Some might balk at the inclusion of popular mainstream favourite Miranda on this list. But while Miranda the series, like the character of Miranda herself, may be less obviously ‘cool’ than some of its contemporaries, it is extremely likeable and often very funny.
Writing a self-titled sitcom can be a risky business. The sitcom ‘Josh’ for example, has never really fully demonstrated the excellence of its creator Jpsh Widdecombe while comedian Rhona Cameron never really recovered from the failure of her own vehicle, ‘Rhona.’ But the huge success of Miranda transformed Miranda Hart from supporting roles in Hyperdrive and Not Going Out into a household name who now occasionally appears in Hollywood films.
In the sitcom, Miranda is a tall, awkward thirty-something who runs a joke shop with her business-minded, Heather Smalls-loving friend Stevie (Sarah Hadland) and who pines after her old Uni friend, Gary (Tom Ellis), a good looking local chef. Miranda is hampered in her daily life by her intrusive overbearing mother, Penny (Patricia Hodge) who is obsessed with marrying Miranda off, her dippy posh old school chum Tilly (Sally Phillips) and her own tendency to frequently fall over, lose her clothes or occasionally nervously break into song in public. Hart is a master of physical comedy, frequently delivering mischievous asides or meaningful sidelong looks to the camera, rather as Phoebe Waller-Bridge later did in the much less cosy Fleabag.
Full of catchphrases, Miranda was as mainstream as sitcoms get. But before it was fatally overtaken by an over-obsession with a distracting ‘love triangle’ story-line in the disappointing final episodes, it was genuinely excellent, uplifting, enjoyable, well performed and ultimately… such fun.
Reblogged this on Chris Hallam's World View.