Rob Reiner has directed some of the best loved films ever made.
He has mastered different genres to such an extent that you might not have realised that some of his films were even made by the same person. Who would, after all, assume A Few Good Men was linked to This is Spinal Tap? Or that Misery had anything to do with The Princess Bride? Or even that When Harry Met Sally was directed by the same man as Stand By Me?
Reiner directed them all.
Reiner has a long background in comedy. His father Carl Reiner was a noted US comedy star (now in his nineties) and directed the Steve Martin classic The Man With Two Brains. And like Ron Howard, Rob Reiner was a familiar face to US TV audiences long before he became a director. He was a regular on the long-running Seventies US comedy show, All In The Family. This is reflected in the fact that a good number of Reiner’s films have been comedies.
Just take a look at this list of Reiner’s incredible output between 1984 and 1996. Chances are, at least one of your favourite movies will be here:
This Is Spinal Tap (1984)
Reiner himself plays interviewer/director Marty DiBergi in this celebrated rock documentary parody about a fictional English band famed for their punctuality and their tendency to lose drummers: one spontaneously combusts on stage. Another chokes to death on vomit (somebody else’s vomit).
Nigel: “It really puts perspective on things though, doesn’t it?”
David: “Too much. There’s too much fucking perspective now”.
The Sure Thing (1985)
A lesser spotted Reiner but still very much a cult favourite, this stars John Cusack and future ER actor, Anthony Edwards and centres round a college road trip.
Stand By Me (1986)
Funny, poignant and moving, this coming of age drama based on a Stephen King novella (The Body), actually improves on its source material in its depiction of four boys embarking on a macabre camping expedition into the woods to see the body of a local boy in the 1950s. With great performances from its young cast and a number of classic scenes, this is Reiner’s greatest film.
“I never had any friends later on like the ones I had when I was twelve. Jesus, does anyone?”
The Princess Bride (1987)
Inconceivable! But true. Rob Reiner also directed this hilarious and wonderful fairy tale which features everyone from Robin Wright, Peter Cook, Billy Crystal, Mel Smith, Andre the Giant to Peter Falk.
“Hello! My name is Inigo Montoya. You killed my father. Prepare to die”.
When Harry Met Sally (1989)
Famous for launching Meg Ryan’s decade of stardom and for “that scene” (Reiner’s late mother is the one who says “I’ll have what she’s having”), this Woody Allen-esque romantic comedy is endlessly watchable.
“When I buy a new book, I always read the last page first. That way, in case I die before I finish, I know how it ends. That, my friend, is a dark side.”
Reiner’s second crack at Stephen King features a chilling Oscar winning turn by Kathy Bates as Annie Wilkes the “Number One fan” of unfortunate writer and captive Paul Sheldon (James Caan). By my reckoning, two of the four best Stephen King adaptations are by Reiner (the others would be Frank Darabont’s Shawshank Redemption and Stanley Kubrick’s The Shining). Which isn’t bad going.
“I thought you were good Paul… but you’re not good. You’re just another lying ol’ dirty birdy”.
A Few Good Men (1992)
Courtroom drama starring Jack Nicholson, Tom Cruise, Demi Moore and an Aaron Sorkin script. Reiner’s biggest ever box office hit.
Col. Jessup: You want answers?
Kaffee: I think I’m entitled to.
Col. Jessep: You want answers?
Kaffee: I WANT THE TRUTH!
Col. Jessup: YOU CAN’T HANDLE THE TRUTH!
The big exception during this period, this all star comedy was a total flop and is often rated as one of the worst films ever. Reiner, arguably, has never fully recovered from this. The critic Roger Ebert famously opined: “I hated this movie. Hated, hated, hated, hated, hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it.”
The American President (1996)
Aaron Sorkin again with a film that effectively launched Michael J. Fox’s late Nineties Spin City TV comeback and foreshadowed Sorkin’s huge TV hit The West Wing. US president and widower Michael Douglas woos lobbyist Annette Bening. Fairly unambiguously aimed at helping President Clinton’s 1996 re-election campaign, this is still a good, if perhaps not great film.
Even ignoring North, it’s an incredible record. I make that six iconic great films in the space of a decade (Spinal Tap, Stand By Me, The Princess Bride, When Harry Met Sally, Misery and A Few Good Men). Compare this to James Cameron who directed four iconic films over the same period (the two Terminators, Aliens and if you’re feeling generous, True Lies). Fellow ex-sitcom star Ron Howard directed Splash in 1984 and then ten other movies over the same period up to 1996. Only one of these, Apollo 13, could conceivably described as “great”. So Reiner did very well indeed.
Why then is Rob Reiner not held in higher regard?
There are several reasons:
- He has genuinely gone off the boil since the mid-Nineties: there’s no denying this. With the possible exceptions of The Bucket List in 2008 (which is only okay), Ghosts of Mississippi, The Story Of Us, Rumor Has It… Alex & Emma and The Magic of Belle Isle were all total duds.
- The fact that his films are so different from each other is to Reiner’s credit. However, his successes have been so diverse that he has probably suffered from the fact that he is hard to pin down. What is a typical Rob Reiner film? This is difficult to say.
- His politics may have harmed him. South Park ridiculed him for his anti-smoking stance. He has campaigned for Al Gore, Howard Dean and still campaigns for Hillary Clinton. None of these presidential campaigns was successful.
- Even his successes were not always huge box office smashes. Even Spinal Tap and The Princess Bride were only modest hits at the time.
- Unusually, Reiner’s screenwriters – Nora Ephron, Aaron Sorkin and William Goldman have often received more credit for his films than he has. All were admittedly great.
But credit where credit’s due, Rob Reiner: six great films. That’s six more than most directors manage in a lifetime.
It’s been argued that his good films primarily are good because of their casts and writers and Rob Reiner became lost without them.
Good point. That said,
Nora Ephron was a great writer but also wrote Michael and Bewitched. Both awful.
William Goldman has often been great but has done lots of duds too (The Ghost and the Darkness, Memoirs of an Invisible Man).
Reiner deserves some credit clearly.
Reblogged this on Chris Hallam's World View.