Director: Skip Kite
Running time: 95 minutes
Labour politician Tony Benn was many things to many people. To many on the Right (many of whom are clearly far more class-obsessed than Benn or anyone on the Left has ever been), he was the ultimate hypocrite: a peer of the realm who dared to turn on his own class and embrace socialism. In fact, Benn famously renounced his hereditary peerage as soon as he could after a monumental battle with the Establishment in the early sixties. A father of three and barred from the Commons, Benn was frequently left dejected and depressed by a battle which despite public support, often didn’t seem to be going his way.
To others within his own party, he was sometimes a hindrance. Harold Wilson, Labour leader during most of the relatively short period Benn held office (about eleven years) famously remarked that Benn “immatures with age”.
But to everyone Benn was something of a phenomenon, the second longest-serving Labour MP ever and a man who dutifully, almost obsessively, recorded the events of the second half of his life.
Skip Kite begins this film, made with Benn’s cooperation during his final two years, with the old man reciting Shakespeare’s “To be or not to be” speech from Hamlet. And though, it jumps around a little (being thematic rather than strictly chronological in order) and features an odd recurring Narnia-like lamp post visual motif, it does accurately portray the Seven Ages of Benn (my own idea, not the director’s):
The schoolboy who once met the likes of Mahatma Gandhi and Ramsay MacDonald (and who, in later life, would never stop reminding people of this).
The wartime pilot.
The young ambitious Labour MP, diverted by the battle with the Lords.
The modern technocrat of the sixties. Widely seen as the future of the party and perhaps Benn at his best.
The increasingly leftist “Most dangerous man in Britain” of tabloid infamy. An agitator, yes, but always respectful and good-natured.
Switching remarkably quickly from youthful rising star, to the lisping white-haired veteran of the Kinnock and Blair years: increasingly less powerful but never less interesting.
The old man we mostly see here, still in genuine mourning for Caroline his wife of nearly fifty years and increasingly a much loved national institution (whether he liked it or not).
This is an excellent documentary and a fitting monument to one of the greatest British politicians of the 20th century.
Bonus features include a Christmas message from the elderly Benn, a selection of photos (mostly covering his early life) and Benn’s final interview.
He will be missed.