England. The county of Essex. The 1640s. And as the war between King and Parliament rages around them, the women of Manningtree are confronted by a new threat in the form of the charismatic young witchfinder, Matthew Hopkins. This new novel from A.K. Blakemore based on the notorious real-life set of incidents does an expert job of recreating the atmosphere of fear, superstition, envy, religious zealotry and extreme misogyny which precipitated this chilling chain of events.
The Manningtree Witches, by A.K. Blakemore. Published by: Granta.
Review: Queen Victoria didn’t just reign. She ruled.She in fact ruled for nearly 64 years, longer than anyone else, a record the present Queen may beat if she holds out until 2016 (update: this has since happened).
Yet while most films about, say, Henry VIII see him transformed from a handsome young Jonathan Rhys Meyers-type into an obese Charles Laughton-like glutton, movies about Victoria usually centre exclusively on her later years as a gloomy, sour faced old widow. This is different. Opening in the 1830s, we first meet Emily Blunt’s teenaged Princess Victoria as she develops an initially awkward romance with her German suitor, Prince Albert (Rupert Friend), before we move onto her early years on the throne.
In the meantime, she finds herself in a constant battle to assert her authority over her Germanic mother (Miranda Richardson) and bossy baron, Sir John Conroy (Mark Strong).
Although too tall and, frankly, much too attractive to be Queen Victoria at any age, Emily Blunt is otherwise perfect for the role while Rupert Friend is impressive as the crusading Albert. Some of the smaller roles are less well-handled, however. Paul Bettany just looks weird as the sixty-something Lord Melbourne and Jim Broadbent, while brilliant as ever as Victoria’s eccentric uncle, William IV, is so heavily made up that during the state banquet scene he resembles Bilbo Baggins at his eleventy-first birthday party.Yet, for the most part, the film is both visually authentic and well cast.
The problem really is the setting. Victoria came to the throne at a relatively peaceful time in the nation’s history. Her life wasn’t untroubled by any means, but despite a reasonable attempt to demonise Mark Strong’s Conroy, there’s little scope for dramatic conflict. Recognising this, screenwriter Julian Fellowes (Gosford Park) sexes up events by heavily fictionalising a major event towards the end of the film. This contrivance apparently provoked the ire of the present Queen, not a good idea if Fellowes ever wants a knighthood (update: Fellowes was elevated to the peerage in 2011).
The five featurettes here are all less than ten minutes long and primarily focus on the set design, costumes and historical background to the film. ‘The Real Queen Victoria’ is perhaps the best of these, enlivened by diary entries from Victoria herself, even if these are undermined by them being read by someone apparently auditioning for a part in ‘EastEnders’.
For quiet Sunday evening viewing though, The Young Victoria is hard to fault.
Overall Verdict:Blunt and Friend are okay and the central romance is well-handled but anyone fancying something racier should go for ‘The Duchess’ instead.
‘The Making Of Young Victoria’ Featurette
‘The Coronation’ Featurette
‘Lavish History: A Look at The Costumes and Locations’ Featurette