For more on Terry Gilliam, see my feature The Imaginarium of Terry Gilliam in issue 14 of Geeky Monkey magazine.
Gilliamesque: A Pre-Posthumous Memoir by Terry Gilliam, published by Canongate, 2016
Terry Gilliam has always stood out from the crowd.
Even when in Monty Python, he stood out somewhat as the one American. Slightly odd looking, he mostly remained off screen at first, producing instead the celebrated animated sequences (for example, during the series’ opening titles sequences) for which he became famous. Nearly fifty years on, this book, his memoir is illustrated throughout in a similarly unique style.
Like many people called Terry (Terry Pratchett, Terry Brooks, fellow Python Terry Jones, er, Terry Scott?). Gilliam found himself drawn to the fantasy genre. His directing career began awkwardly with co-directing Python ventures with Jones. Although mostly good films in the end, they were tough shoots with Jones and Gilliam gently wrestling for overall control and the likes of Cleese and Palin losing patience with the American who they felt treated them like they were bits of animated card.
Gilliam really came into his own in the first half of the Eighties with brilliantly imaginative fantasies like Time Bandits and Brazil. He’s had many fine moments since – notably The Fisher King and Twelve Monkeys and has undeniably developed a unique visual style. Despite this, he has never developed a reputation for being a safe pair of hands, largely due to high profile flops like The Adventures of Baron Munchausen (1988) and The Adventures of Don Quixote which never even completed filming.
Though he sometimes adopts an overly defensive tone when discussing his own films, Gilliam makes for an engaging likeable narrator on his own life. The world of cinema would certainly have been poorer without him.