The Seven Ages of Doctor Who

Written by: Chris Hallam. Originally published in Geeky Monkey magazine in 2017…

Fifty-three years. Thirty-five series. 827 episodes. Twelve Doctors. Doctor Who is a phenomenon without equal in TV or science fiction. Yet with series 10 and a new Doctor the way following news of the planned departure of Peter Capaldi at Christmas, is it still possible to put the show into some sort of perspective or is it doomed like the TARDIS to forever escape our comprehension? Join Chris Hallam as he explores… 

The 7 Ages of Doctor Who…

Doctor Who is like nothing else on Earth.

In the UK, it remains the eighth longest series of all time rubbing shoulders with the likes of Coronation Street, The Sky At Night and Blue Peter. It is one of only a dozen or so programmes still showing to be old enough to have once been in black and white.

But in the realm of science fiction it is truly a world beater. Nothing else comes close to it in terms of longevity. Not Stargate, not Red Dwarf, not even Star Trek. Even if you collect all the different Star Trek series together and add them up (already an unfair comparison really) then Doctor Who still wins, in terms of both episodes and the span of time it’s been on. So if you think watching The OA on Netflix was a bit of a long haul recently, this should hopefully put things into perspective. It’s as if The OA was still on in 2069.

Science fiction isn’t really supposed to be like this, of course. Although in theory it should be more timeless than other genres, somehow it rarely seems to work out that way. It’s hard to imagine Blake’s 7 lasting into the 21^st century, for example or Lost In Space even lasting into the Eighties. Most science fiction reflects its own times very strongly. Doctor Who owes its survival to a formula which ensures it can survive an ever-changing cast, its success in reviving itself after a sixteen-year hiatus and its evolution over the decades.

The history of the series so far can be divided into seven distinct phases…

THE FIRST AGE: GENESIS: 1963-1970

Star Trek had Gene Roddenberry. Star Wars had George Lucas. Harry Potter, JK Rowling. But there is no equivalent figure for the creation of Doctor Who.

The series emerged partly from a desire to fill the gap in BBC schedules on Saturday evenings, bridging the void between the end of Grandstand and the start of the then popular Juke Box Jury. But there was much more to it than that. it also formed the culmination of a collective effort to provide an ambitious new science fiction programme for the channel, following in the footsteps of Nigel Kneale’s Quatermass series in the 1950s and other experimental shows like A For Andromeda (1961). The new series would be more ambitious and longer running than either.

A group effort it may have been but certain individuals certainly deserve credit for Doctor Who notably the Head of TV Drama, Sydney Newman described by author James Chapman as “the most important single figure in the history of the history of the golden age of television in Britain”. Another was producer, Verity Lambert who was keen to ensure that Doctor Who would be more than just a kids’ show from the start. It was Lambert who chose William Hartnell, the star of the first Carry On film Carry On Sergeant and a familiar figure from TV sitcom The Army Game as the Doctor. The first episode was broadcast, coincidentally, on the day after President Kennedy’s assassination in November 1963.

To a modern viewer, only the title, the basic theme tune, the TARDIS and the presence of a character named “the Doctor” would link the first episode to the current series in any way.

Four basic factors partly explain why Doctor Who has endured for so long. For one thing, the original creators were ingenious enough to make the basic premise sufficiently vague to allow future writers plenty of leigh-way to develop it further. The Doctor himself, for example was initially described as:

“A frail old man lost in space and time. They give him the name because they don’t know who he is…he is searching for something as well as fleeing from something. He has a ‘machine’ which enables them to travel through time, through space and through matter.”

A second key factor was the creation of the Daleks. Their immense popularity from their first appearance in 1964 ensured the series a place in the national psyche. The Doctor’s battles with the Daleks also enabled his character and the series to develop in unforeseen ways.

Another essential element was the introduction of the Doctor’s ever-changing companions – several, at first, but generally only one at a time from the 1970s onwards – which kept the format fresh.

But crucially it was the Doctor’s ability to occasionally renew himself (the term “regeneration” was not used initially) which enabled the series to survive Hartnell’s decision to retire on health grounds in 1966. “This old body of mine is wearing a bit thin,” Hartnell’s Doctor uttered shortly before collapsing onto the floor of the TARDIS and beginning a dramatic transformation. Sadly, as with many other episodes from the period, the actual episode has been wiped by the BBC. Thankfully, this crucial sequence has survived.

The younger Patrick Troughton brought humour to the role and was clearly a very different figure from his predecessor. Indeed, Newman characterised The Second Doctor as a “cosmic hobo”. The Troughton era would be characterised by a more diverse range of monsters (including the Cybermen, Yeti and Warriors). But it was the idea of regeneration – initially conceived as a stop gap measure to deal with a series crisis – which ensured that the show could still survive when an overworked Troughton himself gave way to Jon Pertwee in 1970.

THE SECOND AGE: THE GOLDEN ERA 1970-1980

The 1970s was ultimately to prove to be the heyday of Doctor Who. The year 1970 itself indeed saw many crucial changes.

First, there was the new Doctor himself. Although traditionally associated with comedic roles up until that point (he had starred in radio’s The Navy Lark and came very close to being cast as Captain Mainwaring in Dad’s Army), Jon Pertwee took a decision early on to play the Doctor straight, distinguishing himself from Patrick Troughton’s more comedic approach immediately.

There were other changes. Pertwee was to be the first Doctor to have only one companion at a time: Katy Manning followed by Elisabeth Sladen. The series would also be broadcast in colour for the first time.

Finally, and crucially, following the Second Doctor’s trial by the Time Lords, Pertwee’s Doctor spent much of his entire tenure banished to exile on 20^th century Earth as punishment for his violation of non-intervention laws. This is often cynically seen as a budgetary measure by the BBC. In fact, budgets rose for the series under Pertwee. Despite concerns that the Earth-bound setting might make the series resemble a 1970s version of Quatermass, the Pertwee Era (1970-74) is generally remembered with affection by fans.

Then came Tom Baker. The most eccentric of the Doctors, Baker’s relative youth and bohemian eternal student appearance raised eyebrows at first. In time, he would become the most enduring, the most popular and the most internationally recognised Doctor Who. His seven-year tenure (1974-81) witnessed a classic era for the series.

It is unusual for a series in its sixteenth year to be at its peak, indeed statistically after 16 years, most TV programmes are not only finished but long forgotten. But despite a growing Mary Whitehouse-led campaign concerning levels of violence within the series, such was the case with Doctor Who in 1979.  Ratings were generally as high as nine to eleven million, peaking at 16.1 million for the final episode of City of Death in 1979. Admittedly, this was during a strike which had shut down production at ITV but even so, this remains an all-time high for the series. Critically, the show was doing well too, partly due to the contribution of talented young writers like Douglas Adams. Doctor Who was at a high.

Clearly, the only way was down.

THE THIRD AGE: FALLING SLOWLY 1980-1984

At just thirty, Peter Davison was already a likeable and familiar face to audiences having appeared in All Creatures Great and Small amongst other things and cameoing as the Dish of the Day in the 1982 TV version of The Hitchhiker’s Guide To The Galaxy during his time as the Doctor. He nevertheless had a tough act to follow. The scripts reflect this insecurity; for example, on spying his new reflection the Doctor muses: “well, I suppose I’ll get used to in time.”

It is sad then, that the Davison era is associated with the beginning of a steep ratings decline which ultimately ended in the shows cancellation in 1989. This probably wasn’t Davison’s fault. Viewing figures had actually began to fall during Tom Baker’s last year, perhaps in response to radical changes introduced by flamboyant new producer John Nathan-Turner after 1980. These included a new heavily synthesized version of the familiar theme tune, new stylised costumes for the Doctors and updated filming techniques.

Fans generally welcomed the changes and Nathan-Turner was arguably only combatting an inevitable post-Star Wars decline for the series anyway; both budgets and expectations had suddenly risen dramatically. But whatever the truth: ratings did fall. Davison’s first series averaged only 5.8 million viewers with one episode dropping to 3.7 million: an all-time low for any Doctor Who episode up until that point.

Although in general Davison (now father-in-law to the Tenth Doctor David Tennant) is remembered fondly.

THE FOURTH AGE: DECLINE AND FALL 1984-1989

Who killed Doctor Who?

On the face of it, Michael (now Lord) Grade, the former head of BBC programming has often been happy to play the role of the biggest bogeyman in this story.

“The show was ghastly. It was pathetic,” he has said. “It just got more and more violent…it was just horrible to watch. It lost its way… I cancelled it. It was absolutely the right decision at the time.”

Grade indeed is right to take responsibility for the ultimate decision to pull the plug. But even ignoring his animus, there were other factors too.  Ratings were now typically as low as four or five million and the show was becoming overly self-referential, appealing to its hardcore of fans but alienating everyone else. Attempts to attract publicity through unusual casting decisions such as Richard Briers and Alexei Sayle did not always help.

History has not been kind to the Sixth Doctor and in truth Colin Baker was dealt a rotten hand during his stint between 1984 and 1986 with most of this time spent in a period of enforced 18-month hiatus imposed by Grade. Baker’s spell as the Doctor ended acrimoniously, with the effect that the now traditional regeneration sequence had to be filmed without him.

Always vulnerable to the charge of being “just a children’s programme,” some scepticism met news of the appointment of Sylvester McCoy, an actor then primarily known for roles on kids’ TV (such as the Horrible Histories forerunner Eureka!) to succeed Colin Baker. In truth, McCoy soon warmed to the role helped (after a brief unhappy pairing with scream queen Bonnie Langford) by an especially able companion Ace (real name Dorothy) played by Sophie Aldred who had “been written with a greater sensitivity and subtlety than had usually been afforded by the role of companion” according to James Chapman in his book Inside The Tardis: The Worlds of Doctor Who. As Aldred’s confidence grew, Chapman argues, her initially tomboyish character was allowed to grow and develop in ways previously unseen in a Doctor’s companion.

But it was not enough. Chapman also argues that by the end, the BBC had lost interest in the show to the extent that they deliberately scheduled in slots where it was “doomed to fail” making its cancellation in 1989 inevitable.

Ultimately, the real question should not be who killed Doctor Who but why it endured for an impressive 26 years in the first place.

And even after that, it never really went away.

THE FIFTH AGE: LIMBO (1989-2005)

Years passed. Speculation about whether the series might yet return continued throughout the Nineties. The series’ cult following never went away and was reflected in the continuing fanzines and by sales of Doctor Who novels and magazines. But it was 1996 before a new Doctor Who came along and when it did it came in the form of what turned out to be a one-off TV movie.

By many usual criteria, the movie entitled simply “Doctor Who” was a success. Around nine million UK viewers watched it, certainly enough to suggest there was an audience for the new Doctor. Much of the critical feedback was positive. Certainly, most seemed happy with the choice of the new Doctor: Paul McGann best known for his role in the cult comedy Withnail and I (1987) and the BBC First World War drama The Monocled Mutineer (1986).  The result of an audition process which had apparently included everyone from Mark McGann (Paul’s brother, one of an acting dynasty), Tony Slattery, Michael Crawford and John Sessions, McGann’s Doctor was styled as “a Romantic hero in the mould of Percy Bysshe Shelley” by writer James Chapman and was described as “the best” and “the sexiest Doctor ever” by others.

Probably the main failing of the TV movie, however, was with US audiences. Despite a US setting and the casting of American actors like Eric (brother of Julia) Roberts, the TV movie underperformed in the US and this ultimately ensured it would not continue as a series. Some have attributed this to poor scheduling choices – the film was put up against the final episode of long-running US sitcom, Roseanne. But in fact, it was more likely to have been let down by a simple fact; Doctor Who had never been on network TV in the US and so most American viewers were unfamiliar with the character, series and the concept.

It would take another later version of the show to slowly establish a foothold amongst US audiences. And it would need to establish itself in the UK first.

THE SIXTH AGE: THE RETURN (2005-2010).

Apparently, it isn’t possible to please all of the people all of the time. Well, maybe that’s true but the 21^st century revival of Doctor Who certainly came damned close. By delivering a new Doctor Who imbued the all the production values the show deserved, the comeback pleased core fans, critics and newcomers alike.

Partly this was down to excellent casting. Although he only chose to play the Doctor for one series, Christopher Eccleston was one of the best known actors to have ever played the Doctor with a career encompassing memorable roles in TV dramas like Our Friends In The North and Russell T. Davies’s Second Coming to films like Danny Boyle’s debut Shallow Grave to Gone in Sixty Seconds. He was ably assisted by ex-pop star Billie Piper in the role Rose Tyler, one of the most popular companions ever.

Although much less well known on his appointment, David Tennant, star of Russell T. Davies’s Casanova, soon blossomed in the role of the Doctor, his performance developing from a rather uneven one in his early days in the TARDIS. By the time he left the series in 2010, he was rivalling Tom Baker for the position of most popular Doctor Who ever.

For to visit the Doctor Who of a decade ago is to see the show at an all-time high. Ratings for the 2007 Christmas special for example were almost higher than they had ever been, over 13 million. The show had furthermore spawned two successful spin-offs the more grown-up Torchwood and the Sarah Jane Adventures. Things had never been better.

THE SEVENTH AGE: INTO THE FUTURE (2010-?)

The last decade as seen a slight decline in the series’ fortunes. Since the departure of Russell T. Davies as show runner in 2010, ratings have fallen. Torchwood and The Sarah Jane Adventures have ended but have been replaced by a new spin-off series Class. Matt Smith and Peter Capaldi have both been well-received as the Doctor but there has been a growing sense that Doctor Who has gradually less compulsive viewing in the last few years.

Veteran actor Peter Capaldi has indicated that the forthcoming Series 10 of Doctor Who will be his last. But what does Series 10 have to offer? And what does Capaldi’s departure potentially mean for the show?

Ultimately, the future of Doctor Who is as yet unwritten. We do not even know much about Series 10. Yes, a few old favourites will return: Matt Lucas will reprise his recent role as Nardole. After a long build-up Pearl Mackie will finally take up her role as companion Bill to Capaldi’s Doctor. The likes of David Suchet and Ralf Little are also expected to appear.

Who then will be the new Doctor? Speculation has already been rampant although ultimately the decision as to replace Steven Moffat who his leaving his position as show runner after this series with Chris Chibnall might be as crucial.

For ultimately it is how Doctor Who responds to such changes, how successfully it renews and refreshes itself which will determine Doctor Who’s future. It is these qualities which have ensured its survival in the past half century and will maintain it in the future either as a cult or a show with a committed mass audience.

DOCTOR AT LARGE: BIG SCREEN TIMELORDS

One thing that might have made the idea of William Hartnell turning into Patrick Troughton a bit easier to swallow was the fact that many viewers had already seen the Doctor by someone other than Hartnell already. Veteran actor and future Rogue One star Peter Cushing had played the Doctor twice in the films Dr. Who and the Daleks (1965) and Daleks’ Invasion Earth 2150 A.D. (1966) both directed by Gordon Flemyng (father of the actor Jason Flemyng). Unsurprisingly, neither of these films is quite the same as the series. Despite his horror background, Cushing is a more good-natured Doctor than Hartnell in films which seem very specifically aimed at children. Roy Castle and future 21^st century series star Bernard CribbIns provide comic relief respectively while the titles for both films suggest an attempt to capitalise on the early Daleks craze. Neither are bad films but after the second (probably superior) film did less box office than the first, no more films were made. Today, the two present an interesting curiosity as well as the earliest example of Doctor Who in colour.

ALL CHANGE PLEASE!: THE REGENERATION GAME

What brought on the Doctors’ big change each time?

1. FIRST DOCTOR (The Tenth Planet, 1966): Old and worn out, Hartnell’s Doc collapses on the floor of the TARDIS. A few minutes later, Patrick Troughton gets up again. Clever eh?
2. SECOND DOCTOR (The War Games, 1970): As punishment for his interventionist ways, the Time Lords force a “change of appearance” on Troughton’s Doctor as well as exile to Earth.
3. THIRD DOCTOR: (Planet of the Spiders, 1974). Poisoned by radiation, this saw the term “regeneration” used for the first time. In Doctor Who, that is.
4. FOURTH DOCTOR (Logopolis, 1981):  Falls from a radio telescope. We’ve all done it.
5. FIFTH DOCTOR (The Caves of Androzani, 1984): Succumbs to poisoning while staring at Nicola Bryant’s cleavage. It’s what he would have wanted…
6. SIXTH DOCTOR (Time and the Rani, 1987) Colin Baker’s Doctor regenerates into Sylvester McCoy following a crash landing for the TARDIS. An irked Baker refused to participate, so McCoy was filmed throughout the process using clever special effects and a blond curly wig.
7. SEVENTH DOCTOR (The 1996 TV film): In a fridge in a morgue after being shot in LA.
8. EIGHTH DOCTOR (The Night of the Doctor, 2013): Paul McGann’s Doctor dies in a spaceship crash regenerating into the War Doctor (the late John Hurt) after drinking a special potion in this mini-episode. The War Doctor then himself regenerates from old age in the 50^th anniversary episode The Day of the Doctor (also 2013). Do keep up please!
9. NINTH DOCTOR (The Parting of the Ways, 2005): Christopher Eccleston perishes after absorbing the time vortex.
10. TENTH DOCTOR (THE END OF TIME, 2010): Absorbs a vast amount of radiation thus saving Wilfred Mott (Bernard Cribbins). Tennant wasn’t even born when Cribbins appeared in the Sixties Who movie.
11. ELEVENTH DOCTOR (The Time of the Doctor, 2013): Receives a new lease of life after receiving a regeneration cycle from the Time Lords before regenerating into Peter Capaldi.

CHRIS HALLAM

Book review: Whoniverse – An Unofficial Planet By Planet Guide To The Universe of Doctor Who, by Lance Parkin

Book review: Whoniverse – An Unofficial Planet By Planet Guide To The Universe of Doctor Who From Gallifrey To Skaro by Lance Parkin.

Published by: Aurum Press

Out: October 22nd 2015

The Doctor is in. And he is is likely to remain in for some time. Even ignoring the inconvenient interruption of the years from 1989 to 2005 (when generally speaking, Doctor Who was not on TV), the series nevertheless has an impressive legacy, stretching back to 1963. And the universe within the show, helpfully covered by Lance Parkin here, obviously covers countless millennia and numerous imaginary worlds and timelines.

It perhaps goes without saying that this is a book for true fans of the series, starting as it does with almost academic sounding chapters entitled “the structure of the universe” before launching into accounts of the likes of Kaldor, Peladon and The Shadow Proclamation. This is not a history of the series or an episode guide but a guide to the wider Who universe. In truth, I am perhaps not a big enough Who fan to fully appreciate it. Many others would.

That said, with great pictures throughout taken from the show and the long running Doctor Who Magazine, this would be a worthy addition to any coffee table.

Is there Life After Who?

At thirty, Matt Smith is the youngest ex-Doctor ever. He was generally well liked as the Doctor, acted in political drama Party Animals beforehand and played gay writer Christopher Isherwood in one off drama Christopher and his Kind in 2011 and 1948 Olympic Games drama Bert and Dickie last year.

But what about all the previous Doctors?

How did they find life after leaving the Tardis?

Is there life after Who?

William Hartnell

Life: 1908-1975. 1^st Doctor: 1963-1966

Before: Hartnell appears in the title role in the  first Carry On film, Carry On Sergeant, crops up in Peter Sellers’ The Mouse That Roared and comes to a nasty end courtesy of Richard Attenborough in Brighton Rock.

During: Hartnell was the first to establish the role but was forced to retire on health grounds. He died in 1975.

During and after: Despite a career stretching back to the 1920s, Hartnell will always be primarily remembered as the First Doctor.

 

Patrick Troughton

Life: 1920-1987. 2^nd Doctor: 1966-1969.

Before: A Second World War veteran and an experienced character actor appearing in everything from Z-Cars to Jason of the Argonauts.

During: Troughton’s stint is fondly remembered as the man who saved the series once Hartnell retired but he quit after being overworked by a punishing schedule.

After: Troughton was far more than just the Second Doctor. His most famous non-Who role was as the unfortunate priest in horror classic The Omen. He was a regular on TV (A Family at War, the Box of Delights) before his death in 1987. His sons David and Michael are distinguished actors today.

Jon Pertwee

Life: 1919-1996. 3^rd Doctor: 1969-1974.

Before: A veteran of comedies such as The Navy Lark and small roles in Sixties Carry on films, Pertwee was seriously considered for the role of Captain Mainwaring in Dad’s Army before Arthur Lowe got it. By coincidence, Jon’s cousin Bill Pertwee was cast as Warden Hodges in the same show,

During: The first Doctor Who to appear in colour. Boosted the series after it was once again left at low ebb by Patrick Troughton’s departure. He is still a favourite amongst older Who fans.

After: Pertwee is as famous for his role in the sinister children’s series Worzel Gummidge and for voicing Spotty on the cartoon Superted.  He died in 1996. His son Sean Pertwee is known for roles in the films Dog Soldiers, Event Horizon and slightly more macho roles than his father.

Tom Baker

Born: 1934, age 79. Fourth Doctor: 1974-1981.

Before: Like Troughton, Baker crops up in a Sinbad film.
During: The famously eccentric Baker played the Doctor for longer than anyone else. He is usually ranked alongside David Tennant as the most popular of the Time Lords.

After: He has one of the most recognisable voices in the UK and his narration on comedy series Little Britain was crucial to its success. Despite numerous roles (Blackadder II, The Life and Loves of A She Devil) it may be that Baker’s eccentricity have denied him true stardom. He remains much better known for the Doctor than anything else.

Peter Davison.

Born: 1951, age 62. Fifth Doctor: 1981-1984.

Before: Best known as vet Tristan Farnham in James Herriot TV drama All Creatures Great and Small. He was also the “dish of the day” who briefly appears in TV’s Hitchhiker’s Guide to the Galaxy and was married to Sandra Dickinson who played Trillian in that series.  The couple wrote and performed the songs on children’s show Button Moon.

During: Davison had a tough act to follow in Tom Baker, particularly as Davison was the youngest ever Doctor (by some way) at the time. But he was a popular Doctor in the end.

After: Had a healthy career in the Eighties on All Creatures Great and Small, A Very Peculiar Practice (alongside David Troughton) and remains a likeable presence on TV today. Davison Is also the father in law of David Tennant strengthening his ties to the Who empire still further.

Colin Baker

Born: 1943, age 70. Sixth Doctor: 1984-1986.

Before: Baker is the only previous actor (before Peter Capaldi) to have appeared in a previous episode of the series as another character. He played Colonel Maxil in the 1983 Peter Davison story Arc of Infinity.

During: An unhappy spell as the Doctor. Baker was so annoyed after being sacked that he refused to participate in the traditional regeneration sequence forcing Sylvester McCoy to use a curly wig and hide under special effects. Some have suggested a link between Baker’s firing and his first wife Liza Goddard’s relationship with BBC 1 controller Michael Grade.

After: Baker was recently on I’m A Celebrity Get Me Out of Here!

 

Sylvester McCoy

Born: 1943, age 69. Seventh Doctor:

Before: A regular presence on children’s TV in the Eighties appearing in Eureka (a sort of Horrible Histories about the origins of inventions), Jigsaw and Tiswas.

During: Initially criticised for being too comedic, McCoy was Doctor when the show was cancelled in 1989. Few blame this solely on him, however. The show was in decline throughout the Eighties.

After: Enjoyed perhaps his biggest role ever this year as the eccentric Radagast in Peter Jackson’s Hobbit films.

 

Paul McGann

Born: 1959, age 53.

Eighth Doctor: 1996.

The most famous of the McGann brothers, he was the unnamed “I” in Withnail and I (1986), World War I deserter Percy Toplis in The Monocled Mutineer.

The 1996 TV movie was a disastrous flop. Few blame McGann for this although his career probably hasn’t benefited from talking the role. He remains a busy actor though.

 

Christopher Eccleston

Born: 1964. age 49.

Ninth Doctor: 2005

Before: A well known name from roles in Cracker  and Our Friends In The North on UK TV in the Nineties and film parts in Danny Boyle’s debut Shallow Grave,  as the rebellious Earl of Essex in Elizabeth and the villain in Gone In Sixty Seconds (alongside Nicholas Cage and Angelina Jolie).

During: Eccleston’s Doctor was popular and successfully revived the series in 2005. But Eccleston seems never to have intended to be a long running Doctor and announced he would step down after one series following the screening of his well received first episode.

After: Has played John Lennon  in Lennon Naked on TV and remains buy in film and TV but it’s hard to tell if he benefitted from playing the Doctor or not.

 

David Tennant

Born: 1971, age 42.

Tenth Doctor: 2005-2010.

Before: Best known for his roles in TV’s Blackpool and Casanova before being cast as the Doctor at about the same time as being cast as Barty Crouch in Harry Potter and the Goblet of Fire.

After: One of the most popular Doctors, Tennant has benefitted from the role more than any other actor. He is now a hugely acclaimed star of stage (particularly Shakespearian roles) and screen (Broadchurch, The Politician’s Husband, Munich air disaster drama United! and many more).  Yet to achieve film star status, he is nevertheless hugely successful and has escaped typecasting.

The Regeneration game: who will be the new Doctor?

Matt Smith’s replacement as the Doctor will be announced in a special programme broadcast on Sunday. But with the show enjoying its fiftieth birthday celebrations in November, who will get the top job?

It is actually virtually impossible to say but here are a few guidelines based on past regenerations…

It is unlikely to be anyone famous.

Be warned: even after the new Doctor is announced on Sunday, your first question on hearing the name in question may well be appropriate: who???

For if history has taught us anything about the Doctor Who selection proves, it is that generally less famous names tend to get it. As with James Bond, those casting seem to prefer seasoned relatively familiar actors for the role rather than household names or out and out unknowns. Very famous and successful actors are also less likely to want to be tied down by the role.

Who, after all, knew Matt Smith well, when he was selected as the youngest ever Doctor (at 25) in 2010?

The actor was a familiar face to fans of TV’s critically acclaimed drama Party Animals (which also featured rising stars Andrea Risborough and Andrew Buchan). But that series was never a ratings hit and few had Smith down as a potential timelord.

The same might be said of David Tennant who was booked as the second of the new Doctors in 2005 once Christopher Eccleston quit soon after his first episode had been screened. Tennant was making a name for himself in shows such as Dennis Potter-eque musical drama Blackpool (alongside future Who co-star David Morrissey). He had also starred, more tellingly, in Casanova, a series written by Russell T Davies, who had, of course, revived the science fiction franchise. Tennant was immediately mooted as a possible successor to Eccleston. The role has probably boosted Tennant’s career more than any other actor. He is now a household name and has escaped typecasting.

Christopher Eccleston , who was picked to star in the series on its return in 2004 was, in fact, more famous than most new Doctors, perhaps explaining why he relinquished the role so quickly. He had already starred in Our Friends In The North and on the big screen in Gone In Sixty Seconds.

Yet he was still less famous than Alan Davies, Richard E Grant and Eddie Izzard: all names thrown into the rumour mill as possible Doctors the time.

It is unlikely to be anyone who has already been in the series already.

Oddly, a consistent feature of speculation is that someone who has already appeared in the series before will be picked as the next Doctor.

This explains why names such as David Morrissey (who did play a sort of alternative Doctor in one Christmas Special, Paterson Joseph (best known as Johnson in Peep Show)  and Russell Tovey are sometimes mentioned.

Even more bizarrely, John Simm, who played the Master was strongly mooted last time as a successor to David Tennant have been the likes of Alex Kingston, Billie Piper and Jenna-Louise Coleman.

Ignoring the fact, only Morrissey, Simm and Joseph on this list would really fit the bill anyway (and the first two were probably too successful to want it), I’m prepared to bet having appeared in the series before would generally count against you being picked as the new Doctor.

Although it should be noted Freema Agyeman was picked as assistant in 2006 soon after playing a small role in the show.

A female Doctor?

This has never happened before but this is the fiftieth anniversary year so why not? The Daily Mail has also stated its opposition to this occurring which seems as good a reason for having a female in the Tardis as any.

The element of surprise

Several plausible names have been mooted in recent days:

Peter Capaldi:  Probably a little bit too famous for the role since The Thick of It and with too much to lose. Recent Doctors have tended to be younger too (he is 55) although he would doubtless be great in the role.

Ben Whishaw: In theory ideal, but perhaps unlikely as his film career is taking off.

Ben Daniels: Possible.

Rory Kinnear: Possible.

Alex Kingston: No.

Jenna-Louise Coleman: Unlikely.

I doubt it will be any of these, however. The one certainty here is that the new Doctor will be a total surprise.

 And even that isn’t certain.

 

The 11 Doctors

1. William Hartnell (1963-1966)

2. Patrick Troughton (1966-1969)

3. Jon Pertwee (1970-1974)

4. Tom Baker (1974-1981)

5. Peter Davison  (1982-1984)

6. Colin Baker (1984-1986)

7. Sylvester McCoy (1987-1996)

8. Paul McGann (1996)

9. Christopher Eccleston (2005)

10. David Tennant (2005-2010)

11. Matt Smith (2010 – 2013)

Media manifesto

Ten great ideas to transform the world of TV, film and music…

1. A new series of 24 should be made in which Donald Sutherland plays Jack Bauer’s evil estranged father.
2. A new Bond film should be made in which an elderly Bond played by Sean Connery is called out of retirement for a final mission.
3. All theme tunes should include a version which includes the title amongst the lyrics in the manner of Anita Dobson’s Anyone Can Fall In Love (for EastEnders) if they do not already do so. Particularly: Star Wars, the 70s and 80s Superman films, Coronation Street and Last of the Summer Wine.
4. Why Do You Think You Are? A new documentary series which forces celebrities to justify their existence.
5. None of the Carry On films (with the possible exception of the first one Carry On Sergeant and the later Carry On Regardless) feature any characters saying the title of the film at any point. This is disappointing. Digital technology should be used to insert a character (perhaps Charles Hawtrey) saying the line at the end. This should occur even when Hawtrey is not actually in the film, regardless of whether the film is in colour or not or whether the film’s title makes grammatical sense (as with Carry On Follow That Camel or Carry On Again Doctor).
6. Some films and TV shows feature characters who have the same name as the actor playing them e.g. Jack Torrance (Nicholson) in The Shining, Rik (Mayall) in The Young Ones and Miranda (Hart). This should be made compulsory for one character in every production from now on as it will reduce time wasted by actors missing their cues.
7. The use of robot voices in songs, such as in ‘Something Good’ by the Utah Saints, once commonplace, have sadly become a rarity. All songs past and present should feature a robot voice at some point including instrumental classical pieces. Please sort this out.
8. Films in which samples of dialogue are used as the title are always rubbish and should be banned. Consider: Don’t Tell Mom The Babysitter’s Dead, Slap Her She’s French, Stop Or My Mom Will Shoot and the obscure Dustin Hoffman film Who Is Harry Kellerman and Why Is He Saying These Terrible Things About Me? An exception should be made for Bring Me The Head of Alfredo Garcia (and all Carry On films: see above).
9. Doctors In The House: New sitcom in which all the surviving ex-Doctor Whos plus K9 share a house in London. Tom Baker is the zany one and is constantly frustrated when the other characters interrupt his attempts to narrate each episode. David Tennant is the charming likeable one. Christopher Eccleston is the moody, artistic one. Colin Baker is the pompous one. His glasses are occasionally knocked out of line rather like Captain Mainwaring’s. An old Tardis is used as the house phone which forms a central part of the set as does a dartboard with a photo of Matt Smith’s face attached to it. In episode one, a family of Daleks move in next door.
10. Not A Penny Moore… New sitcom about the Moore family. Demi is the cougar of the household, desperately competing with her younger sister Mandy. Roger plays the elderly granddad, wheelchair-bound and always with his cat. Alan plays the moody bearded uncle who rarely leaves his room. The late Sir Patrick Moore plays the eccentric great uncle perpetually spying on his neighbours through his telescope in the attic who he suspects of being German. He is constantly bothered by young children looking for cheats for Zelda III.

James Bond vs Doctor Who

Two great national institutions celebrate their fiftieth anniversaries this year and next: James Bond and Doctor Who. On the face of it, the two franchises could not be more different. One is a sci-fi TV series arguably aimed at children, the other a serious of sexually charged action films. But beneath the surface, the two are more similar than they seem. Consider:

1. Both began at a very similar time. The first Bond film Dr No was released in October 1962, the same month as the Cuban Missile Crisis. Doctor Who first graced British TV screens on November 23^rd 1963: the day after President Kennedy’s assassination.
2. Both fizzled out in 1989: Timothy Dalton’s second Bond film License to Kill turned out to be the last for a while. Some blamed the end of the Cold War. The Berlin Wall had fallen: who should Bond fight now? In fact, the success of Die Hard raised the stakes as far as action film budgets were concerned and with the British film industry then in the Thatcher-era doldrums, Bond couldn’t compete. Doctor Who’s end, meanwhile, is sometimes blamed on the malice of BBC controller Michael Grade. Grade freely admits he disliked the series. But in truth, like Bond, Doctor Who had been in a state of decline for some time.
3. Both came back in the mid-Nineties (sort of):  Bond returned in style with Goldeneye in 1995 and a new Bond, Pierce Brosnan.  Brosnan would star in three more Bond films. Doctor Who’s “comeback” in a 1996 TV movie starring Paul McGann was widely seen as a flop. Although ironically the show did see the Doctor behaving more like James Bond.
4. Both came back AGAIN about six years ago: Brosnan was replaced with Daniel Craig and the whole franchise got a reboot with Casino Royale in 2006. The year before Russell T. Davies finally re-launched Doctor Who properly with Christopher Eccleston enjoying a one series run as the Doctor and ex-teen pop star Billie Piper as assistant Rose Tyler. The Doctor has regenerated twice since then but has been with us ever since.
5. Both franchises replace their star every few years: The Doctor famously regenerates whenever the lead actor fancies calling it quits, something that first occurred when the elderly first Doctor William Hartnell left early in the series’ life in 1966 and transformed into the physically dissimilar Patrick Troughton. The “regeneration” device has proven very handy over the years. Matt Smith became the Eleventh Doctor in 2010. As there is no obligation for the Doctor’s different personas to physically resemble each other, this has led to some wide ranging choices. Generally the actors seem to have got gradually younger over time, although all have been male. Bond, in contrast, doesn’t regenerate and is supposed to be the same character. Casting directors have generally gone for reasonably well known but never exactly famous thirty something British actors for the role: Craig is more different than any of the others, simply because he’s blonde. There is only a slight sci-fi element to Bond, of course, but it is odd that we are expected to believe the same man has stayed roughly the same age for fifty years.
6. Doctors on average change at a faster rate than Bonds. Assuming Matt Smith is still Doctor in one year, there will have been on average one doctor for every four and a half years. Bond actors usually last for an average of just over eight years. There have been six so far.
7. Iconic music and title sequences: The haunting Who theme has changed gradually over time as the floating head has (until recently) changed from one Doctor’s into another during the title sequence. The main Bond theme has remained unchanged through the decades although each film has, of course, seen a range of different themes by artists as diverse as Nancy Sinatra, Duran Duran, Tom Jones and (on three occasions) Shirley Bassey. The Bond title sequences have also grown increasingly imaginative and, at times, eccentric.
8. Girls: Bond girls have ranged from Ursula Andress, Barbara Bach, Kim Basinger and Halle Berry. The Doctor, in dramatic contrast seems almost completely asexual. Yet his “companions” (who are occasionally male) have included Bonnie Langford, Katy Manning and many others.
9. Taking the piss: Bond has been parodied extensively. The 1967 Casino Royale (an overblown mess starring Orson Welles, Peter Sellers and Woody Allen) mocked Bond from within. Since then Austin Powers and Johnny English have done so more effectively. Rowan Atkinson interestingly has parodied both Bond (in Johnny English and the TV ads which spawned it) and played a comic Doctor Who in a Comic Relief spoof alongside Julia Sawalha. Filmed in 1999, it was “The Curse of Fatal Death” was the closest thing to a new Doctor Who anyone had seen in years.
10. The Cleese connection: At the height of his late 70s post Life of Brian/Fawlty Towers fame, John Cleese appeared in the Tom Baker Doctor Who saga City of Death in 1979 (Cleese’s friend Douglas Adams was Script Editor on the story). Much later, Cleese appeared as “R” assistant to “Q” in the Bond film The World Is Not Enough. He actually took over for another “hilarious” turn as the new Q in Die Another Day in 2002. He hasn’t appeared in any Bond films since.
11. Our Friends in the North: As author Alwyn W. Turner has pointed out, the groundbreaking Nineties BBC drama Our Friends in the North saw both future James Bond Daniel Craig and future Dr Who Christopher Eccleston playing side by side. Eccleston played Nicky Hiutchence, a bearded University drop-out who during the course of the series ran for parliament in a bid to become a Labour MP before becoming a photographer. Craig played his childhood friend “Geordie” Peacock, who falls in with the London criminal element and ultimately faces a bitter struggle with alcoholism and homelessness.