Book review: Ridley Scott – A Retrospective

One consequence of the sad death of filmmaker Alan Parker last July, is that at least now the status of Sir Ridley Scott, as the grand old man of British cinema is now pretty much unchallenged. For, make no mistake, while there are undeniably many other great British directors around –  Sam Mendes, Christopher Nolan,  Edgar Wright, Ken Loach, Mike Leigh, Mike Figgis and Danny Boyle amongst them – no one else has been producing quality films since the 1970s in quite the way Scott has.

There are similarities between Parker and Scott. Both came to filmmaking as a result of careers in advertising. Scott was successful enough to be a millionaire by the time he was thirty and received acclaim for his famous nostalgic ‘boy on a bike’ Hovis TV commercial. Both made there directorial debuts at almost the same time: Parker with the unique and ambitious ‘kids’ only’ gangster musical, Bugsy Malone in 1976, Scott with the period drama, The Duellists in 1977 starring Keith Carradine and Harvey Keitel.

There are plenty of differences too, however. Scott’s life and career was blighted by the deaths of his two brothers, Frank who died after suffering from skin cancer and Tony (himself a very successful director, of Top Gun amongst many others) who committed suicide following a cancer diagnosis in 2012.

Parker and Scott also directed very different kinds of films. Ridley Scott has never directed a musical or a film with a very young cast as Parker often did. Parker, in turn never did a science fiction film or an historical epic. Although some of Parker’s films (such as Mississippi Burning or Evita) are set in the past, none are set outside the 20th century as more than half of Scott’s are.

Finally, after Bugsy Malone, Parker enjoyed a twenty year heyday with numerous commercial and critical successes in the 70s, 80s and 90s including Midnight Express, Fame and The Commitments but directed nothing good after that. Scott, in contrast, really only made two big successes in the 20th century: Alien and Thelma and Louise. All of his other 1980s and 1990s films were essentially flops. But despite being five years older than Parker and into his early sixties by  the year 2000, the 21st century has given Ridley Scott a new lease of life. The last twenty years have seen him produce many of his biggest successes including the Oscar-winning triumph, Gladiator, Hannibal, Black Hawk Down and The Martian.

As this sumptuous and beautifully illustrated coffee-table book from film expert, Ian Nathan reminds us, he has directed at least three of the best science fiction films of all time, as well as many other great ones. The sheer power and horror of Alien (1979) has never been equalled. Both this and Blade Runner (1982) have elevated the science fiction quality level forever, the second of these not really sufficiently appreciated until the 1990s. Some of his ‘minor ‘films such as White Squall (1996) and Matchstick Men (2003) are undeniably worth revisiting and even where the results have occasionally fallen short of expectations (see, perhaps, 1492: Conquest of Paradise or A Good Year), Scott certainly be faulted for a body of work which is always interesting, ambitious and which has occasionally resulted in some of the greatest films ever made.

To quote the title of one of his less successful films: he remains a Legend.

Ridley Scott: A Retrospective.

By Ian Nathan.

Published by: Thames & Hudson.

Blu-ray review: Dunkirk

Director: Christopher Nolan. Cast: Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles, James D’Arcy, Kenneth Branagh, Cillian Murphy, Mark Rylance, Tom Hardy.

Cert: 12 Out: now

Dunkirk

We Brits are good at turning our disasters into triumphs. Dunkirk, was, after all, a total catastrophe from a British viewpoint but somehow by adopting phrases like “Dunkirk spirit” it has come to be viewed almost as a source of perverse national pride. Perhaps one day Americans will come to feel the same about the Fall of Saigon in 1975? Perhaps not.

This is not, of course, to denigrate the bravery of those who fought and died in 1940 or those who helped in the celebrated mass evacuation. And, just to be clear: Christopher Nolan’s film certainly has no illusions about the horrors of the conflict either. The film was probably the key cinematic experience of 2017.

But does it work as well on the small screen? Essentially, the answer must be yes and no. What the transfer to Blu-ray adds with one hand, it takes away with the other.

One thing is not in doubt however: Dunkirk’s place in the cinematic history books is assured.

Bodega Bay

Blu-ray review: High-Rise

HighRisePoster

Starring: Tom Hiddleston, Sienna Miller, Jeremy Irons, Keeley Hawes, Elisabeth Moss, Reece Shearsmith. Director: Ben Wheatley. Released: June 18th 2016.Studio Canal

Anarchy has often made material for some surprisingly dull films.

As exciting (or depending on your viewpoint) terrifying as a good riot may be, its difficult to maintain the sustained energy of a genuine rumpus for long on screen. It’s true Quadrophenia was enlivened by a memorable battle between Mods and Rockers while Spike Lee’s Do The Right Thing was essentially all a big build up to an urban riot. But JG Ballard’s celebrated 1975 dystopian drama High-Rise is all about a riot: essentially a sky rise building’s not so gradual descent into violence and barbarism. How long can a film continue to shock, titillate and surprise you over a two hour period?

Quite a lot as it happens. Hot British director Ben Wheatley (Sightseers) is in many ways a perfect fit for this sort of thing and ably assisted by a cast of beautiful and not so beautiful people, this just about works while never quite scaling the heights of a novel which has influenced everything from the Blockmania of Judge Dredd to David Cronenberg’s early tower block based horror Shivers.

Indeed, as the accompanying featurette on author JG Ballard reminds us, Cronenberg is one of a number of directors (along with Spielberg) to tackle the late author’s books before. Set in a futuristic version of the Britain of the 1970s and featuring audio commentaries and interviews with cast and crew, High-Rise probably won’t be your favourite film of this year. But it will probably be one of the more interesting.