Book review: The Art of Carlos Ezquerra

This year, 2022, marks the 45th anniversary of the Galaxy’s Greatest Comic, 2000AD. Excellent news as this, one sad, though inevitable consequence of the comic’s longevity, has simply been that we’ many of its talented creators have inevitably started to die off. Massimo Belardinelli, Steve Dillon, Brett Ewins, Ron Smith and Garry Leach have all been amongst the talented artists to depart in recent years. Another, Garry Leach, died in March 2022.
In 2018, we lost Carlos Ezquerra., at the age of seventy. This book is a fitting monument to the prolific Spanish comic artist’s work.

It’s easy to forget that Ezquerra, who drew lots of very violent images in his time, started off working for girls’ comics like Mirabelle and Valentine. I was interested to see the examples from this period included here, although it’s clear ‘King Carlos’ was yet to establish his own distinctive style yet at that point.
Ezquerra really came of age on the war comic, Battle in the 1970s. On strips like Rat Pack and Major Eazy we can see the Ezquerra we know and love emerging for the first time. Now living in Britain, Ezquerra was now collaborating with writers like John Wagner. He also worked on the controversial, Action, a comic famously so violent that according to legend it was banned (it actually wasn’t).

Carlos Ezquerra will be probably always be most famous for creating two legendary sci-fi stories: Judge Dredd and Strontium Dog. The creation of Dredd has always been overshadowed by controversy. Having played a major role in defining the visual look of both Dredd himself (Ezquerra drew inspiration from his own memories of Franco’s Spain) and Mega City One, Ezquerra was enraged when the first ever Judge Dredd story was published in 2000AD Prog 2 in 1977, illustrated by a different artist, the then teenaged Mike McMahon. Ezquerra didn’t begrudge McMahon (himself a significant talent) at all but was furious not to get to produce the futuristic lawman’s debut. The reasons why this happened are still disputed.
Such was his anger, Ezquerra refused to draw Dredd for several years. In the meantime, he did other work for 2000AD notably the comic’s own adaptation of Harry Harrison’s light-hearted Stainless Steal Rat and illustrated Gerry Finley Day’s war/horror crossover, Fiends of the Eastern Front.
He also created the mutant bounty hunter, Johnny Alpha for the John Wagner story, Strontium Dog in 1978. Still annoyed about the Dredd snub, Ezquerra had created the best story in 2000AD’s short-lived sister comic, Star Lord. Star Lord merged into 2000AD anyway a few months later. Ezquerra drew pages and pages of Strontium Dog for 2000AD during the next decade. Characters from the strip illustrate the cover of this volume.

Ezquerra refused to kill Alpha off, however, and refused to work on the character’s epic story, The Final Solution which was illustrated by Simon Harrison and Colin MacNeil instead.
His instincts proved sound. 2000AD soon realised killing Alpha off had been a dreadful mistake. Ezquerra illustrated the revived Strontium Dog in the 21st century.
Ezquerra had, in the meantime, finally made his Judge Dredd debut in spectacular style. The Dredd mega-epic, The Apocalypse War ran in 2000AD for the first six months of 1982. Produced almost exactly midway through Ezqerra”s life, it is perhaps his greatest achievement.
Ezquerra continued to provide art for both Dredd and Strontium Dog until his final days. The man himself may be gone but the legend of ‘King Carlos’ will never be forgotten.

The Art of Carlos Ezquerra. Published by: Rebellion. Available: now.

2000AD timeline 14: 1990

1990 (Progs: 660 – 711)

The 1990s begin! It will prove to be a tough decade for the Galaxy’s Greatest Comic and British comics generally…

January: (Prog 660): The identity of The Dead Man is revealed!

(Prog 662): Dredd strip, Tale of the Dead Man begins (John Wagner/Will Simpson).

(Prog 663): The light-hearted Bix Barton arrives (Pete Milligan/Jim McCarthy).

February: (Prog 665) Chopper – Song of the Surfer ends memorably.

(Prog 667): 13^th birthday prog.

March (Prog 669): Five-part Countdown to Necropolis begins (Wagner/Ezquerra).

(Prog 671) New Harlem Heroes arrive (Michael Fleisher/Steve Dillon and Kevin Walker).

Armoured Gideon also debuts (John Tomlinson/Simon Jacob).

April (Prog 673): Universal Soldier begins (Alan McKenzie/Simon Coleby).

(Prog 674): A new Dredd mega-epic, Necropolis (Wagner/Ezquerra). As Dredd takes the Long Walk, Mega City One goes to Hell…

May: (Prog 679): Indigo Prime returns (John Smith/Chris Weston)

June (Prog 682): Strontium Dog returns for the last stage of The Final Solution now illustrated in full colour by Colin MacNeil (replacing Simon Harrison).

(Prog 688): Dredd returns. He has been physically absent from the comic for twenty progs (the longest period ever) even though the Judge Dredd strip (now embroiled in the Necropolis saga) has continued.

July (Prog 687): The shocking climax to Strontium Dog: The Final Solution.

Rogue Trooper (Friday) also finishes its current run (Gibbons/Simpson).

(Prog 688): Slaine the Horned God Book Three begins (Pat Mills/Simon Bisley). It ends in Prog 698 in September.

October (Prog 699(: Dredd mega-epic Necropolis ends.

Prog 700! Price rises to 45p. Paper quality of each issue improves. New stories: Time Flies (Garth Ennis/Philip Bond), Nemesis and Deadlock (Pat Mills/Carl Critchlow), Hewligan’s Haircut (Pete Milligan/Jamie Hewlett) and Anderson: Shamballa (Alan Grant/Arthur Ranson).

December (Prog 707): Hewligan’s Haircut ends. P.J Maybe returns to Judge Dredd.

Annuals: The 14^th 2000AD annual and 11^th Judge Dredd annual are published. Dredd annual features the story, Top Dog (Wagner/MacNeil) in which Dredd first encounters Strontium Dog, Johnny Alpha. Rogue Trooper appears in his one and only annual. Aside from Judge Dredd and Dan Dare, he is the only 2000AD character to ever get his own annual.

These are the last hardback 2000AD annuals to ever appear. The 2000AD and Dredd annuals revert to a softcover ‘Yearbook’ format for the four years dated 1992 to 1995. After that, they disappear completely.

Elsewhere:

Whizzer and Chips (est: 1969) merges into Buster. The Beezer and Topper join forces. The Beano’s Dennis the Menace and Viz’s Billy the Fish both get their own first ever cartoon TV series.

February: Quantum Leap debuts on BBC Two.

July: A big cinema month in the UK: Back to the Future Part III and Total Recall are big hits. Gremlins 2: The New Batch and Dick Tracy less so.

Revolver, a mature alternative monthly comic first appears. Highlights include Dare, a dark adult spin on the Dan Dare legend by Grant Morrison and Rian Hughes and Rogan Gosh by Peter Milligan and Brendan McCarthy. Revolver folds in January 1991 with some of its stories finishing off in Crisis.

September: Star Trek: The Next Generation arrives on BBC Two. In the US, (where the show has been on since 1987), the acclaimed Best of Both Worlds episodes in which Picard is captured by the Borg air.

October: Supernatural blockbuster, Ghost opens in the UK.

Judge Dredd The Megazine is launched. It is by far the most successful 2000AD spin-off ever and continues to this day. Early highlights include all-time classic, America (Wagner/MacNeil), the darkly humorous origins story, Young Death (Wagner/Peter Doherty) and Al’s Baby (Wagner/Ezquerra).

Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.

Audiobook review: Judge Dredd: America

For well over forty years now, 2000AD comic’s futuristic law enforcer, Judge Joe Dredd has fought a never-ending battle to impose a semblance and order onto the chaotic 22nd century American metropolis of Mega City One.
Yet there has always been a dark undercurrent to the story. The Judges – effectively futuristic policeman who also have the power to determine an arrestee’s guilt and to impose instant sentencing – clearly rule over what is effectively an undemocratic police state with an iron fist.

Rarely was this more obvious than in John Wagner and Colin MacNeil’s beautiful and heart-rending story, America, which first appeared in 2000AD spin-off, Judge Dredd The Megazine, in 1990. Judge Dredd takes only a villainous supporting role in the tale of the tragic life a young woman, America Jara, told from the point of view of her best friend Benny, who clearly loves her. America devotes her life to fighting a hopeless struggle for the values once embodied by her first name. Sadly, we soon learn that in Mega City One, these noble principles no longer apply, the American Dream is already dead.

This is a first-class audiobook dramatization of the comic story with high production values. Shakespeare in Love star, Joseph Fiennes is not an obvious choice for voicing Dredd but Paterson Joseph proves a strong narrator.
Where I do have strong reservations, however, is in the inclusion of several other democracy-related Dredd stories without any explanation or context. Although they are all good stories and are also adapted well here too, they are clearly not directly part of the America story and it was a mistake to lump them all in together here without any introduction or even any chapter headings.

This failing aside, this is a winning audio version of a classic Dredd tale, which has been given added poignancy by subsequent political events in the years since the stories included were first produced.