The Beano comic is now so old that there is now almost no one left alive in the UK who could not have potentially read it as a child.
The acclaimed children’s illustrator, Shirley Hughes, who died last month aged 94 apparently retained some memories of comics which “predated The Dandy and Beano.” Such people must be a rarity today. Besides even Hughes would have only just celebrated her eleventh birthday when the first Beano arrived in July 1938.
This book provides a decent and comprehensive history of Britain’s longest running comic authored by the appropriately named Iain McLaughlin, a onetime editor of The Beano himself.
This is as the title states, an unofficial history, however, and its worth mentioning that there are no images included from any issues of The Beano in this book at all. Such pictures as there are are mostly restricted to some fairly dry images of former contributors, statues of iconic characters such as Minnie the Minx and a cover which manages to evoke memories of the comic without actually including any pictures of characters at all. One wonders if there was some behind-the-scenes wrangling over this, perhaps explaining why the book was delayed from its original scheduled 2021 publication date.
It’s worth emphasising: this is still a solid, informative read. However, if you want to revisit the adventures of your favourite Beano characters be they Dennis the Menace, General Jumbo or Baby Face Finlayson, you’ll have to look elsewhere. There are no snapshots from Beano stories or even cover images inside.
Which Beano do you remember? Very old readers might just remember the very first Beanos featuring the likes of Big Eggo, Pansy Potter: The Strongman’s Daughter and Lord Snooty and his Pals. The new comic was one of three titles launched by Dundee-based publisher DC Thomson in the immediate pre-war era. The first, The Dandy (1937) featuring Korky the Cat and Desperate Dan was The Beano’s companion and rival until it folded in 2012 after an impressive 75-year run. The third comic, The Magic (1939), in contrast, never took off. Launched barely forty days before Hitler invaded Poland, the outbreak of the Second World War effectively finished The Magic off although it shared an annual with The Beano (‘The Magic-Beano Book’) for some years after its official closure in 1941.
Perhaps like my father’s generation, you’re old enough to remember The Beano’s 1950s golden age, a brilliant period for the comic which saw the launch of many of its most famous characters including Dennis the Menace, Minnie the Minx, Roger the Dodger, the now politically incorrect Little Plum and, best of all, The Bash Street Kids which originally appeared under the Hemingway-esque moniker, When The Bell Rings.
All of these stories were still going when I myself started getting the comic in the mid-1980s now joined by the likes of Billy Whizz, Smudge and Ball Boy and as time wore on, Ivy The Terrible and Calamity James.
This is a good story about a comic which has lasted a phenomenal 84 years. Hopefully your own memories of The Beano are vivid enough that you won’t need to see pictures of Biffo the Bear, Plug or Les Pretend in order to enjoy this.
January (Prog 610): Zippy Couriers goes into business (Hilary Robinson/Graham Higgins)
Dredd: Our Man in Hondo (John Wagner/Colin MacNeil)
March (Prog 615): 12th birthday issue.
May: (Prog 626): Slaine: The Horned God begins (Pat Mills/Simon Bisley). Also: Zenith: Phase Three (Morrison/Yeowell).
July (Prog 635): Arthur Ranson makes his Anderson PSI debut.
September (Prog 643): Mark Millar makes his 2000AD debut scripting a Tharg’s Futureshock.
October (Prog 647): Simon Harrison’s work on Strontium Dog: The Final Solution ends. Colin MacNeil picks up the story in 1990.
November: Prog 650!: The new Rogue Trooper (Friiday) debuts (Dave Gibbons/Will Simpson). The mysterious Dead Man begins (Wagner/John Higgins). Slaine: The Horned God Book Two begins. Zenith Phase Three resumes. Three out of five stories are now in full colour. The cover price rises to 40p.
(Prog 654): Chopper: Song of the Surfer begins (Wagner/MacNeil).
Elsewhere:
Alan Moore and Eddie Campbell’s Jack the Ripper saga, From Hell, first appears this year.
March: Quantum Leap arrives on US TV. It hits BBC Two in 1990.
June: In a big year for blockbusters and sequels, Indiana Jones and the Last Crusade gets the first crack of the whip.
August: Tim Burton’s heavily hyped Batman hits cinemas.
The ‘original’ Dan Dare returns to The (new) Eagle.
September: Fast Forward, a new comic/magazine based around BBC TV is launched
October: James Cameron’s The Abyss sinks without trace at the box office. Star Trek V: The Final Frontier boldly goes nowhere.
November: Back to the Future Part II imagines what the world might be like in the year, 2015.
Red Dwarf gets a new look for its third series. Robert Llewellyn (Kryten) and Hattie Hayridge (the new Holly) join the cast.
December: Who you gonna call? Ghostbusters II hits UK cinemas. It proves less popular than the original.
The current series of Doctor Who ends. As with Indiana Jones and Ghostbusters, it will not return until the 21st century.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
Forty years ago, in May 1978, Starlord came to Earth. “A new wild era of sci-fi starts here!” the front page of the new comic promised and on early evidence, it seemed to deliver, promising a weekly offering of British comic strip excellence likely to endure well into the 1980s and beyond.
Starlord was bold. It was exciting. It was a bit like 2000AD.
Ultimately, Starlord’s star shone brightly, but only briefly. The last issue, only the 22nd, appeared that October. Readers who had bought every issue from the start would have spent 12p a week during 1978, adding up to a grand total of £2.64. This is slightly less than one copy of 2000AD costs today.
What went wrong for the Galaxy’s OTHER greatest comic? We take a look back…
The same.Only different…
Starlord was supposed to be 2000AD’s older brother: indeed, perhaps a slightly posher brother who had picked up certain airs after attending the local grammar school. Eight of its pages were in full colour – a lot for the time – and at 12p, it was actually more expensive than 2000AD, which was a mere 9p.
2000AD, which was also edited by Kelvin Gosnell, had started just over a year before. Although a success – Judge Dredd was enjoying his first major epic storyline in ‘The Cursed Earth’ during the brief era of Starlord – there is little doubt looking back: Starlord was, for a while, the better of the two comics.
Just as 2000AD had Tharg the Mighty as editor, Starlord had Starlord himself, an alien humanoid with something of the look of Shakin’ Stevens about him. Unlike Tharg, Starlord had an important and urgent message for humans everywhere. “Hail, Star-Troopers,” he declared in the first of his “starzines,” “I have escaped the satanic forces of the INTERSTELLAR FEDERATION…to bring you A DIRE WARNING!”
Yes! Earth was under threat and a crash course in interstellar survival offered the only hope for survival. The comic’s stories were thus “Starlord Survival Blueprints” while the range of six badges given away with issue one were “Starlord Star-Squad Equipment.” Rather alarmingly, Starlord warned of the badges: “DO NOT place it on your skin, as the badge is made from a special metal mined on AXIS 1A you could develop a skin disorder, putting you out of combat”! Issue 2, incidentally, included a free space calculator offered to the reader with the warning: “Use it! It could save your life!”
Like a series of tweets written by an increasingly unbalanced 21st world leader, the use of capital letters grew more frequent as Starlord’s tone grew increasingly shrill. “I have seen the Gronks swarming in the star-spawned outer reaches of space – a sure sign of inter-Galactic disaster!…THE ENEMY IS MASSING TO STRIKE!” Finally, Starlord evoked the memory of a line from the 1951 film, ‘The Thing From Another World,’ which ended with an appeal to “Watch the skies!” “REMEMBER TROOPERS, STICK WITH ME,” urged Starlord. “AND WATCH THE STARS!”
How long could Starlord have maintained this perpetual state of high alert and frantic calls for vigilance for? Sadly, we never got the chance to find out.
Time after time
According to Starlord’s Survival Blueprints, the story ‘Planet of the Damned,” “toughens your endurance as your strength is tested to the very limit!” In fact, this description turned out to be surprisingly accurate. The first ever story in the comic was a hoary tale of nonsense based on what might happen to survivors lost in the midst of the mysterious Bermuda Triangle. In short, they got transported to another dimension. The story held over from its original planned home in 2000AD was the weakest of the new line-up. A test of endurance indeed…
Things improved somewhat with Timequake in which London tramp steamer skipper and working-class hero James Blocker inadvertently causes World War III. He then gets the opportunity to undo his error thanks to the intervention of a Star Trek type organisation called Time Control made up of recruits from Earth’s past and future ranging from the Roman era to the 40th century. This is all after we are told ‘Lyon Sprague’ invented time travel in the year 1997. But, of course, we all remember that…
The characters including Blocker (“M-me? Y-you’re round the flamin’ twist!”) were all pretty dull but there were lots of fun moments in Timequake. There were the frog-like Droon, Time Control’s enemy who inspired Brian Bolland to do an excellent cover for issue 2. “Human scum! You’re the last survivors!” one Droon says (as with Star Trek’s the Borg, the plural and singular are the same). “We have destroyed every one of your accursed sub-stations from 1978 backwards! And now we Droon destroy you!”
The next Timequake story envisaged a Nazi future created by a maniac who turned out to be real-life senior Nazi Martin Bornmann in disguise, but the follow-up in which another defunct empire, this time the Incas, took over the future, rather suggested inspiration was starting to dry up, despite some excellent visuals from Ian Kennedy.
But the best Starlord strips were yet to come…
Alpha male
John Wagner and Carlos Ezquerra’s Strontium Dog introduced us to the world of 2180 and mutant bounty hunter Johnny Alpha, a man warped by the impact of a Neutron War thirty years earlier (neutron bombs which kill people while leaving buildings and property relatively intact being briefly a fashionable but terrifying possibliity in 1978).
Johnny Alpha, as extensive captions inform us, has been given white eyes but mind-reading powers by his mutation. Like all mutants, however, he is shunned by society, forced to work as a bounty hunter: an SD or Search/Destroy agent. In common, anti-mutant parlance they are known as “strontium dogs”.
Originally conceived as a New York taxi driver type, Alpha’s sidekick ultimately became Wulf Sternhammer, a formidable but benevolent Viking. “Comrades ve are, Johnny! Vere you go, Wulf go!” Wulf argues, explaining why he sticks with Alpha, despite his own non-mutant status. “A skull to crack with the happy stick und Vulf is fine!”
Strontium Dog provided Starlord with its first cover hero and many of the comic’s best moments: a space pirate attack, a giant, but irritable and slightly deaf computer called McIntyre and a creature called the Gronk, a timid creature, who lives in a box and has a mouth in its stomach.
Is this one of the same Gronks Starlord was on about “swarming in the star-spawned outer reaches of space” before? It was never really made clear.
Big jobs
Finally, there was Ro-Busters. Rejecting an initial bizarre idea from someone else about wounded Second World War veterans developing superpowers, writer Pat Mills instead created droids Ro-Jaws and Hammerstein (get it?) who are rescued from destruction by billionaire Howard Quartz (known as “Mr Ten Percent” as 90% of his actual body parts have been mechanically replaced in a bid to cheat death) to form a new international rescue organisation in the late 21st century. With the robots dealing with such trifles as a hole emerging in the trans-Atlantic tunnel and an organised robot uprising, this soon became very much “Thunderbirds with robots”. Ultimately, however, it was the likeable characters of Ro-Jaws and Hammerstein themselves, rather than the overall android international recue concept which would prove most enduring.
Two become one
There was more. Some brilliant covers: “It’s Planet Earth’s last day for this is the day of the clone. The day of Clone Wars!” There was another major strip, Mind Wars (“my brain is a time-bomb programmed to destroy all human life!”) and a brilliant one-off about a man, Sheldon and his ultimately deadly dream house.
But in October 1978, Starlord delivered his final message. “EARTH IS SAVED! The Int. Stell. Fed have abandoned their plans to attack and destroy us.” And there was other more news: “This is it! The big one! Two sci-fi greats unite in a giant leap for mankind!” Starlord – or at least, some of Starlord – was merging into its sister title, 2000AD.
Why had Starlord failed? Some argue it was doomed from an early stage.
“Starlord had been the creation of Kelvin Gosnell,” Steve MacManus wrote later. “His initial concept was a monthly science-fiction title that would sit comfortably alongside magazines such as Omni and Metal Hurlant. Both these titles were printed on glossy magazine paper and were aimed at fans of science-fiction stories and comic strips”. It was envisaged as an aspirational magazine packed with stories and sci-fi features which a 2000AD reader’s older brother might enjoy.
Sadly, all of these admirable plans soon went out the window.
“Out of the blue, management had decreed that the frequency should be weekly, not monthly,” MacManus explains. “This single change more or less ruined the title’s chances of establishing itself as a serious science-fiction magazine.”
The altered situation also caused problems for Ro-Busters’ author, Pat Mills.
“After writing it as a twelve-page self-contained story, there was a change of plan and the story was cut down to six pages an episode. This leads to all kinds of pacing problems,” Mills explains. And these were problems which he didn’t have time to fix. “A pity, because I knew the new format was wrong for it, and it’s why I started to lose interest in the series.”
MacManus soon found himself frustrated to be writing Starlord’s comparatively juvenile starzines. Although it often sold better than 2000AD, its similarity to the Galaxy’s Greatest Comic essentially doomed it to failure.
“Starlord was still a relatively unknown quantity to the five thousand odd newsagents who stocked comics and magazines at the time,” muses Steve MacManus. “whereas they’d had a year to grow accustomed to 2000AD.”
So that was it. The final cover proclaimed: “Starlord’s ship is waiting to carry him beyond the stars!” “Now that your future is assured, I must return to the spaceways for the Gronks are calling and I cannot let them down.” Yes. The Gronks again.
He concluded: “And so, it is farewell for the last time, my friends! But keep watching the stars, for one day I may return!”
This hasn’t happened.
Afterlife
Actually, in a way, Starlord did return: in three annuals dated 1980, 1981 and 1982. All three were a pale shadow of the short-lived comic which had spawned them: a monochrome assortment of below par Strontium Dog and Mind Wars episodes, random short stories (“Ghost Hunter”) and scientific features (“Telephone lines in space”) and a few stories which had never been in the original comic (“Jimmi From Jupiter”).
2000AD and Starlord became 2000AD and Tornado in 1979 when another short-lived sister comic merged into it. In 1980, it became just 2000AD again. It has just been 2000AD ever since. Very unusually for a British comic it survived the whole of the 1980s and 1990s without ever merging again with anyone else.
Timequake returned briefly in 2000AD in 1979 but never appeared again. The other characters have enjoyed a rich post-Starlord afterlife, however. Although Ro-Busters ended in 1979, the characters Ro-Jaws and Hammerstein have appeared in the strips Nemesis the Warlock and particularly The ABC Warriors up to this day. Hammerstein even appeared in the 1990s Judge Dredd film. Strontium Dog too, still continues.
In short, forty years on, Starlord’s legacy continues.
Alan Moore is the undisputed bearded Northampton-based God of the British comics realm. Yet he has been notoriously prickly on the subject of adaptations of his own work. He has declined to even watch any of the four major films directly based on his comics and in recent years has in recent years refused any payment. But is he right to do so? Is The Watchmen really in the same League as the Extraordinary Gentlemen? Is the film of V From Vendetta really From Hell? Chris Hallam checks it out…
In 1977, Alan Moore, then a twenty-four-year old employee of the Northampton gas board decided to quit his job and try to pursue a career as a comic writer instead. The timing, to some, might have seemed odd. Moore was not rich and was married with a baby on the way. But for Moore it was a “now or never” moment: “I knew that if I didn’t give up the job” (which he hated) “and make some sort of stab at an artistic career before the baby was born that…I knew I wouldn’t have been up for it once I had those big imploring eyes staring up at me,” he said later. “So, I quit.”
The gamble paid off. First, it was just a few cartoons in heavy metal magazines and the odd Tharg’s Futureshock for the new science fiction comic 2000AD. But then the trickle turned into a flood. Soon came V For Vendetta in Warrior, The Ballad of Halo Jones and then, amongst many other things, Watchmen, perhaps the most acclaimed graphic novel ever made. Alan Moore was perhaps the biggest name in British comics to emerge in the Eighties.
Soon inevitably people began to talk of filming his works and Moore was initially keen enough. A film, Return of the Swamp Thing (1989), based on a DC strip by Moore was filmed. But early plans for a V For Vendetta TV series and a film of Watchmen faltered. The timing was not yet right.
But by the start of the 21st century, following the success of Blade and The X-Men, filmmakers began filming every comic they could get their hands on: Road To Perdition, Ghost World, A History of Violence and TV’s The Walking Dead have all been consequences of this trend.
But the four attempts to film Alan Moore’s works in the first decade of the millennium had somewhat mixed results. And they would not make their creator happy at all.
“The idea that there is something prestigious about having your work made into a film, that is something which infuriates me because it seems to be something that everybody else in the industry absolutely believes.” Alan Moore.
A Ripping Yarn?
The comic: From Hell (1989-1996) produced with illustrator Eddie Campbell.
The film: From Hell (2001) directed by the Hughes Brothers and starring Jonny Depp, Heather Graham, Jason Flemying, Ian Holm, Robbie Coltrane, Sir Ian Richardson.
In print:
Moore’s take on the notorious Jack the Ripper case is probably one of Moore’s less accessible stories. At one point, for example, it draws a rather strange connection between the 1888 Whitechapel murders and the conception of Adolf Hitler in Austria-Hungary, two events which admittedly must have occurred at about the same time. From Hell thus seemed rather an odd choice for the big screen treatment.
On screen:
The Hughes’ Brothers broke with the original story early on choosing to make the story a whodunnit (something Moore had gone out of his way to avoid doing) and by viewing it from the perspective of Inspector Abberline (Johnny Depp’s performance virtually identical to his turn as Ichabod Crane in Tim Burton’s Sleepy Hollow in 1999), rather than from the viewpoint of the Ripper himself, who in the graphic novel is identified early on as Sir William Gull (Ian Holm).
Moore’s view:
As Moore’s biographer Lance Parkin has written, Moore’s approach to his films was more one of indifference than outright hostility at this stage. He accepted payment for the film and was apparently pleased by the casting of actress Heather Graham as she had had a small part in one of his favourite TV series, Twin Peaks. But having recognized it was not going to be very similar to the original story early on, Moore distanced himself from the film and has never bothered to watch it.
Verdict:
“I’d be quite happy if they made Carry On Ripping. It’s not my book, it’s their film.” Moore’s verdict is correct. From Hell is a silly over the top film full of clichés and bad acting.
A League Of Their Own?
“Mr. Alan Moore, author and former circus exhibit (as ‘The What-Is-It from Borneo’), is chiefly famed for his chapbooks produced with the younger reader in mind. He astounded the Penny Dreadful world with such noted pamphlets as ‘A Child’s Garden of Venereal Horrors’ (1864), and ‘Cocaine and Rowing: The Sure way to Health’ (1872) before inheriting a Cumbrian jute mill and, in 1904, expiring of Scorn.”Author description of The League of Extraordinary Gentlemen (illustrated by Kevin O’Neill, 1999-2007).
The film: Directed by Stephen Norrington (2003) this starred Sir Sean Connery, Shane West, Jason Flemyng, Peta Wilson and Stuart Townsend.
In print: Not to be confused with the 1960 classic British movie crime caper starring Jack Hawkins or the early 21st century Royston Vasey-based dark BBC comedy series (both actually just called The League of Gentlemen), this witty Victorian pastiche was reportedly optioned before artist Kevin O’Neill had even finished drawing the first issue. Bringing together the cream of Victorian fiction – Captain Nemo, the Invisible Man, Allan Quatermain and Jekyll and Hyde amongst others – into a formidable superhero-style team, this should have been perfect for the big screen. In theory…
On screen: A commercial success, LXG (as some promotions referred to it) was an unruly disaster and probably the worst Moore adaptation yet made. Minor changes were made such as the introduction of characters Tom Sawyer and Dorian Gray to the line-up (there were also issues affecting the copyright of the Invisible Man’s character: in the end “an” rather than “the” invisible man appeared). But these seemed unimportant next to the fact the film as a whole, was a complete travesty of the original. It was also a notoriously bad shoot with Sir Sean Connery (playing King Solomon’s Mines star Quatermain) falling out with director Stephen “Blade” Norrington. According to some reports, the two men came to blows. Connery, a screen legend then in his seventies, vowed never to be in a film again. He never has. Norrington has never directed any films since either.
Moore’s view: Worse was to come as a lawsuit was brought against the film alleging it had plagiarized another script called Cast Of Characters. Moore, who had never wanted the film anyway was cross questioned for hours based on the suggestion that he had only written the comic as a front to disguise the film’s supposed unoriginality. The case was settled out of court but in the meantime Moore was understandably very annoyed indeed.
Verdict: A film already apparently guilty of the crime of ending Sean Connery’s long film career, The League of Extraordinary Gentlemen also turned Alan Moore off film versions of his comics forever. Not that he was ever exactly super keen anyway…
Remember, Remember…
The comic: V For Vendetta (1982-1989), art by David Lloyd (and Tony Weare).
The film: 2006 film directed by James McTeigue, written by the Wachowskis and starring Natalie Portman, Hugo Weaving, Stephen Fry and the late John Hurt amongst others.
In print:
A chilling portrait of a futuristic Britain that has succumbed to fascism after a limited nuclear war has destroyed much of the rest of the world, the “hero” (if hero, he be) is V, a mysterious masked Jacobin vigilante prone to speaking in strange verse, nasty practical jokes and setting up impressive and time-consuming domino displays for his own amusement. But who exactly is he? And can he save young Evey Hammond from the dark forces which threaten to engulf her?
On screen:
One big problem with filming V For Vendetta was the story’s obsession with the concept of November 5th. Virtually everyone outside the UK is unfamiliar with Guy Fawkes and the Gunpowder Plot and so a short sequence explaining the idea was added for the benefit of our American cousins. The nuclear war of the original is replaced by a backstory involving a devastating epidemic but generally the film is surprisingly faithful to the original. This is, after all, a film in which the hero is a terrorist who blows up underground trains which was released only a few months after the July 2005 bombings. In short, some bits don’t work that well – V’s strange rhetoric doesn’t always work on screen and the Benny Hill like sequences in the TV show seem a bit odd. Other elements such as Stephen Rea’s performance as an investigating officer and the near perfect recreation of the powerful ‘Valerie’ sequence from the comic, work brilliantly.
Moore’s view: Although artist David Lloyd enthusiastically endorsed the film, Moore disassociated himself entirely even went going so far as getting his own name removed from the credits. He also expressed anger (apparently still without having seen it) that the Wachowskis had used his story to (he argued) satirize Bush era America, rather than maintaining the Thatcher-era anti-fascist perspective of the original.
Verdict: Although not a complete triumph by any means, V For Vendetta was reasonably well received by most audiences and critics. It’s certainly interesting enough that you can’t help wishing Moore would lift-up his own self-imposed mask for a moment and take a sneaky peak at it.
Manhattan Transfer
The comic: Moore’s masterpiece completed with artist Dave Gibbons between 1986 and 1987.
The film was directed by Zach Snyder in 2009 starred Billy Crudup, Patrick Wilson, Matthew Goode and Jeffery Dean Morgan.
Summary: A brilliant and complex saga which transformed the world of comics forever, The Watchman incorporates superheroes, pirates, nuclear apocalypse and an all-powerful blue man who likes sitting around in space.
On screen: After a fan-pleasing, superbly made title sequence in which we get to see such sights as Dr. Manhattan meeting President Kennedy (before The Comedian, played by Jeffery Dean Morgan helps assassinate him), this does a largely faithful job of translating Moore’s vision to the big screen. It’s not perfect: Matthew Goode’s Ozymandias is a bit too obviously villainous from the outset and many other scenes seem unnecessarily violent. But some sequences– the creation of Dr. Manhattan, for example – are, like the Valerie sequence in V For Vendetta – transferred perfectly from the comic. Dean Morgan is especially well cast as the ultra-conservative Comedian, a man who despite no obvious super powers, successfully wins the Vietnam War for the US, kills JFK, and prevents the Watergate Scandal from happening. The three-and-a-half-hour DVD extended version even incorporates animated Tales of the Black Freighter sequences into the film, pirate stories which even somewhat overwhelmed the narrative in the original comic.
Some viewers might be left wondering: would deliberately unleashing a sudden massive unexplained explosion really would be the best way to defuse a Cold War superpower stand-off. They might also ask: Did Richard Nixon really look like that? Or if Dr. Manhattan is genuinely quite annoying. But hey! These are mostly failings of the comic, not the film.
Moore’s view: Terry Gilliam had originally planned to direct The Watchmen in the Eighties with Arnold Schwarzenegger tipped to play Dr. Manhattan, Robin Williams, the sinister Rorschach, Jamie Lee Curtis the Silk Specter and Richard Gere, Nite Owl. Gilliam was ultimately unhappy with Sam Hamm’s script which saw Ozymandias travelling back in time to prevent Dr. Manhattan’s creation, thus changing the course of the Cold War and ultimately saving the world. The project fell apart. Twenty years later, it was resurrected, by which time Moore was dead against it.
Verdict: Probably the best film adapted from Moore’s works. A shame he hasn’t seen it really. He’s not alone though: although not an outright flop, The Watchman disappointed at the box office.
Faith No Moore
The Watchmen did not mark the end of TV and movie versions of Alan Moore’s comic stories. We haven’t even mentioned Constantine (2005) starring Keanu Reeves and future Oscar winners Rachel Weitz and Tilda Swinton which was based on a character Moore had created for DC. The reasonably well-received film spawned a short-lived TV series starring Matt Ryan and will soon appear in animated TV form. There is talk of rebooting The League of Extraordinary Gentlemen and a TV series of The Watchmen is in development.
Perhaps most significantly The Killing Joke, an animated film version of Moore’s celebrated Batman story produced with Brian Boland in 1988 was released in 2016. Reviews were bad.
Whatever, we may think of the movie and TV versions of the works of Alan Moore, however, one thing is clear: forty years after he started to build a career in comics, he is powerless to stop other people making films of his work.
1951: Dennis the Menace first appears in The Beano, drawn by Scots cartoonist, Davey Law. There is no Gnasher yet and Dennis’s distinctive stripy black and red jumper do not appear for some weeks. He is not yet on the cover but has a half-page black and white story inside the comic. The character and strip have a more real-world feel than many Beano strips which makes it instantly popular. Biffo the Bear remains on the cover where he has been since he knocked The Beano’s original cover star, Big Eggo off in 1948. Eggo (an ostrich) had ruled the roost since The Beano started in 1938.
By a staggering coincidence, a new American comic strip also called ‘Dennis the Menace’ created by Hank Ketcham appears in US newspapers almost exactly simultaneously. The first Beano featuring Dennis was dated 17th March although in practice wold have been available five days earlier: the exact same day the US Dennis debuted! The American Dennis is blonde, has a dog and a neighbour called Mr Wilson. He too, is still going strong as of 2021. He is usually referred to as just ‘Dennis’ when he appears in the UK while the UK version is called, ‘Dennis and Gnasher’ in the US to avoid confusion. Just to be clear, this feature is only about the British Dennis the Menace, although both are now seventy.
1953: Dennis has now been promoted to a full page colour story on The Beano’s back cover. Dennis’s enemy Walter also makes his first appearance (Dennis’s friends, Curly and Pie-Face have already arrived).
In the same year, Minnie the Minx and Little Plum first appear in The Beano while Beryl the Peril appears in the new title, The Topper. Beryl and Minnie are clearly intended to be female versions of Dennis. Beryl and Dennis are both drawn by Davey Law for much of the 1950s. Leo Baxendale, the creator of Minnie and ‘Redskin’ Dennis, Little Plum (amongst many other strips, including The Bash Street Kids) credited Dennis with inspiring him to join The Beano.
1955: The first Dennis the Menace Book or annual appears. Of all the many characters to appear in The Beano over the years, only The Bash Street Kids have been granted the same honour.
1968: Abyssinian Wire-Haired Tripe Hound, Gnasher makes his first appearance as Dennis’s canine companion. The story becomes known as ‘Dennis the Menace and Gnasher’ and later just ‘Dennis and Gnasher’.
1970: Davey Law retires (he dies in 1971). David Sutherland takes over as Dennis’s artist.
1974: Dennis the Menace replaces Biffo the Bear as The Beano’s cover story. He remains there to this day after nearly 47 years, well over half the duration of The Beano’s 83-year run. Increasingly old-fashioned, Biffo ceases to appear regularly in The Beano at all after 1987.
1976: The Dennis the Menace Fan Club begins.
1977: Gnasher’s Tale, a spin-off story begins.
1979: Dennis’s pet pig, Rasher makes his debut appearance. He appears in his own story from 1984 until 1988 and intermittently afterwards.
1986: In a well-publicised storyline, Gnasher briefly goes missing and (though male) returns with a litter of puppies including Gnipper, a puppy with a single large razor-sharp tooth. Gnasher’s Tale is replaced by a new story, Gnasher and Gnipper.
1996: A Dennis the Menace cartoon appears on TV. Voices include Billy Connolly and Hugh Laurie.
1998: Birth of Dennis the Menace’s sister Bea.
2004: Dennis the Menaces surpasses the record previously set by Lord Snooty to become the longest running Beano character ever. Only Minnie the Minx and Roger the Dodger come close to rivalling his longevity.
2009: Another new TV series, Dennis and Gnasher begins. It continues until 2013.
2021: Dennis the Menace celebrates his 70th birthday.
Pat Mills' Sláine, the 'Celtic Conan' has been wowing readers of UK sci-fi comic, 2000AD since 1983. The saga was never more vividly realised than when in the late 80s and early 90s when Mills and young artist, Simon Bisley produced the masterful epic, Sláine: The Horned God.
Sadly, as this is an audiobook, inevitably, Bisley's wonderful visuals - the gore of the battles, the beauty of the land of Tir Nan Nog, Sláine's ageing sidekick Ukko and the sight of Sláine going into warp spasm (don't ask) are lost.
This is nevertheless an excellent adaptation which does full justice to the classic comic story.
January (Prog 505): The vampish Durham Red makes her debut appearance in the new Strontium Dog (Grant/Ezquerra). Slaine The King and Bad Company are also appearing at this point. The Dead (Milligan/Belardinelli) begins in Prog 510.
April (Prog 516): The cover price rises to 28p.
May (Prog 520): Tenth anniversary prog! From now on 2000AD is no longer printed on newsprint but on slightly larger, highly quality paper stock. Rogue Trooper returns (Simon Geller/Steve Dillon), as does Anderson PSI (Wagner and Grant/Barry Kitson), Torquemada the God (Mills/O’Neill). Judge Dredd appears in a special Ten Years On (Wagner and Grant/Garry Leach).
Richard Burton replaces Steve MacManus as editor. MacManus has edited the comic since 1978. 2000AD develops an increasingly ‘grown-up’ sensibility in the years ahead. It is an exciting time for the Galaxy’s Greatest Comic!
June (Prog 525): D.R and Quinch’s Agony Page begins. Creator Alan Moore is no longer involved (Jamie Delano and Alan Davis/Alan Davis and Mark Farmer).
August (Prog 533): Bradley makes his first appearance in a Tharg’s Futureshock (Alan McKenzie/Simon Harrison).
(Prog 534): P.J. Maybe makes his first appearance in Judge Dredd: Bug (Wagner and Grant/Liam Sharp). Nemesis appears in an unusual one-off photo story (Mills/Photos: Tony Luke).
(Prog 535): Zenith arrives (Grant Morrison/Steve Yeowell). The character, a pop star and superhero, himself doesn’t appear until Prog 536.
(Prog 537): Universal Soldier takes up arms (McKenzie/Will Simpson).
September (Prog 541): Mean Team ends (Alan Hebden/Belardinelli). Spoiler alert!: Most of the main characters are killed off.
October (Prog 545): Oz begins (Wagner and Grant/Cliff Robertson). It is the first Dredd mega-epic in five years.
November (Prog 547): Bad Company II begins (Milligan/ Brett Ewins and Jim McCarthy).
December (Prog 554): Last appearance for the old 2000AD logo.
Elsewhere:
January: Thundercats, ho! The new Thundercats cartoon debuts on Children’s BBC.
February: Be afraid. Be very afraid. David Cronenberg’s The Fly lands in the UK.
April: Star Trek IV: The Voyage Home sees the crew of the Enterprise visiting 20th century Earth. Star Trek: The Next Generation arrives on US TV this year. It does not appear on BBC Two until 1990.
Hairy alien, ALF (Alien Life Form) travels from Melmac to arrive on ITV as a novel U.S sitcom about a wisecracking alien visitor.
July: Superman IV: The Quest for Peace proves a massive flop. Star Cops arrive on BBC Two.
September: Sylvester McCoy debuts as the Seventh Doctor Who. Fantasy adventure, Knightmare debuts on Children’s ITV.
October: Star Wars TV cartoon spin-off, Ewoks arrives on Children’s BBC.
November: Robocop receives its UK cinema premiere. Many see a resemblance to Judge Dredd. Predator is also released this month. Terry Pratchett’s Mort is published. Aliens in the Family debuts on Children’s BBC.
Consider Phlebas, the first of Iain M. Banks’ Culture novels and Dirk Gently’s Holistic Detective Agency, by Douglas Adams, are both published this year.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
February: (Prog 403): The cover price rises to 24p, three times its original 1977 price.
(Prog 404): The Stainless Steel Rat (Gosnell/Ezquerra) ends for good.
(Prog 405) The Ballad of Halo Jones (Moore/Gibson) returns for an acclaimed award-winning Book 2. Halo leaves the Hoop for a job on the luxury space liner, the Clara Pandy.
May (Prog 416): Judge Dredd favourite Cassandra Anderson confronts the Dark Judges in her own new strip, Anderson PSI (Wagner and Grant/Brett Ewins).
Other stories this year include Slaine, Rogue Trooper, Sam Slade: Robo-Hunter, Helltrekkers, Ace Trucking Co. and Strontium Dog.
June (Prog 425): Dredd runs into Chopper again in Midnight Surfer (Wagner and Grant/Cam Kennedy).
September (Prog 435): Nemesis the Warlock Book 5: Vengeance of Thoth (Pat Mills/Bryan Talbot).
(Prog 437): The Mean Team arrive (Wagner and Grant/Belardinelli).
October: The Best of 2000AD Monthly begins. Initially reprinting a range of stories in one issue e.g. Judge Dredd, Strontium Dog and Rogue Trooper, later issues restrict themselves to just one story e.g. Nemesis and the Gothic Empire or a collection of Dredd stories. it continues for 119 issues, falling just short of the ten year mark ending in August 1995.
November: Bad news for Johnny and Wulf as they run into Max Bubba in Strontium Dog.
Elsewhere:
Fantasy films, Legend, Red Sonja and Ladyhawke are all released this year.
French-Japanese animated space epic, Ulyssees 31 arrives on Children’s BBC.
January: James Cameron’s Terminator arrives in the UK.
Warrior comic breathes its last. Adult comic Viz goes nationwide.
March: 2010: The Year We Make Contact is released, Peter Hyams’ sequel to 2001: A Space Odyssey.
April: Max Headroom (Matt Frewer) debuts on Channel 4.
December: Release of Back To The Future.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Metalzoic, Dan Dare, The Eagle and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
February (Prog 200): The 200th issue sees the launch of the epic Johnny Alpha origins story, Portrait of a Mutant in Strontium Dog (Grant/Ezquerra).
April (Prog 206): Dredd story Un-American Graffiti (Wagner/Ron Smith, Brett Ewins). First appearance of Marlon Shakespeare aka. Chopper.
June (Prog 216): Writer Peter Milligan debuts in the comic.
(Prog 217): Alan Moore and John Higgins’ famous Tharg’s Futureshock: The Last Rumble of the Platinum Horde! A rare instance of a Futureshock getting a cover (Cover art: Mike McMahon).
July (Prog 222): A major arrival: Nemesis the Warlock Book One begins (Mills/O’Neill). Two mini-stories appeared in 1980.
August (Prog 224): The Dark Judges arrive in Judge Death Lives! (Wagner and Grant/Bolland).
2000AD rises to 16p. It is now twice as much as it was when it started in 1977. This is not an unusual rate of increase for the time, however. Besides:, by 1981, the comic is undoubtedly enjoying a golden age.
A new Judge Dredd comic strip begins in the Daily Star newspaper this month, initially produced by John Wagner, Alan Grant and Ron Smith. It continues until 1998.
September (Prog 228): Rogue Trooper goes into battle for the first time (Finley-Day/Dave Gibbons). It becomes Gerry Finley-Day’s biggest hit and one of 2000AD’s most popular stories.
October (Prog 232): Ace Trucking Co. begins trading! It is one of the zaniest stories ever to appear in the comic. (Wagner and Grant/Belardinelli).
Other stories this year include: The Mean Arena, Meltdown Man (which ends in August after an unusually long fifty-issue run) and Return to Armageddon.
(Prog 236): Blockmania erupts in Judge Dredd! (Wagner and Grant/Boland, McMahon). This story leads directly into the Apocalypse War mega-epic which launches at the start of 1982.
Elsewhere:
January: The Hitchhiker’s Guide to the Galaxy TV series begins.
March: Tom Baker’s last outing as Doctor Who.
July: Terry Gilliam’s sci-fi fantasy classic, Time Bandits is released in UK cinemas. So is Clash of the Titans.
September: John Carpenter’s Escape From New York is released. TV version of John Wyndham’s 1951 novel, The Day of the Triffids begins showing.
December: Blake’s Seven ends.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
February: The 100th prog! The second part of Sam Slade’s classic Verdus adventure (Wagner/Gibson) now continues in 2000AD, the saga having been briefly interrupted by the Star Lord merger.
March: A new comic, Tornado sweeps into town. Ostensibly edited by a mysterious figure called ‘The Big E,’ 2000AD’s Kelvin Gosnell is also thought to be involved. Stories include Blackhawk (Gerry Finley-Day/Alfonso Azpiri) and The Mind of Wolfie Smith (Tom Tully) which had no connection to the character played by Robert Lindsay, also called Wolfie Smith appearing in BBC sitcom, Citizen Smith at this time.
April (Prog 109): A rare Dredd-free issue of 2000AD. He has just finished his long saga battling Judge Cal in The Day The Law Died. John Wagner has now become pretty much the permanent wrier on Dredd.
June (Prog 115): Ro-Busters ends. But fear not…(Prog 119): Hammerstein returns in The ABC Warriors (Mills/O’Neill)! Ro-Jaws does not appear, although remains a frequent guest star in the comic.
Bill Savage, star of Invasion! also returns in Disaster 1990 (Finley-Day/Carlos Pino). Although he now faces a catastrophic flood in Invasion! he previously battled the Volgan Empire: now the ABC Warriors’ enemy on Mars.
2000AD gets a new logo. The ‘Starlord’ bit is dropped from the title and it becomes just 2000AD again. At least, for a short while…
July (Prog 122): The cover price rises from 10p to 12p.
August (Prog 126): Once 2000AD’s lead story, Dan Dare ends on a cliff-hanger. It never returns to the comic.
(Prog 127): Tornado merges into 2000AD. Blackhawk, The Mind of Wolfie Smith and Captain Klep all move into 2000AD. As Tornado was not primarily a sci-fi comic, their storylines are all altered slightly to strengthen their sci-fi credentials. None last beyond September 1980, when Wolfie Smith ends and 2000AD and Tornado becomes just 2000AD again.
No other comics have merged into 2000AD in the forty-plus years since. This is in itself an achievement: well over 20 UK comics merged into each other in the 1980s alone.
November (Prog 140): Gerry Finley-Day’s new future war story, The VCs comes into land.
In an unusual but successful move, a new adaptation of US sci-fi author Harry Harrison’s light-hearted future crime novel, The Stainless Steel Rat begins (Gosnell/Ezquerra).
Stainless Steel Rat writer Kelvin Gosnell incidentally ceases to be 2000AD’s editor this year incidentally and is replaced by Steve MacManus. Other stories this year include: Flesh, Project Overkill and Angel.
The second and last 2000AD-related Dan Dare annual is released, dated 1980. Two later Dan Dare annuals appeared, dated 1987 and 1991 too, but both were linked to the revived Eagle comic (which started in 1982), not to 2000AD.
Elsewhere:
April: DC Thomson’s monthly sci-fi anthology, Starblazer begins. It lasts until 1991.
June: The space-themed James Bond film, Moonraker comes out.
September: Ridley’s Scott’s Alien opens in UK cinemas.
October: Douglas Adams’ book, The Hitchhiker’s Guide to the Galaxy is published. In the same month, a Tom Baker-era episode of Doctor Who scripted by Adams, achieves the highest ratings ever achieved by a Doctor Who episode before or since (16.1 million) partly due to a strike taking out ITV. Doctor Who Weekly also begins this month.
December: Star Trek: The Motion Picture is released. Disney’s The Black Hole comes out in the UK. It proves a massive flop at the box office.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
April: Judge Dredd begins his first major mega-epic as he ventures into The Cursed Earth (Prog 61). The story (which at one point leads to a threatened lawsuit over its content) is mostly written by Pat Mills with art provided by Mike McMahon and Brian Bolland.
May: A new comic, Star Lord begins. Originally planned as a monthly sci-fi alternative to 2000AD, it in fact, is released as a weekly, just like its sister comic, 2000AD, a decision which ultimately dooms it from the start.
The quality is high, however. Readers are introduced to mutant bounty hunter Johnny Alpha in Strontium Dog (John Wagner/Carlos Ezquerra) while Ro-Jaws and Hammerstein form part of a 21st century android international rescue service in Pat Mills’ Ro-Busters. Other stories include Timequake and (later) Mind Wars.
Star Lord’s editor is actually called Star Lord himself and is engaged in an ongoing battle with the forces of the interstellar federation. Behind the scenes, 2000AD’s editor, Kelvin Gosnell helps out. The new comic is 12p. 2000AD is 9p, rising to 10p in September (Prog 83). Other 2000AD stories this year include Dan Dare, Flesh, The Visible Man, Ant Wars and MACH Zero.
October: After 22 issues, Star Lord merges into 2000AD (Prog 86). Strontium Dog becomes one of 2000AD’s most enduring and popular stories. Ro-Busters only lasts until 1979 (largely because writer Pat Mills has lost interest) although Ro-Jaws and Hammerstein continue to reappear in the comic for decades. Hammerstein even crops up in the 1995 Dredd film.
Another Star Lord story, Timequake briefly resurfaces in 2000AD in 1979.
November: (Prog 87): Having survived The Cursed Earth, Dredd launches almost immediately into another mega-epic, The Day The Law Died in which Mega City One is taken over by he tyrannical Chief Judge Cal, who models himself on the insane Roman emperor, Caligula.
The 2000AD annual and Sci-Fi Special are released as usual, alongside a new Dan Dare annual. Although the comic itself lasted less than six months, one Star Lord summer special (1978) and three annuals appear in the years ahead.
Elsewhere:
The first Space Invaders arcade games appear this year.
January: Blake’s 7 arrives on BBC1.
March: Douglas Adams’ Hitchhiker’s Guide to the Galaxy radio series is first aired.
UK premiere of Steven Spielberg’s Close Encounters of the Third Kind.
May: The Incredible Hulk starring Bill Bixby and Lou Ferrigno debuts on UK TV.
June: Jeff Wayne’s Musical Version of The War of the Worlds is released.
October: Omni magazine is launched. It continues until 1997.
December: Superman: The Movie starring Christopher Reeve, Margot Kidder, Marlon Brando and Gene Hackman is released in UK cinemas.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
February: The Galaxy’s Greatest comic, 2000AD is launched. Prog 1 is priced 8p (Earth money). The editor is advertised as Tharg the Mighty, an alien from Betelgeuse, who will soon answer readers’ letters from his Nerve Centre.
The first issue features a revived Dan Dare (formerly of legendary 1950-69 comic, The Eagle), Invasion! about a Soviet-inspired attempt to occupy 1990s Britain, Flesh, a time-travelling dinosaur drama, future sport thriller, The Harlem Heroes and M.A.C.H.1. All of these are, at least in part, created by 2000AD’s original editor, Pat Mills.
As of 2020, of all the British comics competing for shelf space in the newsagents of 1977 only The Beano, Commando and 2000AD survive today.
March: Judge Dredd, top lawman in the crime-ridden futuristic 21st/22nd century metropolis of Mega City One debuts in Prog 2. Dredd quickly becomes the comic’s most popular, well-known and enduring character.
May: Dredd Robot Wars story begins (Prog 9).
July: Pat Mills resigns as editor after 19 issues and is replaced Kelvin Gosnell. Mills remains a very active presence in the comic.
August: The price rises to 9p. The first of Tharg’s Futureshocks (occasional one-off stories, usually with a twist) appears (Both Prog 25). Other new stories this year include Shako and Inferno.
September: Judge Dredd’s brother appears in The Return of Rico! (Prog 30).
The first 2000AD Sci-Fi Special appears. It initially appears under the name, Summer Special Supercomic, becoming the Sci-Fi Special from 1978 onwards. A Dan Dare Poster Magazine is also published in the summer.
The first 2000AD annual also appears, dated 1978.
Elsewhere:
April: US sci-fi magazine, Heavy Metal is launched.
September: The first Eagle Awards ceremony for British comics.
October: The controversial Action comic comes to an end. Contrary to popular belief, it is not banned.
December: George Lucas’s Star Wars is released in the UK, seven months after it is released in the US in May. An unexpected massive hit, its release triggers a science fiction boom which to some extent, continues to this day.
Science-fiction magazine, Starburst begins, also in December 1977.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.
Judge Dredd The Megazine begins. It is still gong today. Early stories include America and Young Death: Boyhood of a Superfiend.
In 2000AD itself, Judge Dredd faces Necropolis. Rogue Trooper appears in his own annual for the first and, to date, only time.
Edgy monthly Revolver featuring a dark new version of Dan Dare as well as Rogan Gosh and Happenstance and Kismet launches.
With many comics now struggling, adult comic Viz is thriving. Billy the Fish gets his own TV series, voiced by Harry Enfield.
Dennis the Menace TV cartoon on the Cartoon Channel. The Beano celebrates its 2,500th issue
After 34 years, The Beezer joins The Topper (by this point rebranded as Topper 90). The Beezer and Topper is formed.
After 21 years, Whizzer and Chips merges into Buster. Sid’s Snake, Sweeny Todd, Joker and Sweet Tooth are amongst those moving in.
1991
Viewed as a 2000AD for the 1990s, Toxic! featuring Accident Man and The Bogie Man appears. It folds within the year.
A short-lived TV version of Viz’s Roger Mellie The Man on the Telly appears. Roger is voiced by Peter Cook.
Lord Snooty, at this point the longest running Beano story ever, having appeared since 1938 ends. He returns later.
Mandy and Judy merge, later becoming M & J.
Starblazer ends. Revolver merges into Crisis. Crisis ends. For many British comcs, the crisis continues.
Dredd meets Batman in graphic novel, Judgement In Gotham.
1992
The game begins: Button Man debuts in 2000AD.
A TV film of The Bogie Man starring Robbie Coltrane airs.
1993
The final whistle blows for Roy of the Rovers comic. The second Eagle also ends, after just over a decade.
Beezer and Topper ends. Beryl the Peril joins The Dandy, The Numskulls find a home in The Beano. The Beano Video is released.
The controversial Big Dave appears in 2000AD.
The luckless sailor, Jonah, once of The Beano (as well as the short-lived Buddy), re-emerges in The Dandy.
1994
Look-In switches itself off.
1995
The final Deadline.
Two films, the long awaited Judge Dredd starring Sylvester Stallone and Tank Girl film starring Lori Petty are both released. Both are both are critical and commercial failures.
Judge Dredd: Lawman of the Future is launched. It s intended to capitalize on the hoped for success of the new Judge Dredd film. Sinister Dexter first appears in the regular 2000AD.
1996
Judge Dredd: Lawman of the Future fails. 2000AD (now struggling) reaches its 1,000th issue.
1997
M & J ends.
The Dandy turns 60.
1998
The Beano turns 60. The Beano Club replaces the Dennis the Menace Fan Club. Dennis’s sister Bea is born.
Nikolai Dante begins in 2000AD.
1999
Buster ends after forty years. Both the Buster story itself and many stories which have been running in Buster and other now long defunct titles such as Whizzer and Chips, Whoopee! and Wow! and Knockout since the 1960s and 1970s such as Sid’s Snake, Joker, Ivor Lott & Tony Broke and Sweeny Todd all come to an end.
2000
After a tough decade, 2000AD, appropriately enough, enjoys a big comeback from this year onward.
As of June 2020, it, Viz, Judge Dredd The Megazine, Doctor Who Monthly, Commando and The Beano are the only titles mentioned in any of these timelines which are still going today.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines including Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle and Alan Moore’s Watchmen (amongst other things). He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He was also wrote the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars annuals as well as the 2015 Transformers annual.
Nutty is launched. It’s most memorable story, Bananaman quickly moves to the front page.
The first Judge Dredd annual is published. In 2000AD, Judge Death and Judge Anderson both appear as characters in the Dredd strip.
Speed comes and goes, merging into Tiger.
Mergers: Misty merges into Tammy. The Crunch merges into Hotspur. Penny merges into Jinty. Cheeky merges into Whoopee!
Doctor Who Weekly goes monthly
Buddy begins.
Smudge debuts in The Beano.
1981
A new version of Girl is launched.
The TV-themed Tops begins.
Mergers: Scoop merges into Victor. Jinty merges into Tammy. Hotspur merges into Victor.
The Nemesis the Warlock saga begins properly in 2000AD. The war also begins for Rogue Trooper while Judge Dredd battles an outbreak of Blockmania.
1982
High quality monthly Warrior begins. It is not especially war-like and features V For Vendetta, Marvelman (later Miracleman) and Laser Eraser and Pressbutton.
A new version of The Eagle begins. Dan Dare (or rather his great-great-grandson) appears as do the photo stories Doomlord and Joe Soap.
Judge Dredd fights the Apocalypse War.
Wow! begins.
Jackpot merges into Buster. Milly O’Naire and Penny Less merge with Buster’s Ivor Lott and Tony Broke strip (as the duo’s girlfriends) disappearing from the story in the late 1980s.
Cheeky merges into Whoopee!
The first Beano comic libraries (smaller, monthly comics, featuring one extended story) appear. Other comics follow suit.
1983
Nutty’s Bananaman gets his own TV series.
School Fun begins lessons (briefly).
Spike kicks off.
Mergers: Buddy merges into Spike. Wow! merges into Whoopee! (becoming Whoopee! and Wow!). Debbie (est: 1973) merges into Mandy.
Slaine goes into battle in 2000AD. Extra-terrestrial Skizz also debuts.
The galaxy’s greatest computer comic, Load Runner begins and ends after a short run.
What will happen next? Cliff Hanger begins in Buster.
1984
High profile horror comic Scream! begins and ends. It merges into Eagle. The Thirteenth Floor is amongst the stories to move across.
Champ begins.
The Ballad of Halo Jones begins in 2000AD (it ends in 1986). Female-led strips are still a rarity in the Galaxy’s Greatest Comic. Nemesis is joined by the ABC Warriors in The Gothic Empire.
Mergers: TV Comic (est: 1951) switches itself off. Tops merges into Suzy. Tammy (est: 1971) merges into Girl. Spike merges into Champ. School Fun merges into Buster. School Belle is amongst those joining Buster.
Dennis’s pet pig, Rasher gets his own strip in The Beano (until 1988).
1985
Adult comic Viz featuring Roger Mellie the Man on The Telly, Billy The Fish and Sid the Sexist goes nationwide.
Whoopee! (est: 1974) merges into Whizzer and Chips. Warrior gives up the fight. Tiger (est: 1954) merges into The Eagle. Some strips move into Roy of the Rovers. Champ merges into Victor.
Judge Anderson gets a story of her own in 2000AD.
Nutty merges into The Dandy. Bananaman continues on TV until 1986 and continues to thrive in The Dandy. Bananaman appears in several of his own annuals in this decade too.
Ivy the Terrible debuts in The Beano.
Computer Warrior goes into battle in The Eagle.
Captain Britain Monthly, Hoot and Nikki all debut.
Beeb begins (and ends).
1986
The anarchic Oink! launches. ‘Edited’ by Uncle Pigg, stars include Pete and his Pimple, Burp The Smelly Alien From Outer Space and Hector Vector and his Talking T-Shirt.
Diceman, an RPG version of 2000AD runs out of luck quickly and ends.
Hoot merges into The Dandy. Cuddles and Dimples unite in one strip.
Captain Britain Monthly ends.
Warlord (Est: 1974) merges into Victor.
Calamity James begins in The Beano. Gnasher briefly goes missing in a high profile Dennis the Menace storyline. He soon returns with a litter of puppies including Gnipper. Gnasher and Gnipper now replaces Gnasher’s Tale as a story.
1987
Nipper begins then merges into Buster.
Zenith begins in 2000AD. Now ten years’ old, the comic adopts a more ‘mature’ approach.
The Dandy’s 50th birthday.
1988
Crisis, a more political and grown-up sister title to 2000AD begins featuring Third World War and The New Statesmen.
Deadline comic/magazine starring Tank Girl begins.
The Beano’s 50th birthday.
Mergers: Battle (est: 1974) merges into Eagle. Oink! merges into Buster.
1989
Nikki merges into Bunty. It’s Wicked! begins and ends.
The ‘original’ Dan Dare returns to The Eagle.
Fast Forward, a much-publicised TV-themed comic/magazine launches.
Whizzer and Chips (now struggling) celebrates its 20th birthday.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines including Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle and Alan Moore’s Watchmen (amongst other things). He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He was also wrote the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars annuals as well as the 2015 Transformers annual.
Cor!! is launched. Popular stories include Gus the Gorilla (“You can’t make a monkey out of Gus!”) and The Slimms. One story, Ivor Lott and Tony Broke lasts until 2000 (in Cor!! and elsewhere).
Scorcher, Thunder and Wizard (II) are all launched.
1971
Knockout is launched (an earlier Knockout ran between 1939 and 1963). Stories include Joker, Sammy Shrink, Fuss Pot, Dead Eye Dick and Beat Your Neighbour.
Chalky (“he’s quick on the draw!”) debuts in Cor!!
Countdown begins.
TV-themed magazine and comic Look-In is switched on.
Faceache debuts in Jet. Jet merges into Buster soon after.
Tammy begins.
Other mergers: Thunder merges into Lion. TV21 merges into Valiant.
1972
Babyface Finlayson, (“The Cutest Bandit in the West”) debuts in The Beano.
Rent-A-Ghost Ltd. debuts in Buster. It’s arrival predates TV’s Rentaghost by three years and they are unconnected.
School swot and teacher’s pet, Cuthbert Cringeworthy takes his place in Class 2B of Bash Street School.
Countdown turns into TV Action.
Sweet Tooth debuts in Whizzer and Chips.
1973
Supernatural comedy title, Shiver and Shake materialises, attempting a similar double-headed format to Whizzer and Chips. Enfant terrible, Sweeny Toddler is a highlight, long outlasting the comic itself.
Buzz starts as does girls’ title, Debbie.
Mergers: TV Action merges into TV Comic. Knockout merges into Whizzer and Chips, bringing Joker, Fuss Pot and Sammy Shrink with it.
Timothy Tester joins Whizzer and Chips.
1974
Dennis the Menace moves to the front-page of The Beano, ending Biffo the Bear’s 26-year reign there. Dennis has remained there ever since.
Whoopee! begins, featuring Clever Dick and The Bumpkin Billionaires (and soon, Sweeny Toddler).
Jinty and Warlord both begin.
It is a tough year economically with a number of titles old and new folding: June (est: 1961) merges into Tammy. Lion (est: 1952) merges into Valiant. Romeo (est: 1957) merges into Diana. Scorcher merges into Tiger. Shiver and Shake merges into the new Whoopee!
Cor!! merges into Buster. Although the weekly comic proved short-lived, Cor!! annuals continue to appear until 1986.
1975
War comic Battle begins.
Cracker is launched.
X-Ray Specs debuts in Buster.
Monster Fun featuring Gums and Kid Kong appears. It is ‘edited’ by Frankie Stein, formerly of Shiver and Shake.
Ball Boy kicks off in The Beano.
Pete’s Pocket Grandpa fits comfortably into The Dandy.
Buzz merges into The Topper.
1976
The Dennis the Menace Fan Club is launched.
Action, the most controversial title of the 1970s, launches.
Krazy begins featuring The Krazy Gang and Birdman and Chicken. Pongalongapongo later Pongo Snodgrass makes his first appearance in The Krazy Gang.
Bullet, Captain Britain and Spellbound are launched.
Roy of the Rovers from Tiger gets his own comic. Tiger continues.
The Leopard of Lime Street creeps onto the pages of Buster.
Mergers: Monster Fun merges into Buster. Cracker merges into The Beezer. Diana (est: 1963) merges into Jackie. Hornet merges into Hotspur. Valiant (est: 1962) goes into Battle.
1977
The ‘Galaxy’s Greatest Comic’ 2000AD is launched, ‘edited’ by alien, Tharg the Mighty. A new Dan Dare strip features but the real star is futuristic lawman Judge Dredd who debuts in the second issue.
Plug, centered round the character from The Bash Street Kids is launched. Cheeky, based around a similar looking character previously in Krazy is launched a month later.
Sparky (est: 1965) merges into The Topper. Captain Britain ends.
Action ends. Contrary to legend, it is not banned but merges into Battle.
Spin-off strip Gnasher’s Tale begins in The Beano.
Tricky Dicky debuts in Topper. A different character with the same name previously appeared in Cor!!
1978
High quality 2000AD sister title Star Lord is launched. Sadly, it fails and merges into 2000AD quickly bringing Ro-Busters (featuring Ro-Jaws and Hammerstein) and Strontium Dog with it. All of these characters prove to be popular and enduring.
Sam Slade: Robohunter debuts in 2000AD.
Lazy Bones begins dozing away on the pages of Whizzer and Chips.
Book Worm debuts in Whoopee!
Emma begins as do the titles, Scoop and Misty.
Krazy merges into Whizzer and Chips bringing with it Pongo Snodgrass and The Krazy Gang. Spellbound merges into Debbie. Wizard merges into Victor. Bullet also misses its target and merges into Warlord. Target begins. It also misses its own target and promptly merges into TV Comic.
1979
Adventure comic Tornado follows a similar trajectory to Star Lord (1978), quickly merging into 2000AD. No titles have merged into 2000AD in the forty years since. Hammerstein from Ro-Busters now joins the ABC Warriors. Ro-Jaws joins him later. Judge Dredd goes into The Cursed Earth.
Jackpot begins. Stories include Jack Pott (originally from Cor!!), Laser Eraser, The Incredible Sulk and Milly O’Naire and Penny Less.
Plug merges into The Beezer. For a short while, Plug thus has his own strip in The Beezer while also appearing regularly as usual in The Bash Street Kids in The Beano.
Rasher, Dennis’s pet pig debuts in Dennis the Menace.
General Jumbo is retired from The Beano after 26 years of service.
The first Bash Street Kids’ Book appears (dated: 1980). Dennis the Menace is the only other Beano character to have got his own annual.
Emma merges into Judy.
Tricky Dicky replaces Danny’s Tranny (ahem) on the front page of Topper.
The Crunch, Doctor Who Weekly, Penny and Starblazer all begin.
Acclaimed strip, Charlie’s War begins in Battle.
Chris Donald begins selling homemade copies of his adult comic Viz around pubs in Newcastle.
The ‘new’ Dan Dare fizzles out in 2000AD. Judge Dredd is now unquestionably the comic’s main strip.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines including Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle and Alan Moore’s Watchmen (amongst other things). He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He was also wrote the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars annuals as well as the 2015 Transformers annual.
Buster comic begins. The title character is originally described as ‘the son of Andy Capp’ although this is soon forgotten about.
Pre-teen girls’ comic/magazine Judy begins.
Corporal Clott enlists in The Dandy, just as National Service comes to an end. He serves the comic loyally until 1970.
1961
Winker Watson ‘the world’s wiliest wangler’ debuts in The Dandy.
The Dandy and The Beano both celebrate their 1,000th issues.
The Victor is launched.
Commando War Stories in Pictures is launched, later known as Commando. It is still going today.
June comic begins.
Send For Kelly (about an inept special agent) begins in The Topper.
1962
The Numskulls debut in The Beezer.
Valiant begins.
Film Fun (est: 1920) ends. Radio Fun (1938-61. merges into Buster) and TV Fun (1953-59) all end during this period.
1963
A Dandy-Beano joint Summer Special appears. The first separate Dandy and Beano Summer Specials appear in 1964.
The original Knock-Out ends. having started in 1939. The title is revived in the 1970s.
Swift merges int The Eagle.
The Hornet begins.
1964
Billy Whizz races onto the pages of The Beano.
‘Rollicking robot’ Brassneck debuts in The Dandy.
Girls’ comic/magazine Jackie is launched.
The Big One is launched, merging into Buster the following year.
Girl ends, after fourteen years, merging into Princess (1960-67). it is revived in the 1980s.
1965
Sparky comic ignites. Keyhole Kate (once of The Dandy) is amongst those appearing.
TV21 begins.
School Friend (est: 1950) merges into June.
1967
Bully Beef and Chips first clash in The Dandy.
Pup Parade, a canine version of The Bash Street Kids, arrives in The Beano.
The long-running Mandy begins.
Giggles starts. Like an actual giggle it only lasts briefly, merging into Buster in 1968.
TV Tornado comes and goes quickly, becoming absorbed by TV21 in 1968.
The Eagle is by now and clear decline. New Dan Dare stories stop appearing in the weekly comic.
1968
Dennis the Menace gets a new pet dog, Abyssinian wire-haired tripe hound, Gnasher
Twinkle is launched.
Jag is launched. It merges into another big cat, Tiger in 1969.
Buster’s Diary is replaced by Buster’s Dream World.
1969
‘Two-in-one, two times the fun!’ Whizzer and Chips launches with an unusual double-headed format. Sid’s Snake stars in Whizzer, amateur pugilist Shiner in Chips. Wear ‘Em Out Wilf, Champ and the long-running Odd Ball are all in the first issue.
Robin ends, after sixteen years. It was the most enduring of The Eagle’s sister titles.
After a decade of decline, The Eagle itself ends, merging into Lion. It is the end of an era.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines including Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle and Alan Moore’s Watchmen (amongst other things). He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He was also wrote the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars annuals as well as the 2015 Transformers annual.
The Eagle launches featuring the futuristic Dan Dare – Pilot of the Future on the front page. His first story-line sees him traveling to Venus where he encounters the Treens led by the malevolent Mekon. Other early Eagle stories include PC49, Harris Tweed and Riders of the Range.
Canine hero, Black Bob becomes the first Dandy character to star in his own annual. Seven more Black Bob books appear before 1965.
School Friend begins. Stories include The Silent Three At St Kit’s. It is reportedly the biggest selling girls’ comic ever, at one point selling one million copies a week.
1951
Dennis the Menace makes his debut in The Beano. Biffo the Bear remains on the front page.
Girl, a sister comic to The Eagle is launched. Early stories include Kitty Hawke and Her All-Girl Air Crew, Lettice Leefe: The Greenest Girl In School and nautical adventure, Captain Starling.
Dan Dare embarks on The Red Moon Mystery.
1952
Dan Dare is Marooned on Mercury. Luck of the Legion also debuts in the comic this year.
Adventure comic, Lion, a potential rival to The Eagle is launched. Memorable characters include Robot Archie (initially referred to as The Jungle Robot).
Gerald Campion debuts in the title role in TV’s Billy Bunter of Greyfriars School. The character first appeared in Magnet in 1908.
1953
The Topper first appears. Mickey the Monkey appears on the cover but the most memorable character is Beryl the Peril.
A new comic Robin is launched. It is intended to be a companion paper to The Eagle. It is aimed at the under-eights and features TV’s Andy Pandy as a regular character.
A vintage year for The Beano with Little Plum, Minnie the Minx, General Jumbo and Roger the Dodger all making their first appearance.
Dan Dare launches Operation Saturn.
TV Fun is launched, accompanying the long-running Film Fun and Radio Fun.
1954
Yet another companion to The Eagle appears. Swift is aimed at even younger readers than Robin. Tarna: Jungle Boy, Mono the Moon Man and a comic version of radio’s Educating Archie all appear.
Tiger comic arrives. The first issue features footballing legend, Roy of the Rovers.
The first Desperate Dan ‘annual’ appears. Only four more appear in 1978, 1990, 1991 and 1992.
School-based story, When The Bell Rings begins in The Beano. It later becomes The Bash Street Kids.
The Dan Dare story, Prisoners of Space begins.
1955
The first Dennis the Menace Book is published. Dennis is the first Beano character to get his own annual. He now appears in colour on the back page of The Beano every week.
Keyhole Kate leaves The Dandy. She will return.
Dan Dare appears in The Man From Nowhere.
1956
New arrival The Beezer joins The Topper on newsagent shelves. Ginger dominates the front page.
When The Bell Rings, in The Beano, changes its name to The Bash Street Kids.
1957
Much-loved children’s TV series Captain Pugwash begins. It was originally a short-lived story in The Eagle in 1950.
Jonah, the hopeless sailor, sets sail in The Beano.
Amnesiac Mark Question (‘The Boy With A Future But No Past!’) debuts in The Eagle. The Reign of the Robots begins in Dan Dare.
1958
Bunty begins. Strips include The Four Marys (‘Fun at boarding school with a frolicsome foursome’).
Colonel Blink, the Short-Sighted Gink stumbles onto the pages of The Beezer.
Topper’s Beryl the Peril appears in her first annual, this Christmas.
1959
The Three Bears blast off in The Beano.
The long-running Hotspur folds. A text-based story paper rather than a comic, it is replaced by The New Hotspur which is definitely a comic.
Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines including Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle and Alan Moore’s Watchmen (amongst other things). He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He was also wrote the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars annuals as well as the 2015 Transformers annual.
Imagine it’s March 1977, you have 8p and you want a comic. Let’s assume you want a boy’s comic: it was a sexist world back then. There are lots to choose from. Perhaps you want a funny one like The Beano, The Dandy, The Beezer, The Topper, Whoopee!, Buster or Whizzer and Chips? Or something harder edged? Tiger, Battle or a new science fiction comic with a free “space spinner” on the front?
2000AD emerged from the ashes of Action comic, which was withdrawn due to its violent content in the mid-1970s. Did anyone present at 2000AD’s creation, imagine it would still be going in the then far flung futuristic year of 2000AD? A year by which time most of the children who had bought Prog 1 would be in their thirties, many with children of their own? It seems unlikely. It is now 39 years on from that first issue. Those same readers of Prog 1 would now be in their fifties, at least. None of the comics mentioned above are now going with the exceptions of The Beano which began in 1938. And 2000AD itself.
This documentary tells the story of the galaxy’s greatest comic which despite Action’s fate (or perhaps because of it) has always been pretty violent. After an exciting animated opening sequence in which many of the comic’s monochrome heroes – Judge Dredd, Rogue Trooper, Strontium Dog, Nemesis the Warlock, Zenith – move very slightly against a thumping rock soundtrack, it’s perhaps disappointing that most of the film is spent in the company of a group of ageing, sometimes not very articulate men. Some are enthusiastic. Some are quite bitter.
Pat Mills is the star. Passionate and profane about the early days, angry about the 1990s days of decline, he is still with the comic. Others left during the 1980 s comics “brain drain”. Neil Gaiman seems genuinely emotional about Alan Moore’s failure to complete his brilliant Ballad of Halo Jones a full thirty years later. Some rage at the appalling way some artists’ work was treated. Others praise 2000AD for crediting its writers and artists properly (in a special “credit card” box) something few British comics did up until then. One fan, Ex Machina director and author of The Beach, Alex Garland wrote the screenplay to Dredd, a huge improvement on the disastrous 1990s attempt to film the 22nd century fascistic lawman starring Sylvester Stallone. Other films seem to have liberally stolen from the comic.
None of the writers seem to have liked Tharg the Mighty, the comic’s fictional alien editor very much, presumably because most have presumably endured a stint answering letters on his behalf (including, two from a teenage “C Hallam, Peterborough” in 1993). Tharg also introduced the occasional Twilight Zone-style Futureshock stories, often used as a testing ground for upcoming writers and artists.
A fine tribute anyway to a fine comic. Until next time: Splundig Vur Thrigg Earthlets!
Is Viz as funny as it used to be? It’s been well over thirty-five years since the teenage Chris Donald first started selling his own self-produced adult comics in Newcastle pubs as a means of escaping unemployment in 1979. By the end of the next decade, it was a massive success story selling more than almost any other periodical except the TV and Radio Times.
I started reading it myself at about that point and to me it will always seem funnier then, partly because of the novelty and danger factor (reading it at school risked confiscation) and partly because I was barely into my teens. Just the name of the story Buster Gonad and His Unfeasibly Large Testicles was enough to send me into paroxysms of chuckling mirth for minutes on end. Other comics of the time were always promising to generate this sort of reaction. Viz was the only one that did. Buster and The Dandy could only offer mild amusement.
Some of my favourite strips are long gone: Finbarr Saunders and his Double Extenders, Roger Irrelevant (“He’s totally hat-stand”) and Victorian Dad and Modern Parents. I never liked the Fat Slags (to date, the only Viz story to hit the big screen, albeit in disastrous form) which is still going.
Roger Mellie The Man on the Telly is still here too both in this annual and in this new anthology of his old strips The Roger Mellie Telly Times, both available now.
One suspects the idea of a foul-mouthed TV presenter like Mellie is less shocking now than it was in the Eighties. But in truth, he has his moments.
And yes, Viz still is funny. Even if you don’t warm to the comic stories (the long running Sid The Sexist, Ivan Jellical, Gilbert Ratchet, Raffles The Gentleman Thug most of which derive a little from the traditions of British children’s comics, try the news stories (“Donald Trump’ s World of Pumps”) or better still Letterbocks, always Viz’s funniest section. “Do you think it’s possible to train a hedgehog to walk up and down a table with cubes of cheese stuck to the end of its spikes?” asks one reader who is planning a party.
Or maybe it’s not for you. As the editor of Punch once said when asked if his magazine was as funny as it used to be, he simply replied: “it never was”.
Or as Roger Mellie would put it: “Hello, good evening and bollocks.”
If you were reading the Galaxy’s Greatest Comic, 20000AD, thirty years ago this month, you would doubtless have noticed a new character.
The Ballad of Halo Jones written by Alan Moore and illustrated by Ian Gibson first appeared in July 1984. 2000AD, which had started in 1977, already featured many of its best known science fiction and fantasy strips notably Judge Dredd, Rogue Trooper, Strontium Dog, Nemesis the Warlock and Slaine. Ian Gibson had, in fact, drawn many Dredd episodes as well as the more humorous Sam Slade: Robohunter.
Alan Moore is a legend in the world of comics today. This was less true in 1984, but he was hardly unknown then either, having already penned both the futuristic drama V For Vendetta and Marvelman (later known as Miracleman) for Warrior, a title Moore had largely dominated but which was on its way out by 1984. He was also doing Swamp Thing for DC and had produced the extraterrestrial fantasy Skizz and D.R. and Quinch for 2000AD. He had also written many Tharg’s Futureshocks; the Twilight Zone-style one off stories which many 2000AD staff first get established on. Moore had worked once with Gibson on one of these, “Grawks Bearing Gifts”.
But the first Halo Jones story wasn’t a hit. Lance Parkin in his biography Magic Words: The Extraordinary Life of Alan Moore writes: “Now, Halo Jones is regularly cited as a high point of the magazine’s long history. Then, it was a different story. Every week, the magazine polled its readers on their favourite strips, and Halo Jones was notably unpopular during its first run (#376-385, July-September 1984)”. What was the problem?
Was it because most of the characters were girls? Halo is introduced as a teenager, one of a group of female friends (plus Toby, a robot dog) who live on the Hoop, a large crime-infested artificial population centre constructed off Manhattan Island. It was fairly unusual for 2000AD to have a female lead character at this time but it is probable a few factors conspired against the strip. Readers complained of a lack of “action”. Moore assumed they meant a lack of “violence”. Cynical but perhaps accurate, there is little of either in Volume One (at least, not until the end). The story also features a fair amount of futuristic slang which may have alienated some readers. Although to be fair, the slang “Squeeze! Squeeze with a bare arm!” isn’t that unusual bearing in mind the strip is set in 4949, nearly 3,000 years in the future. Another possible point against it is that there is also little interesting to mark out Halo at this point. She is just another one of the girls.
Volume Two which appeared in 1985, however, was much better.
For one thing, the intriguing prologue features a lecture, set even further in the future which not only updates us but hints for the first time that Halo might be destined to become a figure of genuine historical import. Halo also develops more as a character, working as a stewardess on a space cruise liner the Clara Pandy during a year long voyage and leaving her less ambitious or unlucky friends back on the Hoop.
The ship turns out to be a perfect vehicle for all sorts of great stories, many working as stand alone strips. Toby, Halo’s companion reveals a ferocious dark side while a particularly strong story concerns The Glyph, a soulless sad character rendered invisible after countless sex changes have robbed him of his true identity.
Volume Three, is by Alan Moore’s own admission, the best of all.
Although it appeared only a year later, in 1986, ten long years have passed for Halo and she has become a more cynical, harder and more interesting figure. Washed up, she bumps into her old friend Toy Molto (a giantess) and the two decide to join the Army.
Predictably, this ends badly with the two becoming involved in the encroaching war in the Tarantula Nebula, a Vietnam-style conflict, periodically alluded to in the strip since Book One. Funny, ingenious and at times, moving, (one episode sees Halo talking for some time to a wounded colleague before realising with total horror that they have been dead for some time), Halo experiences the full indignity of combat. The war on the planet Moab, particularly leads to a memorable battle in which the strong gravity of the large planet leads time to be distorted leading the conflict to literally be appearing to pass either in slow motion or sometimes even accelerated speed. Halo also becomes embroiled in an unwise love affair with the monstrous General Luiz Cannibal and loses her innocence in more ways than one.
Adverts for the Titan anthologies of the story at the time hinted at ten volumes of Halo even suggesting she became a pirate queen. But, in fact, Volume Three would be the end. Moore fell out with 2000AD and went onto The Watchmen and phenomenal comic success. Only Neil Gaiman has come close to his status amongst contemporary British comic writers.
The Ballad of Halo Jones remains his overlooked masterpiece. I urge you to seek it out.
Imagine it’s March 1977, you have 8p and you want a comic. Let’s assume you want a boy’s comic: it was a sexist world back then. There are lots to choose from. Perhaps you want a funny one like The Beano, The Dandy, The Beezer, The Topper, Whoopee!, Buster or Whizzer and Chips? Or something harder edged? Tiger, Battle or a new science fiction comic with a free “space spinner” on the front?
Chris Hallam's World View 