Do you know Adam Buxton? If you don’t, you should.
Long time ‘Buckles’ fans such as myself will have first encountered him on the hugely inventive late night 1990s Channel 4 programme, The Adam and Joe Show, which he hosted with his old schoolfriend, the equally hilarious Joe Cornish, now a film director. In the 2000s, the duo retained their cult status with an excellent radio show on what was then BBC 6 Music while Adam made occasional appearances in films like Stardust and Hot Fuzz. In the second of these, he plays an amateurish West Country reporter who suffers a comically horrific Omen-style death outside a cathedral. In recent years, he has become known for his celebrated podcasts which he records, often in the company of his dog, Rosie, from his home in Norfolk. He has also done many more things in the first fifty years of his life, than my brief summary here suggests. Many of these are mentioned this book.
Due to the current global state of unpleasantness, the release of the actual book has been delayed until September. This is no great tragedy for anyone with the inclination and capacity to listen to this audio version of his autobiography, however, as it’s available now. The book reads very much like an extended version of one of Buxton’s podcasts and which, like that, is nicely broken up by amusing ingenious musical jingles and occasional comments on the text from the reader (who is, of course, Buxton himself).
Fans of The Adam and Joe Show will remember the BaaadDad sequences in which Adam’s father, would make a guest appearance to provide a unique upper middle-class seventy-something’s perspective on the popular music of the day. Typically expressing presumably perfectly genuine outrage at the likes of Firestarter by The Prodigy or Born Slippy by Underworld, these reviews were one of the most popular bits of the show.
In reality, Nigel Buxton, who died in 2015, aged 91, though certainly not an out and out ‘bad dad’ himself, nevertheless seems to have often been a difficult person. His presence looms large in the book. Despite the moderate degree of celebrity he achieved through his son’s show late in life, Buxton the Elder, a onetime writer for the Telegraph seems to have regarded Adam’s obsession with popular culture and pursuit of a comedy career with a degree of disdain, often bordering on contempt. A particular peculiarity of the older Buxton’s personality was his absolute obsession with keeping Adam in private education, very nearly bankrupting himself in the process. At one point, he was reduced to asking for a substantial loan from his friend, John Le Carré to pay for it (the famous author was not forthcoming). Adam – who initially suffered terrible homesickness after being sent away from home to boarding school at the age of nine – had no idea about the financial crisis his father had needlessly created for himself, until many years later.
If Nigel Buxton’s aim was to instil in his son the same sometimes dubious values which he possessed himself, he failed. Adam Buxton is never less than respectful to the memory of his father, throughout this memoir. But his obsession with the trivia and minutiae of popular culture, liberal outlook and a sense of humour, have ensured that he is about as different a man from his father as it’s possible to be.
A sad development since the book was completed has been the death of Adam’s mother which he has spoken movingly about on his podcast.
Perhaps we should be grateful to Adam’s father for his public school obsession. For it was at school that Adam formed his career-defining friendship with Joe Cornish (as well as Louis Theroux).
This is ultimately an often very funny and enjoyable account of Buxton’s formative years with particular focus on the 1980s: the decade which saw him move from childhood to adulthood.
Anyone who remembers the 1970s and 1980s will find much of resonance here: Adam’s discovery of Kraftwerk through surreptitious late night listening to Radio Caroline while at school, details of an explosive adolescent erotic dream about the actress June Whitfield, happy experiences seeing Ghostbusters and less happy experiences watching David Lynch’s Dune.
There are also occasional light hearted interruptions with details of a log of recent arguments Adam has had with his wife, anecdotes about socially awkward experiences Adam has experienced on trains and perhaps a little too much about his obsession with David Bowie.
As the title suggests, Buxton is inclined to ramble here, just as he does during his ‘Ramble Chats,’ when he interviews people on his podcast. But this is an enjoyable read. Adam Buxton is a thoroughly charming man and is always a delight to listen to.
Ramble Book: Musings on Childhood, Friendship, Family and 80s Pop Culture, by Adam Buxton. Audiobook available now. Hardback/Kindle version available: 3rd September 2020. Published by: Mudlark.