The Oscars: A timeline

1927:

The first ever US Academy Awards are held. First World War-based thriller Wings wins the first ever Best Picture Oscar.

1933:

 In a scene reminiscent of the early scenes of the 2001 comedy film Zoolander, comedian Will Rogers opens the Best Director envelope and says, “Come and get It Frank!” Unfortunately, there were two directors called Frank nominated in that year. Frank Capra was half way to the podium before Rogers clarified that it was Frank Lloyd, director of Cavalcade who had won, not Capra. Happily, Frank Capra later won for Mr Deeds Goes To Town in 1936. In future years, the awards are always announced in a heavily scripted way, in the hope of preventing such an embarrassing error ever happening again.

1940:

Hattie McDaniel becomes the first black woman to win an acting Oscar (Best Supporting Actress: Gone With The Wind). Having been barred from the film’s Atlanta premiere due to the state’s racial laws, she is made to sit at a segregated table during the Oscar ceremony. She is only allowed to attend at all due to the Ambassador Hotel making an exception to its usual strict ‘no blacks’ policy. Her white agent sat with her at the ceremony.

1941:

How Green Is My Valley beats Citizen Kane for Best Picture. Citizen Kane subsequently became the most critically acclaimed film of all time.

1964:

Sidney Poitier (Lillies Of The Field) becomes the first black actor to win an Oscar.

1968:

A very rare occurrence: A tie in the Best Actress category. Barbara Streisand wins for Funny Girl. Katharine Hepburn also wins for The Lion In Winter (her third). As most Oscars are determined by votes from several thousand Academy members, a tie is a frequent possibility.

1970:

George C. Scott wins Best Actor for Patton. He chooses not to attend and instead stays home and watches a ball game on the other channel.

1972:

Native American Sacheen Littlefeather surprises viewers by attending to reject Marlon Brando’s second Oscar won for The Godfather on his behalf. t “He very regretfully cannot accept this very generous award. And the reasons for this being are the treatment of American Indians today by the film industry,” she says. She is actually not a political activist herself but a small-time actress who later appears in Playboy magazine.

1973:

In a famously impromptu remark, host David Niven comments on a streaker who disrupts the ceremony:  “Isn’t it fascinating to think that probably the only laugh that man will ever get in his life is by stripping off and showing his shortcomings?

1974:

Robert De Niro wins his first Oscar playing Vito Corleone in The Godfather Part II. Marlon Brando played the same character in 1972’s The Godfather. It is the only time two actors have won Oscars for playing the same (fictional) person.

Tatum O’Neal becomes the youngest ever person to win a competitive Academy Award (Best Supporting Actress – Paper Moon). She is ten (she turned nine during filming).

1978:

Annie Hall beats Star Wars for Best Picture. Director and star Woody Allen begins a long tradition of not attending the Oscars (choosing to perform jazz music elsewhere on Oscar Night instead). He finally attends in 2002.

British actress Vanessa Redgrave (Best Supporting Actress: Julia) is audibly booed after she attacks opponents of her documentary film, The Palestinian as “Zionist hoodlums”. She also attacks former President Nixon.

1979:

Jane Fonda (Best Actress: Coming Home) uses sign language during her acceptance speech to highlight awareness of deafness. It is her second Oscar: she also won for Klute in 1972.

1981:

Robert De Niro wins his second Oscar for Martin Scorsese’s Raging Bull. The timing is awkward as the new President, former actor, Ronald Reagan has just been shot and wounded in an assassination attempt. His attempted assassin John Hinckley was reportedly inspired by Scorsese and De Niro’s 1976 film Taxi Driver and a desire to “impress” his teenaged co-star Jodie Foster (she is not impressed).

T

1982:

Katharine Hepburn wins her fourth and final Oscar for On Golden Pond. No other actor, male or female, has ever won four Oscars. Cate Blanchett later wins one for playing Hepburn herself in The Aviator in 2004.

Hepburn’s co-star Henry Fonda becomes easily the oldest ever Best Actor winner at 76. Too ill to attend the ceremony, his daughter and co-star, Jane Fonda collects the award on his behalf (he dies a few months later).

Screenwriter Colin Welland shouts “The British are coming!” following the success of Chariots of Fire this year. In fact, the next decade will prove a very lean one for British cinema, although Gandhi does win Best Picture in 1983.

1984:

Sally Field wins her second Oscar for Places In My Heart. “I haven’t had an orthodox career, and I’ve wanted more than anything to have your respect,” she says. “The first time I didn’t feel it, but this time I feel it, and I can’t deny the fact that you like me, right now, you like me!” Seen my many as overly sentimental, Field’s speech is often misquoted as: “You like me, you really like me!”

Mar 26, 2000; LOS ANGELES, CA, USA; NORTH AMERICAN SALES ONLY 72nd Academy Awards: OSCARS 2000. Best supporting actress ANGELINA JOLIE. Mandatory Credit: Photo by Chris Delmas/ZUMA Press. (©) Copyright 2000 by Chris Delmas

1991:

Whoopi Goldberg (Ghost) becomes only the second black actress to win Best Supporting Actress.

1992:

Silence of the Lambs wins in all of the “Big Five” categories: Best Film, Actor (Anthony Hopkins),  Actress (Jodie Foster), Director (Jonathan Demme) and Adapted Screenplay. This is the only the third time this has ever happened (the previous films were 1932’S It Happened One Night and 1975’s One Flew Over The Cuckoo’s Nest).

Rumours abound that Jack Palance read out the wrong name during his announcement of the Best Supporting Actress winner Marisa Tomei (My Cousin Vinnie) In fact, though a surprise result, Tomei undoubtedly won. That said, Palance did seem to be in a somewhat “tired and emotional” state as he announced the award.

1993:

Couple Tim Robbins and Susan Sarandon use the Best Film Editing category as a political opportunity urging the government to let HIV-positive Haitians being held at Guantanamo into the US.

1994:

“Oh, wow. This is the best drink of water after the longest drought of my life.” Steven Spielberg (Best Director: Schindler’s List) finally wins. Schindler’s List is the first black and white film to win Best Picture since The Apartment (1960).

1995:

Tom Hanks wins two Best Actor Oscars in consecutive years for Philadelphia and Forrest Gump, a feat not achieved since Spencer Tracey in the 1930s, He delivers highly emotional acceptance speeches both times, inadvertently “outing” a high school teacher as gay in the first (a moment which later inspired the Kevin Kline film In and Out) and in the second stating “I feel like I’m standing on magic legs.”

Samuel L. Jackson (Pulp Fiction) loses the Best Supporting Actor Oscar to Martin Landau (Ed Wood). Lipreaders can see Jackson clearly says “shit” on hearing the announcement from 12 year old, Anna Paquin. Jackson is unrepentant afterwards, arguing he deserved to win.

1999:

George Clooney, Nick Nolte, Ed Harris and many other actors refuse to stand or applaud Elia Kazan’s Lifetime Achievement Oscar. The On The Waterfront director testified to the notorious House Committee on Un-American Activities in 1952

2002:

Halle Berry (Monster’s Ball) becomes the first black winner of the Best Actress Oscar.

2003:

Filmmaker Michael Moore (Best Documentary: Bowling For Columbine) provokes a mixed reaction with an attack on President George W. Bush: “We live in the time where we have fictitious election results that elects a fictitious President. We live in a time where we have a man sending us to war for fictitious reasons…Shame on you, Mr. Bush, shame on you. And any time you’ve got the Pope and the Dixie Chicks against you, your time is up.”

Adrien Brody (Best Actor: The Pianist) kisses actress Halle Berry on receiving his award.

2004:

The Lord of the Rings: The Return of the King becomes the third film to win eleven Oscars. The others are Ben-Hur (1959) and Titanic (1997). All About Eve (1950) and Titanic remain the most nominated films (14 each). The Return of the King is the only fantasy film to win Best Picture (no sci-fi film has ever won it) and only the second sequel (the first was The Godfather Pt II in 1974).

2007:

Martin Scorsese finally wins (Director: The Departed) after years of being overlooked. “Could you double check the envelope?” he quips.

2010:

A showdown between Kathryn Bigelow’s The Hurt Locker and James Cameron’s Avatar. The Hurt Locker wins Best Picture. Bigelow becomes the first woman to win Best Director (she and Cameron were married between 1989 and 1991).

2012:

The Artist is the first black and white film to win Best Picture since 1993’s Schindler’s List. Contrary to popular belief, it is not technically a silent film. Wings, the very first Best Picture winner, remains the only silent winner in this category.

Christopher Plummer (Best Supporting Actor: Beginners) becomes the oldest ever performer to win a competitive actor Oscar. He is 82.

Meryl Streep wins her 17th nomination (and her third win) for The Iron Lady joking: “When they called my name, I had this feeling I could hear half of America going, ‘Oh no. Come on… Her, again?’ You know. But, whatever.” No actor has ever been nominated as many times as Streep has: Katharine Hepburn won four times but was only nominated a still impressive 12 times. In 2018, Streep received her 21st nomination for The Post. Her other two wins were for Kramer Vs Kramer and Sophie’s Choice.

2013:

Daniel Day Lewis wins his third acting Oscar for Lincoln. Only five other actors have achieved three Oscar wins: Katharine Hepburn (who, as previously mentioned, won four), Meryl Streep, Jack Nicholson, Walter Brennan and Ingrid Bergman.

2014:

John Travolta messes up his introduction to a performance from Frozen by Idina Menzel: “Please welcome the wickedly talented, one and only Adele Dazeem,” he says.

2016:

The Oscars are widely criticised for a lack of racial diversity in the nominations.

Leonardo DiCaprio finally wins Best Actor for The Revenant.

2017:

In an embarrassing cock up, La La Land is briefly announced as Best Picture, instead of the actual winner, Moonlight. The mistake – which seems to have resulted from veteran actor Warren Beatty being given the card revealing La La Land actress Emma Stone’s Best Actress Oscar in error, and Beatty and Faye Dunaway’s understandably confused reaction – is only corrected after two minutes (“There’s a mistake. Moonlight, you guys won best picture…This is not a joke. Moonlight has won best picture”) by which time the La La Land team are midway through their acceptance speech.

Casey Affleck wins for Manchester by the Sea despite widespread controversy over sexual harassment allegations. Actress Brie Larson, an advocate of sexual assault victims, presents the award to Affleck, but seems unhappy with the result.

2019:

Comedian Kevin Hart steps down as host of the Oscars after controversy emerges over a slew of allegedly homophobic tweets he sent in the past. It is decided the Oscars will not have an official host for the first time since 1989.

DVD review: Danny Collins (2015)


Review first published on Movie Muser, October 2015  http://www.moviemuser.co.uk/

Starring: Al Pacino, Annette Bening, Jennifer Garner, Bobby Cannavale, Christopher Plummer

Directed By: Dan Fogelman

Al Pacino plays Danny Collins, a fictional music star whose career seems to have peaked at some point in the Seventies. Although not officially a has-been – he still appears to be very wealthy and is widely recognised by young and old everywhere he goes, Collins is unsatisfied. He hasn’t written a song in thirty years and seems less than enthused about his much younger fiancée (Katarina Cas).

While, as his agent (the ever excellent Christopher Plummer) points out, his problems are extremely minor compared to some people’s, the revelation that Collins was once sent an admiring letter by John Lennon which never got to him, triggers what can only be described as a very late midlife crisis. He begins to reassess his priorities attempting to rebuild relations with the family of his estranged son (Cannavale and Garner). He also moves into a hotel and soon he begins wooing the straitlaced manager (Bening).

The Lennon stuff seems to be largely an excuse to get some of the Beatle’s music on the soundtrack. This turns out to be a godsend as all the music performed by Pacino is absolutely awful. It is hard to see how Collins would ever have made it as a music star, even allowing for the fact that he is supposed to have worsened with age.

The performances are fine though particularly Garner and Plummer and as Collins notes he and Bening’s character do generate some “good patter” (as in banter).

The mock up album covers on the extras using pictures from Pacino’s own long career are good fun too. There’s an okay, short advertising featurette too in which Al Pacino at one point unwisely compares his decision to take the role to his decision to play Michael Corleone in ‘The Godfather’. Needless to say , the comparison to his past glories would have been best left unmade.


Special Features: Danny Collins – Album Covers Through The Years Behind The Scenes of Danny Collins Featurette


Overall Verdict: Not likely to make Al Pacino’s own Greatest Hits album. Distinctly average.

Rating: 3 out of 5

Reviewer: Chris Hallam

DVD review: The Last Station (2010)

Review first published on Movie Muser, June 2010  http://www.moviemuser.co.uk/

Director: Michael Hoffman

Cast: Christopher Plummer, Helen Mirren, James McAvoy, Anne-Marie Duff, Paul Giamatti, Kerry Condon, John Sessions

Running time: 107 minutes

Russia: 1910. With the First World War and the Russian Revolution still a few years off, ageing War and Peace author Leo Tolstoy (Plummer) might be expected to be enjoying a peaceful retirement. In fact, torn between the conflicting demands of his strong willed wife Countess Sofya (Mirren) and those of his increasingly zealous Tolstoyan followers, the author’s life is barely less turbulent than the events of one of his great novels.

The Last Station is less about Tolstoy himself than the plethora of characters surrounding him. The most sympathetic is perhaps young Valentin Bulgarov (McAvoy), a brainy but self conscious acolyte of the author. Arriving at the Tolstoy Estate as the author’s new private secretary, Valentin soon finds his loyalties divided. Should he side with the clique effectively led by his boss Vladimir Chertkov (Giamatti), in attempting to build a personality cult around the author or with the more reasonable wishes of Tolstoy’s undeniably unstable wife?


For a film dealing with such weighty issues, the first half of The Last Station is remarkably cheery stuff. Perhaps wary of scaring off his audience, director Hoffman devotes much screen time to the sneezing and reticent McAvoy’s tentative relationship with ballsy proto-feminist Masha (Condon). Only in the second half, does the film’s mood darken to a suitably more sombre state, yet the change is so dramatic (McAvoy’s character also transforming overnight) that it unbalances the film. 

The film is beautifully acted, however, Plummer almost looking like an American (okay, Canadian) reincarnation of Tolstoy at times and Mirren equally great as his long-suffering spouse, a woman clearly prone to emotional volatility, expressed through occasional gun-play and chicken impression, but who nevertheless has good reason to feel aggrieved.

The accompanying commentary and interviews give some insight into a project which was apparently in the pipeline for around twenty years. But ultimately it’s a problem of tone. Too lightweight in the first half, while too melancholy (and despite dramatic events, frankly, dull) in the second, somehow The Last Station never quite scales the epic heights it threatens to achieve.
Overall Verdict: Great performances elevate a film which falls just short of Tolstoyan brilliance itself.