Six of the best fictional UK TV politicians

Jim Hacker

In: Yes Minister and Yes Prime Minister (sitcom 1980-1984, 1986-1988)

Played by: Paul Eddington

Written by: Antony Jay, Jonathan Lynn

Indecisive, bumbling but ultimately well-intentioned. Hacker is generally thwarted at every turn as Minister of Administrative Affairs by civil servant Sir Humphrey (Nigel Hawthorne) who sees his role as to block any attempt at change or reform. Despite this, Hacker (who, unusually, is never given any party affiliation by the show’s creators) succeeds in becoming Prime Minister, largely on the back of a plan to protect the British sausage from European interference.

Michael Murray

In: GBH (drama, 1991)

Played by: Robert Lindsay

Written by: Alan Bleasdale

The charismatic far left Labour leader of an unnamed northern city council (Derek Hatton suggested the show was about him, something which creator Alan Bleasdale denied), Murray leads an unholy war of terror against Jim Nelson (Michael Palin) a teacher who refuses to take part in Murray’s headline-grabbing “Day of Action”.  Although both totally corrupt and a womaniser and prone to a nervous twitch, Murray grows more sympathetic as a character as we learn he is both the victim of a traumatic childhood prank gone tragically awry and a modern day plot by the security services to brand him a racist.

Sir Francis Urquhart

In: House of Cards, To Play The King, The Final Cut (dramas 1990, 1993, 1995)

Played by: Ian Richardson

Written by: Andrew Davies (based on Michael Dobbs’ books)

A very different kettle of fish to Kevin Spacey’s Frank Underwood of the recent US House of Cards remake, Urquhart is an apparently charming old-fashioned upper-class Tory chief whip, who begins plotting a bloody path to Downing Street after moderate new post-Thatcherite Prime Minister Henry Collingridge (David Lyon) fails to honour a promise to promote him to cabinet. As PM himself, Urquhart continues to occasionally murder his opponents and overthrows the Prince Charles-like new king after he shows signs of developing left-wing ideas.

Harry Perkins

In: A Very British Coup (drama, 1988)

Played by: Ray McAnally

Written by: Alan Plater and Mick Jackson (based on Chris Mullin’s book)

When former Sheffield steelworker turned Labour leader, Perkins leads his party to a dramatic surprise election victory, the establishment are thrown into a state of panic. Perkins is committed to re-nationalisation, nuclear disarmament and probable withdraw from NATO. The press barons, CIA and MI5 thus soon decide to ignore the people’s verdict and get rid of the new boy in Number 10.

Alan B’Stard

In: The New Statesman (sitcom, 1987-1994)

Played by: Rik Mayall

Written by: Laurence Marks and Maurice Gran

A true Thatcherite to the core, Mayall’s flamboyant occasionally murderous backbench Tory MP easily lives up to his name whether engaged in blackmail, adultery or tormenting fellow backbencher Sir Piers Fletcher Dervish (Michael Troughton).

Nicky Hutchinson

In: Our Friends In The North (drama, 1996)

Played by: Christopher Eccleston

Written by: Peter Flannery

Nicky encounters numerous politicians in this drama spanning the years 1964 to 1995 but his own bid for parliament on behalf of Labour in 1979 proves a woeful failure. Having initially been led astray in his youth by corrupt civic leader Austin Donohue (Alun Armstrong), a character based on the real life T. Dan Smith, Nicky’s campaign is sunk by press hostility, internal divisions, a right wing smear campaign and an attractive female Tory opponent. The son of a disillusioned Jarrow marcher (Peter Vaughan), Nicky rejects politics in favour of a career in photography soon after.

The trouble with satire

It is a truth almost universally acknowledged that political satire only tends to truly thrive under Tory Governments.

This has been true ever since the birth of the first modern satire boom of the early Sixties. Peter Cook, Dudley Moore, Beyond the Fringe, Private Eye and That Was The Week That Was all prospered during the dying days of the Tory regime of Harold Macmillan and Alec Douglas Home. Likewise, although rarely overtly political, Monty Python’s Flying Circus (1969-74) enjoyed its true heyday under the government of Ted Heath (1970-1974). Then came Thatcher and Major. Margaret Thatcher’s election in May 1979 coincided almost exactly with the birth of alternative comedy. But it wasn’t just that. Not The Nine O Clock News, Spitting Image, Have I Got News For You, Bremner, Bird and Fortune, If…, Dear Bill, The New Statesman, The Friday Night Armistice and Drop the Dead Donkey undeniably got a boost from their being a Tory Government in power.

Why should this be the case? Partly, it’s because true satire rails against the Establishment and the Tories embody the Establishment better than Labour ever can.

It’s also because, in general, right wing people tend not to be very funny. Lady Thatcher, despite inspiring great satire herself, famously had virtually no sense of humour. Boris Johnson’s buffoonery amuses but he rarely says or writes anything which is deliberately funny. Jeremy Clarkson, meanwhile, is quickly out of his depth in the world of politics (as opposed to motoring) and rarely gets beyond saying anything shocking or childish when he venture into the political arena.

The myth that the politically correct Left lack a sense of humour is ill founded. It’s actually hard to think of anyone funny who isn’t on the Left. Ask anyone for a list of funny right wingers, meanwhile, and most likely their list will solely consist of the obscure, the racist or the dead.

After the 2010 General Election something clearly went wrong, however. We now have a Tory Prime Minister again. So why are we not enjoying a new satire boom?

Part of the problem might be that because New Labour were arguably almost as conservative as the Tories, satire never really went away under Blair and Brown. The Thick of It owes its origin to these times and in fairness, is still great. But Have I Got News For You and Mock The Week are clearly past their best and 10 O’Clock Live has never really got off the ground.

I blame the politicians. Whereas in the Eighties, politics was filled with colourful characters ranging from the Bennite ultra-Left to the uncaring Thatcherite Right, the Blairisation of British politics has been fatal to satire. Blair was the most successful politician of recent times: little wonder everyone wants to be like him, elect a party leader like him and fight for the centre ground like him. Cameron, Miliband and Clegg are all essentially Blair wannabes: posh, PR friendly men in suits. Miliband would never wear a donkey jacket, Cameron would never drive in a tank. From a comedic point of view, this is bad news.

The Coalition confuses things further. Try as we might to pretend Cameron’s lot are the new Thatcherites, this is only partly true. They are occasionally uncaring, more often incompetent, sometimes liberal and, yes, sometimes actually Liberal as in Democrat.

The global scene doesn’t help. The idiotic George W Bush was satirical gold, just as President Reagan had been two decades before. But Barack Obama, an intelligent, moderate, slightly disappointing but well meaning black president is hardly the stuff great satires are made of as the failure of the novel O demonstrates. In this respect alone, perhaps Governor Mitt Romney would be better.

British politics seems to lack the colour of the past too. But perhaps I am wrong to blame the political set up. Take the former Tory Foreign Secretary Douglas Hurd. He is a decent man, yes. An exciting man? No. Trust me: I have seen him speak. And yet in the hands of Spitting Image, voiced by Harry Enfield, with his hairstyle strangely coiled, his puppet was frequently hilarious.

There is surely enough material in the current political class – Michael Gove, Boris Johnson’s eternal rivalry with David Cameron, Ed Balls, the never ending evil that is Rupert Murdoch – to inspire great satire? Perhaps it’s simply a case of “could do better, must try harder.”