Book review: My Lady Parts, by Doon Mackichan

Doon Mackichan is one of Britain’s finest comedy actresses. You might have seen her playing Cathy, the neighbour from hell in the sitcom, Two Doors Down or as Jane Plough, the long-suffering agent of Matt Berry’s wayward actor in Toast of London. She’s also been in Roman-era sitcom, Plebs, I’m Alan Partridge and far too many other things to detail here.

There is more to the title of the book, than simply a suggestive innuendo. Throughout this very readable memoir, each chapter begins with a short character description of the sort an actor might see when considering taking a particular role. In this case, they each sum up a particular “part” which Doon has been forced to adopt at different stages of her life e.g. The Angry Young Feminist, The Stupid Tart, The Deranged Mother and so on.

Her life has had its share of ups and downs. Highs have included her three series on seminal Channel 4 sketch show, Smack The Pony (1999-2003) with Sally Phillips and Fiona Allen, which was one of the most satisfactory experiences of her working life. She also swam the English Channel. Lows have included illness, divorce and one particularly intense family crisis.

A recurrent theme of the book has been the persistent sexism she has encountered throughout her life and career. Boys have treated her badly from the playground onwards. In this, she is certainly sadly anything but unique, although she is refreshingly frank in speaking up about it. The sexism has extended from the inadequate childcare provisions laid on during times when she has had young children to severe restrictions being placed on the types of role she has been allowed to play. Her own Mary Whitehouse Experience was an unpleasant one with the four stars, particularly David Baddiel treating her with arrogance and disdain. A pre-fame Ricky Gervais also comes out of the book badly, making a pushy attempt to land himself a starring role in the all-female Smack The Pony while a famous, dress-wearing male British artist (hmmm…who could that be?) is amongst those who have made inappropriate comments to her. As one of the most prominent women appearing on the brilliant Brass Eye ‘Paedegeddon’ Special, she was demonised by the tabloid press in 2001

Overall, this is an engaging book from a talented actress who one feels could have been bigger than she has been. Doon Mackichan seems angry occasionally. She is right to be so and is certainly angry about the right things.

My Lady Parts, by Doon Mackichan. Published by: Canongate.

TV review: Toast of London

Steven Toast (Matt Berry) is an actor. He is not a very good actor or, indeed, a very good person. He is arrogant, short-tempered and a womaniser. He has no real sense of humour and doesn’t even seem to fully understand what a joke is. He has odd gaps in his knowledge: for example, he has never heard of ten-pin-bowling or Benedict Cumberbatch. For these reasons and more, he sorely tries the patience of his agent, Jane Plough (rhymes with “fluff”), played by Doon Mackichan.

He is the creation of star Matt Berry and co-writer Arthur Mathews. Three series of the sitcom ran on Channel 4 between 2013 and 2015 and are now on Netflix. A fourth series is on its way.

Most episodes of Toast begin in the same way; with Toast in a studio where he reluctantly fulfils a range of voice over commitments. This is one thing the real life Berry and the fictional Toast have in common (aside from both having a surname which is also a type of foodstuff): Berry, previously a star of The IT Crowd and subsequently a regular in vampire-based TV mockumentary, What We Do In The Shadows, has a gift for projecting his voice in an unusual and comedic way. Although his voice is now very recognisable, he has been recording voice overs, both serious and funny, for years.

These studio scenes provide some of the funniest moments in the series. At one point, Toast is inexplicably required to say “YES!” over and over again into the microphone. This may not sound funny, but is: trust me, few people can infuse the word “yes” with as much fury and gutso as Matt Berry.

Toast’s other voice over assignments include recording orders for a submarine, (including the sinister, “fire the nuclear weapons” delivered in a variety of accents) and dubbing a gay porno film.

Toast’s world is peopled by many strange characters. He lives with Ed (Robert Bathurst), a retired actor, living off royalties and permanently in his dressing gown. Toast’s brother Blair Toast (Adrian Lukis) meanwhile, is extremely reactionary and has a military background. He always refers to Toast as “Toast” rather than “Steven,” even though he is called “Toast” himself.

Then there is Toast’s nemesis, Ray Purchase (Harry Peacock), also an actor who wears a white suit, in contrast to Toast, who always wears black. The two despise each other, no doubt in part, because Toast is openly sleeping with Purchase’s wife, always referred to as “Mrs. Purchase” (Tracy–Ann Oberman).

The cast is excellent. Berry’s House of Fools’ co-star Morgana Robinson appears at different times in three different roles and Vic and Bob make appearances. There are also an impressive range of cameos. Amanda Donohoe plays Toast’s faithless ex-wife while Brian Blessed, Timothy West, Jude Law, Jon Hamm, Peter Davison and Michael Ball all make appearances.

The series is not quite set in the real world: even the people sitting in the background in Toast’s pub are dressed bizarrely and the deaths of Bob Monkhouse and Francis Bacon, as well as the fact, the Globe Theatre burnt down in the 17th century, are deliberately ignored.

Personally, I could have done with fewer musical interludes from Berry. Although I enjoyed the theme tune (which he composed) and the version of Ghost Town by the Specials which he performs in one episode (now sadly removed), too many of his songs are too melancholy in tone for what is essentially a zany comedy series.

But this is essentially a class act from one of the leading British comedy acts to emerge this century. More please! Encore!