Pat Mills' Sláine, the 'Celtic Conan' has been wowing readers of UK sci-fi comic, 2000AD since 1983. The saga was never more vividly realised than when in the late 80s and early 90s when Mills and young artist, Simon Bisley produced the masterful epic, Sláine: The Horned God. Sadly, as this is an audiobook, inevitably, Bisley's wonderful visuals - the gore of the battles, the beauty of the land of Tir Nan Nog, Sláine's ageing sidekick Ukko and the sight of Sláine going into warp spasm (don't ask) are lost. This is nevertheless an excellent adaptation which does full justice to the classic comic story.
For well over forty years now, 2000AD comic’s futuristic law enforcer, Judge Joe Dredd has fought a never-ending battle to impose a semblance and order onto the chaotic 22nd century American metropolis of Mega City One.
Yet there has always been a dark undercurrent to the story. The Judges – effectively futuristic policeman who also have the power to determine an arrestee’s guilt and to impose instant sentencing – clearly rule over what is effectively an undemocratic police state with an iron fist.
Rarely was this more obvious than in John Wagner and Colin MacNeil’s beautiful and heart-rending story, America, which first appeared in 2000AD spin-off, Judge Dredd The Megazine, in 1990. Judge Dredd takes only a villainous supporting role in the tale of the tragic life a young woman, America Jara, told from the point of view of her best friend Benny, who clearly loves her. America devotes her life to fighting a hopeless struggle for the values once embodied by her first name. Sadly, we soon learn that in Mega City One, these noble principles no longer apply, the American Dream is already dead.
This is a first-class audiobook dramatization of the comic story with high production values. Shakespeare in Love star, Joseph Fiennes is not an obvious choice for voicing Dredd but Paterson Joseph proves a strong narrator.
Where I do have strong reservations, however, is in the inclusion of several other democracy-related Dredd stories without any explanation or context. Although they are all good stories and are also adapted well here too, they are clearly not directly part of the America story and it was a mistake to lump them all in together here without any introduction or even any chapter headings.
This failing aside, this is a winning audio version of a classic Dredd tale, which has been given added poignancy by subsequent political events in the years since the stories included were first produced.