Payton Hobart is back.
Having licked his wounds after the bruising San Sebastian High School presidential battle, the ruthlessly ambitious Hobart (Ben Platt) now sets his sights on one of New York’s State senate seats for what will be his first real grownup political campaign. Incumbent State senator Dede Standish (Judith Light) initially seems secure, but her re-election campaign is soon threatened by rumours of the middle-aged veteran politician’s “throuple” polyamorous relationship with both her husband and boyfriend.
Hobart, now supported by most of his allies and a few rivals from his earlier campaign, soon appears to be making headway, despite the potential risk of exposure over his own three-way relationship with his girlfriend, Alice (Julia Schlaepfer) and his former rival, Astrid Sloan (Lucy Boynton). Ruthlessly exploiting the environment issue in a bid to establish a foothold among younger voters, Hobart soon becomes engaged in a protracted dirty tricks campaign waged against and also by, his more experienced political opponent, Standish.
More sustained than the first season which began promising much, but imploded fairly quickly, The Politician – Season 2 is enlivened by an enjoyable turn by Bette Midler as Standish’s passionate campaign manager, Hadassah Gold. Infinity Jackson (Zoey Deutch), one of the most memorable characters in the first season is back too (although doesn’t do a lot), while Gwyneth Paltrow returns as Hobart’s mother, herself engaged in a somewhat far-fetched campaign to become Governor of California driven by a plan to lead the state out of the USA entirely.
While Season 1 was almost wrecked completely by the terrible sixth episode The Voter, the sixth episode here (The Voters) deploys similar tactics to look at a mother and daughter’s separate experiences of Election Day. Thankfully, this time, it works. While as its Season 1 equivalent was derailed by its determination to show the unusual vices of its drug, sex and violence-obsessed subject, this time the tensions between the two more rounded characters provide us with a more valuable insight into the generational battles surrounding the campaign.
Ben Platt is good as before as the charismatic, scheming Payton Hobart, a sort of younger, better looking Richard Nixon for the 21st century. No less self-serving and paranoid than the disgraced 37th US president, Pitch Perfect’s Platt’s potential president is certainly a better singer than Nixon ever was and slightly better on the piano.
A fine series then, if perhaps not a great one. Not quite a full Obama but better than a Ford, this is a welcome escape from the real life horrors of the Trump era.
And the title sequence is still great.