off stories (Tharg’s Futureshocks) in the new science fiction comic, 2000AD. Later, came Skizz, D.R. and Quinch and my own personal favourite, The Ballad of Halo Jones. More success came through the short-lived and inappropriately titled Warrior comic (it was not war-related at all). Moore provided the backbone to the comic between 1982 and 1985, most famously with V For Vendetta, set in a late 1990s futuristic fascist dystopia. He also wrote Marvelman, now known as Miracleman, a promising superhero strip derailed by a legal dispute with Marvel Comics. This proved an forerunner to his greatest success, Watchmen for DC.
Today, Alan Moore is still in Northampton, in his sixties and is renowned as one of the most successful comic writers ever albeit one with a bit of reputation for disputes with his employers or prospective filmmakers attempting to adapt his works (Moore has famously never seen any of the four films directly based on his own comics).
His fascinating story is detailed thoroughly by the always excellent Lance Parkin in this comprehensive biography.
Magic Words: The Extraordinary Life of Alan Moore by Lance Parkin, published by Aurum Press (2013)
Imagine it’s March 1977, you have 8p and you want a comic. Let’s assume you want a boy’s comic: it was a sexist world back then. There are lots to choose from. Perhaps you want a funny one like The Beano, The Dandy, The Beezer, The Topper, Whoopee!, Buster or Whizzer and Chips? Or something harder edged? Tiger, Battle or a new science fiction comic with a free “space spinner” on the front?
2000AD emerged from the ashes of Action comic, which was withdrawn due to its violent content in the mid-1970s. Did anyone present at 2000AD’s creation, imagine it would still be going in the then far flung futuristic year of 2000AD? A year by which time most of the children who had bought Prog 1 would be in their thirties, many with children of their own? It seems unlikely. It is now 39 years on from that first issue. Those same readers of Prog 1 would now be in their fifties, at least. None of the comics mentioned above are now going with the exceptions of The Beano which began in 1938. And 2000AD itself.
This documentary tells the story of the galaxy’s greatest comic which despite Action’s fate (or perhaps because of it) has always been pretty violent. After an exciting animated opening sequence in which many of the comic’s monochrome heroes – Judge Dredd, Rogue Trooper, Strontium Dog, Nemesis the Warlock, Zenith – move very slightly against a thumping rock soundtrack, it’s perhaps disappointing that most of the film is spent in the company of a group of ageing, sometimes not very articulate men. Some are enthusiastic. Some are quite bitter.
Pat Mills is the star. Passionate and profane about the early days, angry about the 1990s days of decline, he is still with the comic. Others left during the 1980 s comics “brain drain”. Neil Gaiman seems genuinely emotional about Alan Moore’s failure to complete his brilliant Ballad of Halo Jones a full thirty years later. Some rage at the appalling way some artists’ work was treated. Others praise 2000AD for crediting its writers and artists properly (in a special “credit card” box) something few British comics did up until then. One fan, Ex Machina director and author of The Beach, Alex Garland wrote the screenplay to Dredd, a huge improvement on the disastrous 1990s attempt to film the 22nd century fascistic lawman starring Sylvester Stallone. Other films seem to have liberally stolen from the comic.
None of the writers seem to have liked Tharg the Mighty, the comic’s fictional alien editor very much, presumably because most have presumably endured a stint answering letters on his behalf (including, two from a teenage “C Hallam, Peterborough” in 1993). Tharg also introduced the occasional Twilight Zone-style Futureshock stories, often used as a testing ground for upcoming writers and artists.
A fine tribute anyway to a fine comic. Until next time: Splundig Vur Thrigg Earthlets!
If you were reading the Galaxy’s Greatest Comic, 20000AD, thirty years ago this month, you would doubtless have noticed a new character.
The Ballad of Halo Jones written by Alan Moore and illustrated by Ian Gibson first appeared in July 1984. 2000AD, which had started in 1977, already featured many of its best known science fiction and fantasy strips notably Judge Dredd, Rogue Trooper, Strontium Dog, Nemesis the Warlock and Slaine. Ian Gibson had, in fact, drawn many Dredd episodes as well as the more humorous Sam Slade: Robohunter.
Alan Moore is a legend in the world of comics today. This was less true in 1984, but he was hardly unknown then either, having already penned both the futuristic drama V For Vendetta and Marvelman (later known as Miracleman) for Warrior, a title Moore had largely dominated but which was on its way out by 1984. He was also doing Swamp Thing for DC and had produced the extraterrestrial fantasy Skizz and D.R. and Quinch for 2000AD. He had also written many Tharg’s Futureshocks; the Twilight Zone-style one off stories which many 2000AD staff first get established on. Moore had worked once with Gibson on one of these, “Grawks Bearing Gifts”.
But the first Halo Jones story wasn’t a hit. Lance Parkin in his biography Magic Words: The Extraordinary Life of Alan Moore writes: “Now, Halo Jones is regularly cited as a high point of the magazine’s long history. Then, it was a different story. Every week, the magazine polled its readers on their favourite strips, and Halo Jones was notably unpopular during its first run (#376-385, July-September 1984)”. What was the problem?
Was it because most of the characters were girls? Halo is introduced as a teenager, one of a group of female friends (plus Toby, a robot dog) who live on the Hoop, a large crime-infested artificial population centre constructed off Manhattan Island. It was fairly unusual for 2000AD to have a female lead character at this time but it is probable a few factors conspired against the strip. Readers complained of a lack of “action”. Moore assumed they meant a lack of “violence”. Cynical but perhaps accurate, there is little of either in Volume One (at least, not until the end). The story also features a fair amount of futuristic slang which may have alienated some readers. Although to be fair, the slang “Squeeze! Squeeze with a bare arm!” isn’t that unusual bearing in mind the strip is set in 4949, nearly 3,000 years in the future. Another possible point against it is that there is also little interesting to mark out Halo at this point. She is just another one of the girls.
Volume Two which appeared in 1985, however, was much better.
For one thing, the intriguing prologue features a lecture, set even further in the future which not only updates us but hints for the first time that Halo might be destined to become a figure of genuine historical import. Halo also develops more as a character, working as a stewardess on a space cruise liner the Clara Pandy during a year long voyage and leaving her less ambitious or unlucky friends back on the Hoop.
The ship turns out to be a perfect vehicle for all sorts of great stories, many working as stand alone strips. Toby, Halo’s companion reveals a ferocious dark side while a particularly strong story concerns The Glyph, a soulless sad character rendered invisible after countless sex changes have robbed him of his true identity.
Volume Three, is by Alan Moore’s own admission, the best of all.
Although it appeared only a year later, in 1986, ten long years have passed for Halo and she has become a more cynical, harder and more interesting figure. Washed up, she bumps into her old friend Toy Molto (a giantess) and the two decide to join the Army.
Predictably, this ends badly with the two becoming involved in the encroaching war in the Tarantula Nebula, a Vietnam-style conflict, periodically alluded to in the strip since Book One. Funny, ingenious and at times, moving, (one episode sees Halo talking for some time to a wounded colleague before realising with total horror that they have been dead for some time), Halo experiences the full indignity of combat. The war on the planet Moab, particularly leads to a memorable battle in which the strong gravity of the large planet leads time to be distorted leading the conflict to literally be appearing to pass either in slow motion or sometimes even accelerated speed. Halo also becomes embroiled in an unwise love affair with the monstrous General Luiz Cannibal and loses her innocence in more ways than one.
Adverts for the Titan anthologies of the story at the time hinted at ten volumes of Halo even suggesting she became a pirate queen. But, in fact, Volume Three would be the end. Moore fell out with 2000AD and went onto The Watchmen and phenomenal comic success. Only Neil Gaiman has come close to his status amongst contemporary British comic writers.
The Ballad of Halo Jones remains his overlooked masterpiece. I urge you to seek it out.
Chances are, if you like any comic at all, the last few years will have seen one of your favourites be made into some sort of film, with adaptations ranging from both the biggest to even the most obscure comics and graphic novels. Some, such as 2000AD’s most famous story, Judge Dredd, have been filmed more than once.
But which other stories from the Galaxy’s Greatest Comic are ripe for a big screen outing?
Sam Slade: Robohunter
The pitch: Like Blade Runner. Except funny.
Like Blade Runner, John “Judge Dredd” Wagner’s Robohunter took its inspiration from Philip K. Dick’s novella Do Androids Dream of Electric Sheep? It was always much more fun than Ridley Scott’s film though (which it predates). Sam’s colleagues included Kidd, an obnoxious man trapped in a baby’s body and the idiotic android, Hoagy. His first mission saw him trying (and failing) to bring order to the colony Verdus where a full-blown robot revolution had occurred.
Rogue Trooper
The pitch: Blue movie.
Thanks to Avatar, The Watchmen and The Smurfs, cinema’s latest “blue” period may have peaked a few years ago. But the blue genetically engineered warrior Rogue, trapped in an eternal war on the desolate Nu Earth is the only 2000AD character other than Dredd to have ever got his own annual and could work well on screen.
Button Man
The pitch: The Hunger Games for grown-ups.
Not to be confused with Children’s ITV’s Button Moon (note: nobody has ever done this), this was a rare non-sci-fi outing for the comic. The premise – hired killers are paid by rich clients or “Voices” to hunt each other and fight to the death for sport – is so cinematic that it’s surprising it hasn’t been filmed already. In fact, Dreamworks bought the rights some years ago. But, as yet, there is no film.
The Ballad of Halo Jones
The pitch: The girl from tomorrow.
Before he became the beardy comics legend behind The Watchman and The League of Extraordinary Gentlemen, Alan Moore wrote a lot for 2000AD, notably this unusual female-centric strip which saw its heroine progress from life in the claustrophobic 40th century metropolis The Hoop, to a job on a luxury space cruise liner to ultimately fighting a future war on the time-distorting planet Moab.
Nemesis the Warlock
The pitch: Alien insurrection.
Nemesis is the alien leader of Credo, a resistance movement fighting the neo-fascist forces of the malevolent, futuristic masked megalomaniac Torquemada. With catchphrases like “Be pure, be vigilant, behave!” the villainous Torq is the real star of the strip. It’s a nice twist having humanity as the villain, although in general, Pat Mills’ story is probably a bit too weird to make into a film.
Slaine
The pitch: The Celtic Conan.
Pat Mills’ Slaine, the musclebound warrior of the Land of the Young, Tir Nan Og, may be steeped in Celtic mythology, but it did start around the same time as the first Conan films. Despite unique twists (the whole thing is related by Slaine’s morally questionable dwarf sidekick Ukko and Slaine himself is also prone to warp spasms – don’t ask), a Slaine film might struggle to escape from such unfair comparisons.
Chopper
The pitch: Surfs up!
A spin-off from Judge Dredd, Chopper – real name: Marlon Shakespeare -first appeared as a teenage graffiti artist not unlike a Mega City One version of Banksy, in the early Eighties before transforming into a world champion in the illegal sport of sky surfing. This could actually be brilliant, although risks comparison with the Silver Surfer (already brought to screen in the terrible Fantastic Four sequel). And as any Eric Bana fan will tell you: there is already a film called Chopper.
The ABC Warriors
The pitch: They, Robot.
Robotic fighting unit and sometime allies of Nemesis the Warlock (see above), the two most famous Atomic Bacterial Chemical Warriors – the wittily named Ro-Jaws and Hammerstein – first appeared in Ro-Busters, a sort of robot version of Thunderbirds, which appeared in 2000AD’s sister paper Star Lord, before merging into 2000AD in 1978. Oddly, Hammerstein has already been in a film, cropping up randomly in the first Judge Dredd movie.
Strontium Dog
The pitch: Alpha male.
In the future, a nuclear conflagration has left a sizeable minority of mutants, all forced – for some reason – to work as Search and Destroy agents (or “Strontium Dogs” basically bounty hunters) by the unsympathetic “norm” majority. The coolest of these is Johnny Alpha, accompanied by his Viking sidekick Wulf Sternhammer (“A skull to crack with the happy stick und Vulf is fine!”). Alpha’s mutation gives him white eyes but it also enables him to read minds and do all manner of cool stuff, so who’s complaining?
Anderson PSI
The pitch: She’s always in your mind.
Another Dredd spin-off but let’s face it, the psychic female Judge was the best thing about the recent Dredd film. She could also be pitched against Mega City One’s ultimate super-villain, Judge Death. Altogether now: the crime is life, the sentence is death!
Imagine it’s March 1977, you have 8p and you want a comic. Let’s assume you want a boy’s comic: it was a sexist world back then. There are lots to choose from. Perhaps you want a funny one like The Beano, The Dandy, The Beezer, The Topper, Whoopee!, Buster or Whizzer and Chips? Or something harder edged? Tiger, Battle or a new science fiction comic with a free “space spinner” on the front?
Chris Hallam's World View 